Nancy Nevinson

Also released under the title Young Sherlock Holmes and the Pyramid of Fear, this film follows the adventures of young John Watson (Alan Cox) when he is shipped off to boarding school and meets up with the brilliantly bizarre Sherlock Holmes (Nicolas Rowe). The two boys strike up a friendship and promptly become involved in the investigation of a number of mysterious murders. When their curiosity gets them into trouble with a dangerous religious cult, Watson and Holmes must struggle to avoid capture while attempting to notify the authorities. ~ Iotis Erlewine, All Movie Guide

An Anglo-American co-production, S.O.S. Titanic is a costly, 150-minute reenactment of the infamous sea disaster of 1912. Heading the cast is David Janssen as millionaire John Jacob Astor, who went down with the Titanic, and Cloris Leachman as raucous Denver dowager Molly Brown, who didn't (for the record, Leachman had previously played Brown on a 1957 episode of the TV anthology Telephone Time). Third-billed is Susan Saint James as fictional passenger Leigh Goodwin, who carries most of the dramatic load. Written by Hallmark Hall of Fame veteran James Costigan, the made-for-television S.O.S. Titanic premiered September 23, 1979. In subsequent network and syndicated showings, the film was pared down to 102 minutes. ~ Hal Erickson, All Movie Guide

In this taut British horror movie, a lesbian entertains visitors at her lovely English country manor. Unfortunately, something transpires that causes the lesbian to fly into a jealous rage and begin killing people in gory ways. ~ Sandra Brennan, All Movie Guide

Based on the novel by John Le Carre, The Spy Who Came in from the Cold stars Richard Burton as a dispirited, end-of-tether British secret agent. He comes in from "the cold" (meaning he is pulled out of field operations) to act as a undercover man behind the Iron Curtain. To make his staged defection seem genuine, Burton goes on an alcoholic toot and is imprisoned and publicly humiliated. Once he has been accepted into East German espionage circles, Burton discovers that what he thought was his mission was a mere subterfuge--and that he's been set up as a pawn for an entirely different operation. Though Ireland and England "stand in" for East Berlin, Spy Who Came In From the Cold has the air of authenticity throughout, thanks in great part to the bleak black and white photography by Oswald Morris. The film was condemned as incomprehensible by those filmgoers accustomed to the simplistic melodramatics of James Bond; seen today, the double-crosses and double-double crosses seem all too clear and credible. ~ Hal Erickson, All Movie Guide

A mother who wants only the best for her challenged daughter faces a number of new and unexpected dilemmas in this romantic drama. Margaret Johnson (Olivia de Havilland) is a wealthy woman taking a tour of Europe with her 26-year-old daughter Clara (Yvette Mimieux). Clara is blonde, beautiful, and charming, but beneath the surface lurks a serious problem -- as a result of a head injury she suffered as a child, Clara is mildly retarded and has the mental capacity of a ten-year-old. While Margaret's husband Noel (Barry Sullivan) has long contended that Clara should be institutionalized, Margaret refuses to hear of it, and she sees to it that her daughter lives as normal a life as possible. While in Italy, Margaret and Clara meet a handsome young man named Fabrizio Naccarelli (George Hamilton), the son of a prosperous local, Signor Naccarelli (Rossano Brazzi). Fabrizio is immediately smitten with Clara, and she seems equally fond of him; since Frabrizio has a spotty command of English and isn't especially perceptive to begin with, he doesn't notice anything unusual about her. Before long, Fabrizio asks Margaret for Clara's hand in marriage; while this would be a big step toward the "normal" life that Margaret has long dreamed of for her daughter, she's not sure if Clara is capable of handling the responsibilities of marriage and parenthood, and she is equally uncertain if she should reveal the nature of Clara's condition to the Naccarellis, even though she knows that it would be terribly unfair for Fabrizio to marry Clara without knowing the truth. Light in the Piazza was beautifully shot on location in Italy by award-winning cinematographer Otto Heller. ~ Mark Deming, All Movie Guide

Very Important Person is an amusing British comedy set in a German POW camp during World War II. Sir Ernest Pease (James Robertson Justice) is a self-important professor with a bloated ego and a lightning put-down. When he is flown over Germany disguised as a navy officer to check out the effectiveness of one of his radar inventions, his plane is shot down and he lands in the POW camp. All sorts of misunderstandings arise, since the other prisoners suspect him of being a spy. In the meantime, there are the expected clashes of wit between the British prisoners and their dour German captors and the inevitable camp-organized concert. In the midst of these activities, the professor is challenged to find a way to escape. ~ Eleanor Mannikka, All Movie Guide

Albert Lieven plays German general Erwin Rommel in this British war drama set in Libya and Egypt. A spy working on behalf of Rommel slips behind British lines and swipes "valuable" battle plans. Actually the information is false, planted by counterintelligence in hopes of misleading the "desert fox". Based on a true story, Foxhole in Cairo is an instructive if not overly suspenseful history lesson. Keep an eye peeled for Michael Caine, billed 16th in the published cast list (but uncredited in many prints). ~ Hal Erickson, All Movie Guide

Wonderful Things was one of two Frankie Vaughan vehicles produced in the late 1950s by actress Anna Neagle. The popular British recording artist is cast as a Gilbraltar fisherman named Carmello, who vies with his brother Mario (Jeremy Spenser) over the attentions of the beauteous Pepita (Jackie Lane). While on holiday in London, Carmello falls in love with society girl Anne (Jean Dawnay), leaving the field clear for Mario back home. Since this is essentially a romantic drama, Frankie Vaughan limits himself to a single ballad, but it's a good one. Wilfred Hyde-White offers the film's best performance as the debutante's dry-witted papa. ~ Hal Erickson, All Movie Guide