Chantal Neuwirth Movies

In the wake of screen adaptations by such acclaimed filmmakers as Andrzej Zulawski and Manoel de Oliveira, director Christophe Honoré updates Madame de Lafayette's novel La Princesse de Clèves while placing the story in a contemporary setting. Junie (Léa Seydoux) is new in Paris, and there isn't a man in the city that hasn't noticed. Chief among her admirers are teacher Nemours (Louis Garrel) and gauche fellow student Otto (Grégoire Leprince-Ringuet). As passions flare, it becomes readily apparent that Nemours maintains a rather liberal approach to student-teacher relationships. ~ Jason Buchanan, Rovi

Audrey Tautou, who rose to international stardom with the title role in Jean-Pierre Jeunet's worldwide smash Amélie, reunites with the director for this drama, set during the darkest days of World War I and its immediate aftermath. Mathilde (Tautou) is a pretty but frail young women who was left with a bad leg after a childhood bout with polio. Mathilde lives in a small French village with her Aunt Bénédicte (Chantal Neuwirth) and Uncle Sylvain (Dominique Pinon), and is engaged to marry Manech (Gaspard Ulliel), the son of a lighthouse keeper who is fighting with the army near the German front. Manech is one of five soldiers who have been accused of injuring themselves in order to be sent home; in order to discourage similar behavior among their comrades, Manech and the other soldiers are sentenced to death, and the condemned men are marched into the no man's land between the French and German lines, where they are certain to be killed. Mathilde receives word of Manech's death, but in her heart she believes that if the man she loved had been killed, she would know it and feel it. Convinced he's still alive somewhere, Mathilde hires a private detective (Ticky Holgado) shortly after the end of the war, and together they set out to find the missing Manech. Jodie Foster appears in a supporting role as a Polish expatriate living in France. ~ Mark Deming, Rovi

Daisy von Sherler Mayer directed this family film, an adaptation of the famed book series that Austrian-born writer-illustrator Ludwig Bemelmans (1898-1962) launched in 1939 with the opening lines, "In an old house in Paris that was covered with vines lived twelve little girls in two straight lines. In two straight lines they broke their bread and brushed their teeth and went to bed. They smiled at the good and frowned at the bad and sometimes they were very sad. They left the house at half past nine in two straight lines in rain or shine -- the smallest one was Madeline." This live-action film interpretation, set during the mid-1950s, expands on plot elements found throughout several books in the series. Lord Covington (Nigel Hawthorne) plans to sell the small French boarding school where the young orphan Madeline (nine-year-old British actress Hatty Jones) lives with other girls under the supervision of sympathetic schoolmistress Miss Clavel (Frances McDormand). Hospitalized after an appendectomy, Madeline wanders down the hospital hallway and meets Covington's dying wife, Lady Covington (Stephane Audran), an encounter which becomes an asset in Madeline's efforts to save the school. Moving into the house adjacent to the school is the family of the Spanish Ambassador (Arturo Venegas), including his young son Pepito (Kristian de la Osa), who spends a good deal of time wheeling about on his Vespa, so noisy it serves to irritate possible buyers of the school.
When Madeline falls into the Seine, she is rescued by a dog, Genevieve, who immediately becomes the school's mascot and pet, despite the "no pets" rule and Miss Clavel's allergy to dogs. Pepito's somewhat sinister British tutor Leopold (Ben Daniels) engineers a plan that leads to the county fair kidnapping of Pepito and Madeline. First filmed by UPA in the early '50s as the Oscar-nominated animated cartoon short, Madeline (1952), decades passed before other adaptations appeared: the 23-minute Madeline's Rescue and Other Stories (1990, available from Facets Video), narrated by Louise Roberts; and the 1989-1993 series of half-hours narrated by Christopher Plummer -- Madeline, Madeline and the Bad Hat, Madeline and the Gypsies, Madeline in London, Madeline's Christmas, and Madeline's Rescue. MGM's 1945 Fred Astaire/Vincente Minnelli film Yolanda and the Thief also adapted Bemelmans. Daisy von Scherler Mayer's earlier Party Girl (1995) was the first feature film seen in its entirety on the Internet. ~ Bhob Stewart, Rovi

After a 10-year absence, 27-year-old Amelie (Florence Pernel) returns home to suburban Paris and the decaying motorcycle-dealership/junkyard where she was raised. Her hope is that time has healed the open wound of hostility between herself and her alcoholic older brother Adrien (Dominique Pinon). Amelie dusts off an ancient motorcycle, revs it up, and practices riding inside the immense sphere of metal latticework constructed by her late father. The local popularity of this stunt suggests a broader appeal plus profits, so soon the act goes on the road, where emotions spin out of control. ~ Bhob Stewart, Rovi

From time to time a deceased novelist or artist is sufficiently revered that, as a form of homage, his disciples will take one of his unfinished projects and attempt to bring it to completion. The screenplay for La Petite voleuse was written by Claude Miller, Luc Beraud and Anne Miller based on a scenario co-authored by the late French cinema great Francois Truffaut. It brings a respectful, unsentimental, and unflinching eye to bear on the life of Janine Castang (Charlotte Gainsbourg), a 16-year-old girl beset with antisocial drives due in part to an unpleasant home life. After the Second World War, her mother was made an outcast for consorting with the Germans, and she entrusted Janine to the doubtful care of her milquetoast brother and his highly unsympathetic wife. Janine has a vivid fantasy life, and a problem with kleptomania. After she's caught stealing she's forced to go to work as a maid rather than continue in school. Soon afterward, her romantic nature flowers in a number of new relationships which place new obstacles before her. ~ Clarke Fountain, Rovi

Four inventive teachers at a normal French high school act up and act out some of their imaginative ploys to either help kids learn, or to undermine the opposition to their unorthodox teaching. Frederic (Patrick Bruel), Michel (Fabrice Luchini), Gerard Laurent Gamelon), and Francis (Christophe Bourseiller) try valiantly to get their students to hit the books, but their tactics are not always appreciated -- and may seem a little trite to viewers who have been around that block before. ~ Eleanor Mannikka, Rovi

Elements of Shakespeare's A Midsummer Night's Dream are mixed with a few doses of Bell, Book and Candle in the French Rendez-Moi Ma Peau. A contemporary witch decides to switch the personalities of two wildly divergent mortals. The comic complications involve the "uptight" character's attempts to adapt to a freewheeling lifestyle, and vice versa. Some potent satirical points are made, but for the most part we're in this for the laughs, and nothing but the laughs. Director Patrick Schulmann doubled as the film's screenwriter, then trebled as musical composer. ~ Hal Erickson, Rovi