Franco Nero Movies

The premise of this film -- that many magistrates in the Italian system of justice are on the take from corporations, politician, and gangsters -- was soon overshadowed by real-life revelations of corruption in high places. One high point in this political melodrama is the humanity with which actor Fernando Rey endows the Chief Justice. ~ Clarke Fountain, Rovi

Adapting the Gothic novel The Monk, by Matthew G. Lewis, Luis Buñuel and Jean-Claude Carrière wrote the screenplay for this French film, directed by Buñuel's friend, Ado Kyrou. In the story, Ambrosio (Franco Nero) is a monk who is sexually tempted by an emissary of the Devil, a young girl in monk's robes. After he has committed numerous crimes, it appears that he will be caught and punished by the Inquisition. Instead, he signs up on the Devil's team and wins his freedom...and eventually, the papacy. ~ Clarke Fountain, Rovi

In this unusual spaghetti western departure for exploitation filmmaker Paolo Cavara (La Tarantola dal Ventre Nero), two friends help Sam Houston work for Texas statehood. Johnny Ears (Franco Nero) and his deaf-mute sidekick Erastus "Deaf" Smith (Anthony Quinn) go after a Mexican general (Franco Graziosi) under orders from Germany to agitate the populace. The film looks terrific, thanks to cinematography by Tonino Delli Colli (Once Upon a Time in America), but is often lacking in the story department. Perhaps part of the blame belongs to co-screenwriter Harry Essex, fresh off the dreadful sci-fi flop Octaman (1971). Pamela Tiffin appears as a prostitute, and the film co-stars Tom Felleghy and Renato Romano. ~ Robert Firsching, Rovi

Liv Ullman portrays a female pope -- based on a long-held rumor that the papacy was held by a woman between the reigns of Leo IV and Benedict III -- in this rambling saga directed by Michael Anderson. The British version of the film has been cut, not only removing twenty-one minutes of the film but also an entire contemporary framing story. In the full version, a modern-day woman evangelist, played by Ullman, who feels an affinity to the legendary Pope Joan, pays a visit to her psychiatrist (Keir Dullea). Searching through her past lives to see whether she is the reincarnation of Pope Joan, the film then flashbacks 1000 years to pick up Joan (Ullman in an earlier incarnation of her character) undergoing a succession of trials and tribulations. Joan then meets up with and becomes the mistress of Adrian (Maximilian Schell), a monk with an artistic bent. After the death of Charlemagne when roving bands of Saxons are raping women and ransacking the countryside, Joan flees the country by cutting her hair short and dressing like a man. Together Joan and Adrian escape to Greece. In Greece, Joan's street-corner preaching draws the attention of Pope Leo IV (Trevor Howard), who is impressed by her impassioned rendering of the Gospel. Still disguised as a man, Pope Leo, clueless as to her true sex, hires her as his secretary. From there, she rises up the ladder of the Roman Catholic Church, becoming a cardinal and then Pope Leo's successor. But then she becomes pregnant by a lover from her past (Franco Nero) and Joan must hide her delicate condition from the papal authorities and the rowdy masses. ~ Paul Brenner, Rovi

In the uncertain days following the end of World War II, disillusioned German soldiers wander aimlessly over the charred countryside of Italy. Two of these soldiers are rounded up by their superiors and charged with desertion--surrender or no surrender. Despite an Allied edict that the Germans are no longer permitted to stage military trials, the two hapless conscripts are sentenced to death by firing squad. The Fifth Day of Peace was based on a true story. ~ Hal Erickson, Rovi

A pair of crazed and violent fleeing criminals kidnap a young boy and hold him hostage as they try to escape the law. ~ Rovi

Luigi Bazzoni (Le Orme) directed this outstanding giallo thriller starring Franco Nero as a hard-drinking newspaperman who gets involved in a string of brutal murders. After he investigates the first, he becomes a suspect himself but eventually manages to unravel a complex plot involving blackmail, adultery, and private sex shows. Wolfgang Preiss plays a creepy doctor, and Edmund Purdom is around as well. The impressive score is by Ennio Morricone, and the film looks great thanks to cinematographer Vittorio Storaro, on his way to his triumph with Last Tango in Paris. ~ Robert Firsching, Rovi

An asylum runaway receives help from a housewife when they attempt to clear the man's name. ~ Rovi

In this Italian suspenser, a crooked detective begins investigating a situation on behalf of a friend and gets involved in murder, deception and double-cross. ~ Sandra Brennan, Rovi

This melodrama is taken from a story by D.H. Lawrence. Yvette (Joanna Shimkus) and her sister Lucille (Harriet Harper) are two country girls who return home after attending a provincial school. Yvette is smitten by the sight of a handsome gypsy (Franco Nero). Her stern matriarchal grandmother (Fay Compton) objects, but Yvette continues to see the dashing young man who awakens her sexual curiosity. She is comforted by Mrs. Fawcett (Honor Blackman) and Major Eastwood (Mark Burns), two people living in sin, much to the chagrin of the moralistic townsfolk. Yvette and the gypsy finally engage in a forbidden romantic encounter after weeks of longing gazes and social disapproval from friends and family on both sides. ~ Dan Pavlides, Rovi

Originally released as The Battle of the Neretva, this sprawling epic is a tribute to the Yugoslav partisan fighters of World War II. Yul Brynner stars as a guerilla leader whose mission in life is to eradicate all Nazis from his homeland (recently revealed instances of Yugoslav collaboration are dispensed with in this uncomplicated actioner). Hardy Kruger costars as Brynner's principle German antagonist. Originally released at 175 minutes, this $12 million spectacular was ruthlessly whittled down to 102 minutes by its American distributors. The resultant film looks like a series of outtakes in search of a story, but the action scenes more than compensate for the overall incoherence. ~ Hal Erickson, Rovi