Portia Nelson Movies

Glitz producer Allan Carr tries to cash in on the late-'70s disco boom with Can't Stop the Music -- a film of such Brobdingnagian banality that it almost in itself stopped the disco movement cold. Comedienne Nancy Walker directed this musical chronicle, purporting to relate the legend of the formation of the disco group The Village People. Valerie Perrine is Samantha Simpson, a helpful ex-model who attempts to get her roommate, Jack Morrell's (Steve Guttenberg), songwriting career off the ground by assembling a motley group of her Greenwich Village friends (The Village People) together to cut a demo tape of Jack's ditties. All Samantha has to do is charm the square lawyer Ron White (Bruce Jenner) in order to get him to listen to The Village People's scintillating disco strains. ~ Paul Brenner, Rovi

Rex Harrison, although not at all like the portly man described in Hugh Lofting's charming series of children's stories, is sheer perfection as the kindly animal doctor in Leslie Bricusse's musical fantasy Doctor Dolittle. Sadly, Harrison is the only thing nearing perfection in this overstuffed and over-mounted fiasco that nearly brought down 20th Century Fox. Considered a lunatic because he can converse in 498 animal dialects, Dolittle gathers up his friends Matthew Mugg (Anthony Newley) and Emma Fairfax (Samantha Eggar) and heads off on a journey to the South Seas to find the elusive great pink snail and the giant lunar moth. Along the way, the group encounters a succession of bizarre human and animal characters -- most notably the legendary pushme-pullyou, an animal so freakish that it compels Albert Blossom (Richard Attenborough) to burst out into the exuberant song, "I've never Seen Anything Like It in My Life." Incredibly, the film was nominated for a Best Picture Oscar in 1967. ~ Paul Brenner, Rovi

One of the most popular movie musicals of all time, The Sound of Music is based on the true story of the Trapp Family Singers. Julie Andrews stars as Maria, a young nun in an Austrian convent who regularly misses her morning prayers because she enjoys going to the hills to sing the title song. Deciding that Maria needs to learn something about the real world before she can take her vows, the Mother Superior (Peggy Wood) sends her off to be governess for the children of the widowed Captain Von Trapp (Christopher Plummer). Arriving at the Trapp home, Maria discovers that her new boss is cold and aloof, and his seven children virtual automatons-at least, whenever the Captain is around. Otherwise, the kids are holy terrors, as evidenced by the fact that Maria is the latest in a long line of governesses. But Maria soon ingratiates herself with the children, especially oldest daughter Liesl (Charmian Carr), who is in love with teenaged messenger boy Rolf. As Maria herself begins to fall in love with the Captain, she rushes back to the Abbey so as not to complicate his impending marriage to a glamorous baroness (Eleanor Parker). But the children insist that Maria return, the Baroness steps out of the picture, and Maria and the Captain confirm their love in the song "Something Good." Unhappily, they return home from their honeymoon shortly after the Nazis march into Austria. Already, swastikas have been hung on the Von Trapp ancestral home, and Liesl's boyfriend Rolf has been indoctrinated in the "glories" of the Third Reich. The biggest blow occurs when Von Trapp is called back to active duty in the service of the Fuhrer. The Captain wants nothing to do with Nazism, and he begins making plans to take himself and his family out of Austria. ~ Hal Erickson, Rovi