Novella Nelson Movies
- 1990
Done in a semi-documentary style, this is a discussion of women in menopause which is done in a trendy, 90s style that tends to be preachy, arty and more socially conscious than necessary for the format used. ~ Tana Hobart, Rovi
- Starring:
- Alice Spivak, Novella Nelson, (more)
Brian De Palma's Hollywood sanitization of Tom Wolfe's scabrous satire stars Tom Hanks as Sherman McCoy, the "master of the universe," a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria's apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman's car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow. ~ Paul Brenner, Rovi
- Starring:
- Tom Hanks, Bruce Willis, (more)
- 1989
This drama chronicles the career of pediatric immunologist James Oleske who was one of the first doctors to recognize the AIDS virus in children. ~ Rovi
- 1987
- R
Two brothers kidnap a boozy gangster and try to hold him for ransom in this psychological thriller. Harold (Albert Finney) is lured from a saloon by Treat (Matthew Modine) to their squalid tenement. He and his reclusive and agoraphobic brother, Phillip (Kevin Anderson), have no idea Harold is a mobster, only that he looks prosperous. Harold is reminded of his impoverished youth when he sees how the brothers live, and he offers to help the aspiring young thugs. ~ Dan Pavlides, Rovi
- Starring:
- Albert Finney, Matthew Modine, (more)
Set in 1963, The Flamingo Kid finds 18-year-old Brooklynite Matt Dillon, the son of blue-collar Hector Elizondo, getting a taste of the Good Life by joining several of his friends at "El Flamingo", a swank Long Island beach club. Wealthy car salesman Richard Crenna, the uncle of Matt's girl friend Janet Jones, befriends the boy and takes him under his wing. Thanks to Crenna's influence, Matt secures a good job at the Flamingo. The boy is bedazzled by Crenna's sumptuous lifestyle, and most especially by the older man's reputation as the Flamingo's reigning gin rummy champ. Dillon begins taking on airs, which alienates his down-to-earth father. Watch for a scene in which, while channel-surfing with his new remote control, Richard Crenna watches a fleeting clip from the old TV sitcom The Real McCoys--featuring Richard Crenna. ~ Hal Erickson, Rovi
- Starring:
- Matt Dillon, Richard Crenna, (more)
Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, Rovi
- Starring:
- Richard Gere, Gregory Hines, (more)
- 1984
This by-the-numbers comedy stars Wayne Rogers and Karen Valentine as Alex and Annabelle Grier. Alex is a well-paid ad executive who is laid off during an economic downswing. In order to continue living in the manner to which she he is accustomed, Alex's wife Annabelle decides to look for work. Unfortunately, her practical experience is nil, so Alex labors behind the scenes, training his wife to become a top-drawer copywriter. Inevitably, when Annabelle finally does land a job, it turns out to be a major blow to Alex's ego. Initially titled Paper Castles, this made-for-TV movie was first shown December 18, 1984. TV Guide/Marrill ~ Hal Erickson, Rovi
- 1979
- R
Alan Alda wrote and starred in this tale about a big-time politician's struggles with his own morality and the corruption he finds surrounding him. He plays a U.S. Senator, Joe Tynan, who falls for a lovely lady attorney and has an affair that jeopardizes his marriage, and possibly, his career. ~ Rovi
- Starring:
- Alan Alda, Barbara Harris, (more)
A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, Rovi
- Starring:
- Jill Clayburgh, Alan Bates, (more)
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