Novella Nelson Movies

A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, Rovi

Directed by Jonathan Glazer, Birth takes place in New York's Upper East Side, where Anna (Nicole Kidman), a 35-year-old widow, resides. Just as Anna has shaken off what she thought were the final remnants of her old life -- she has even found love with a new man, Joseph (Danny Huston), whom she plans on marrying -- Sean (Cameron Bright), a ten-year-old boy, comes into her life insisting that he is the reincarnation of her late husband. Though she initially brushes off the boy's claims as the result of a crush on her, his grave demeanor and uncanny knowledge of her life leads Anna through a self-reevaluation that not only threatens her marital plans with Joseph (Huston), but also strains her relationship with her mother, Eleanor (Lauren Bacall). ~ Tracie Cooper, Rovi

In this chilling made-for-cable-television outing, the population of the United States is nearly wiped out by a sexually transmitted disease. In order to stop its spread, those infected are sequestered in special camps. To make sure no infected person is allowed to go free, a group of vigilantes begins terrorizing city streets in search of carriers. The story is based on an off-Broadway play by Alan Browne. ~ Sandra Brennan, All Movie Guide

The contradictions of America's simultaneous love and fear of violence go under the microscope in this drama from Danish filmmaker Thomas Vinterberg. Dick (Jamie Bell) is a timid young man growing up in a mining town where he's been deemed to frail to work with the other men. Dick is given a toy gun by a girl who works in a dime store, and he becomes fascinated with the weapon -- especially when it becomes clear that the gun isn't a toy after all. Dick and a handful of other local misfits who are also interested in guns form a gang called "the Dandies," a band of self-styled pacifists who make it their policy to never use their weapons as they lead the town's young people by example. However, as their obsession with firearms grows, Dick and his fellow Dandies are approached by local police chief Krugsby (Bill Pullman), who asks them to look after Sebastian (Danso Gordon), the violent son of Dick's maid Clarabelle (Novella Nelson). At first, the Dandies see this as a challenge to bring Sebastian over to the cause of nonviolence, but soon his influence begins to impact Dick and his compatriots, with devastating results. Scripted by Lars von Trier, Dear Wendy received its North American premiere at the 2005 Sundance Film Festival. ~ Mark Deming, Rovi

Green Card fuses the template of a light romantic comedy with a classic fish-out-of-water scenario. In order to retain her beautiful rent-controlled Manhattan apartment, a beautiful, socially-conscious American woman (Andie MacDowell) has to be married, so she decides to marry a burly French composer (Gerard Depardieu), who is eager to earn a green card so he can stay and work in America. After the marriage, the couple doesn't live together, but when the government's Immigration agents begin to investigate the pair, they are forced to put up a charade to convince the authorities that they are truly in love. Of course, the charade eventually becomes reality. ~ Stephen Thomas Erlewine, Rovi

Can a high-attitude African-American politician who says what he thinks stand a chance in a presidential campaign? Mays Gilliam (Chris Rock) is a straight-talking alderman representing a inner-city neighborhood in Washington, D.C. In the midst of a hard-fought race for the White House, the Democratic presidential and vice-presidential candidates are killed in an airline crash, and with little time to prepare a new campaign, the Republican candidate, Vice President Brian Lewis (Nick Searcy), seems all but guaranteed to win. With practically nothing to loose, party head Martin Geller (Dylan Baker) approaches Gilliam and asks him to stand as the Democrat's presidential candidate. While Gilliam is dubious at first, before long his streetwise style and willingness to face the issues head-on earns him surprising figures in the polls, especially after he persuades his short-fused older brother, Mitch Gilliam (Bernie Mac), to join the ticket as vice presidential candidate -- a big jump for a bail bondsman. Gilliam's love life also becomes more complicated as his ex-girlfriend Kim (Robin Givens) decides she wants him back now that he has a shot at the White House, even though Gilliam only has eyes for Lisa (Tamala Jones). Head of State marked the directorial debut for comic and actor Chris Rock, who also co-wrote and co-produced the film. ~ Mark Deming, Rovi

Judy Berlin allows the audience to take a glimpse of a day at once strange and ordinary with the residents of Babylon, Long Island. Judy (Edie Falco) is an aspiring actress who is quitting her job as a "pilgrim" in a local historical museum's display to take her chances in Los Angeles. Her mother is a gifted but bitter schoolteacher (Barbara Barrie) who has long loved principal Arthur Gold (Bob Dishy) from afar. However, Arthur has a wife, Alice (Madeline Kahn), who's more than a bit eccentric and has driven him to distraction. Arthur and Alice have a son, David (Aaron Harnick), who like Judy has showbiz aspirations (he wants to be a filmmaker), though unlike Judy he has no idea of what to do about it; when Judy and David meet, could romance be lurking around the corner? First-time director Eric Mendelsohn has equipped this offbeat comic drama an outstanding cast, which also includes Julie Kavner, Anne Meara, and Novella Nelson. ~ Mark Deming, Rovi

When a prostitute is murdered, detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) question deli owner McCracken (Brian Smiar), who has a history of harassing hookers. Another likely suspect is plastic surgeon Dr. Mark Danforth (Jonathan Walker), who may have been a client of the dead woman. At the end of the day, it is Assistant D.A. Kincaid (Jill Hennessy), rather than her more experienced associate McCoy (Sam Waterston), who must decide whether the right person has been accused of the crime. ~ Hal Erickson, Rovi

Detectives Stabler (Christopher Meloni) and Benson (Mariska Hargitay) investigate when the five-year-old son of prominent psychiatrist Brett Morton (Kyle MacLachlan) vanishes from a toy store. Though the most obvious suspect would seem to be the convicted child molester seen hanging around the store just before the boy's disappearance, the trail of clues ultimately leads to the victim's 13-year-old neighbor Jake O'Hara (Jordan Garrett). Despite his youth, Jake proves to be a cunning sociopath, adept at manipulating the detectives and leading them down several wrong paths. Ultimately, however, Jake meets his doom at the hands of someone even more clever--and far more manipulative--than he is. ~ Hal Erickson, Rovi

A rich but bigoted man is forced to confront his ugliest prejudices face to face in this thriller. Frank Kramer (John Rubinstein) is a successful but narrow-minded attorney who comes home one day to discover that his daughter Nicole (Rhea Silver-Smith) is missing. Kramer shortly receives a telephone call from someone who claims to be holding his daughter hostage and gives him instructions to visit a pay phone in one of the most crime-ridden ghettos in New York City. Furious, but too worried not to follow orders, Kramer does as he's told and takes a call at the public phone -- only to be told to go to another phone booth in another, equally dangerous part of town. As Kramer dashes from telephone to telephone while being confronted by muggers, drug dealers, prostitutes, and angry people who simply don't want him in their neighborhood, it becomes evident that the kidnappers aren't just interested in money -- they have a personal grudge against Kramer, and they want their revenge to be psychological as much as financial. In time, Kramer discovers that he does indeed know one of the kidnappers -- Ruby (Amber Kain), the daughter of Kramer's maid, who has pulled the job with the help of her boyfriend -- and he discovers that his ex-wife is no more sympathetic to him than Ruby and her partner. ~ Mark Deming, Rovi

A pair of estranged twins driven apart by the death of their parents find reconciliation and redemption after following radically different paths in life in director Charles Randolph-Wright's righteous tale of sibling rivalry and divine intervention. Upon losing their parents, twin brothers Teshawn (Billöah Greene) and Wesley Tucker (Darien Sills-Evans) each attempt to deal with the devastating blow in their own personal ways. While Wesley falls back on his faith by becoming a respected Harlem minister, Teshawn breaks into the music business by transforming himself into thuggish gangsta rapper Zulu. With his star on the rise and the future looking bright, Teshawn is suddenly forced to flee his West Coast home for the safety of Harlem when vengeful record producer Bull Sharky (Adewale Akinnuoye-Agbaje) vows to put an end to more than just his recording career. As Teshawn seeks sanctuary in the open arms of his forgiving brother and the gospel church, his work with the failing church choir offers fulfilling sense of community that soon leads him into the arms of attractive churchgoer Kia (Janine Green) -- a no-nonsense woman of God who holds Harlem's rich history near and dear to her heart. Now, as Bull Sharky and violent his crew begin knocking down doors in a desperate attempt to locate the exiled hip-hop star, Teshawn and Wesley are compelled to confront the past in order to clear the path for a brighter future. ~ Jason Buchanan, Rovi

Done in a semi-documentary style, this is a discussion of women in menopause which is done in a trendy, 90s style that tends to be preachy, arty and more socially conscious than necessary for the format used. ~ Tana Hobart, Rovi