Lori Nelson Movies

All I Desire an early exercise in Douglas Sirk Baroque, is set at the turn of the century. Long divorced from her husband Richard Carlson, itinerant actress Barbara Stanwyck returns to her home town to watch her daughter perform in a high school play. Stanwyck decides to turn over a new leaf and devote herself to the daughter she's never known. This she finds next to impossible, thanks to ugly small-town gossip attending her return. The film was obviously building up to an unhappy ending, but producer Ross Hunter intervened, tacking on an unbelievably upbeat denouement. This artistic outrage evidently didn't hurt Hunter's relationship with director Douglas Sirk, inasmuch as the two would continue to successfully collaborate in the future. All I Desire is based on a novel by Carol Brink. ~ Hal Erickson, All Movie Guide

The third and (as of 1998) final film version of Max Brand's Destry Rides Again, this 1954 Audie Murphy vehicle owes more to the 1939 Jimmy Stewart version than it does to the Brand original. Murphy plays Tom Destry, the peace-loving son of a notorious gunslinger. Destry is summoned to a wide-open western town in hopes that he can stem the villainies of saloon owner Decker (Lyle Bettger) and crooked mayor Sellers (Edgar Buchanan). Though he prefers to talk rather than slap leather, Destry manages to keep the bad guys at bay. But when his best friend, town-drunk-turned-sheriff Rags Barnaby (Thomas Mitchell), is killed by Decker's minions, Destry straps on the shootin' irons and goes to work. Mari Blanchard essays the Marlene Dietrich role as vacillating saloon-hall chirp Brandy, while Lori Nelson is the "good"girl with whom Destry ultimately settles down. Though most of the highlights of Destry -- including the all-girl saloon brawl -- are lifted bodily from 1939's Destry Rides Again, the 1954 film lacks the light touch of the earlier picture, despite the fact that comedy craftsman George Marshall directed both pictures. ~ Hal Erickson, All Movie Guide

Francis Goes to West Point is the third entry in Universal's money-spinning series about a talking mule. Donald O'Connor once again stars as Peter Sterling, who with the garrulous Francis' helps prevent the destruction of an atomic energy plant. As a reward, Peter is given a scholarship to West Point, where he quickly distinguishes himself as the military academy's biggest foul-up. Peter's future as an officer and a gentleman is saved by the timely arrival of Francis, who functions as the West Point football team's mascot. This time around, O'Connor is allotted two lovely leading ladies, played by Lori Nelson and Alice Kelly. Two of the West Point cadets are played by future TV favorites David Janssen and James Best. And as always, Francis' Southern-fried voice is supplied by Chill Wills. ~ Hal Erickson, All Movie Guide

I Died a Thousand Times is a scene-by-scene remake of the 1941 crime-drama classic High Sierra. Jack Palance steps into the old Humphrey Bogart role as Roy "Mad Dog" Earle, the ageing bank robber who intends to pull off one last heist before retiring. Sprung from prison by likeable crime boss Big Mac (Lon Chaney Jr.), Earle is commissioned to mastermind the robbery of a resort hotel. His partners in crime include the hotheaded, immature Babe (Lee Marvin) and Red (Earl Holliman), as well as "inside man" Mendoza (Perry Lopez). Also along for the ride is Marie (Shelley Winters), a dance-hall girl whom Babe has picked up. Marie falls in love with Earle, but he has eyes only for Velma (Lori Nelson), the club-footed daughter of a farmer (Ralph Moody) whom Earle had earlier befriended. Intending to use his share of the loot to finance Velma's operation, Earle goes through with the robbery, only to be thwarted by the ineptitude of his partners, the treachery of the late Big Mac's successors, and, finally, the fickle Velma. With the faithful Marie by his side, Earle makes a desperate escape into the High Sierras, but fate is still against him. Essentially an itinerary of what has previously "clicked" in High Sierra, I Died a Thousand Times makes a few concessions to changing tastes and mores; the stereotype comedy-relief character played by black actor Willie Best in the original film, for example, has been replaced by the more "acceptable" (at least by 1950s terms) stereotyped Mexican played by Gonzales-Gonzales. While the 1955 film cannot match the excellence of its 1941 role model, I Died a Thousand Times works pretty well on its own terms. ~ Hal Erickson, All Movie Guide

Ma and Pa Kettle at the Fair was Number Four in Universal's immensely successful "B"-picture series. It is giving away nothing to reveal that Marjorie Main and Percy Kilbride once more assume the title roles. The plot is motivated by Ma's desire to send daughter Rosie (Lori Nelson) to college. To that end, she intends to win a big cash prize at the upcoming county fair. Meanwhile, Pa uses his half of the winnings (which no one, as yet, has really won!) to purchase a race horse. When Mafails to win the money, the Kettles are forced to rely on the horse to save the day during a sweepstakes race. Towards the end of Ma and Pa Kettle at the Fair, a close-up of the racing statistics sheet is shown, revealing that one of the owners is "Quinn Martin"--a cute inside joke, inasmuch as Mr. Martin was a prolific scriptwriter and a friend of Ma and Pa Kettle producer Leonard Goldstein. ~ Hal Erickson, All Movie Guide

This unusual western drama stars Ben Cooper as Jeff Blaine ,a twelve-year-old boy growing up sans a mother or a father in the small town of Plainsville. Jeff's mom died during his infancy, and his dad Nate (Dane Clark) left not long after and became an outlaw. With both of the parents absent, Jeff's aunt, Ruth Sewall (Ellen Drew) decided to step in and raise the young boy. As the tale opens, Nate turns up at Ruth's home and reveals his recent involvement in a gunfight. Because the law is on his tail, his time is rapidly running out. Though Nate hopes to make amends with his son, Jeff stringently rejects him, and Ruth backs up the boy's sentiments by politely asking Nate to leave, then returning the meager amount of support money that Nate sent to Jeff. In time, father and son do begin to make amends, but several obstacles threaten to stand in the way of a peaceful long-term relationship between them, including the violence of Nate's past, and the hostility of Ruth, who soon demonstrates that she's willing to do almost anything to make sure that the outlaw father doesn't take permanent custody of his son. ~ All Movie Guide

Revenge of the Creature is, of course, the sequel to Universal's fabulously successful The Creature from the Black Lagoon--and like its predecessor, the film was lensed in 3-D (though released "flat" in most theatres). Though the audience had seen the Gill-Man shot full of holes in the first picture, he still resides in the Black Lagoon in the sequel, apparently none the worse for wear. Two oceanographers (John Bromfield and Robert B. Williams) capture the creature and put him on display at Florida's Ocean Harbor Park (actually Marineland of the Atlantic). Here the hapless Gill-Man is taught a few words of English by compassionate icthyologists John Agar and Lori Nelson. Eventually, however, the creature reverts to type, kills one of his captors and goes on a rampage. And once again, he manages to briefly abduct the heroine and carry her off. Not nearly as good as the first Creature, this followup is saved by the underwater photography of Charles S. Welbourne--and by the effective performance by Ricou Browning as the Gill-Man. ~ Hal Erickson, All Movie Guide

A loose remake of the 1931 Richard Barthelmess vehicle of the same name, The All-American stars Tony Curtis as college football star Nick Bonnell. When his parents are killed in a traffic accident while taking a bus trip to see him play, Nick quits football cold. Later on he accepts a scholarship at a small college, but still refuses to resume his gridiron activities--at least for a while. Never the life of the party to begin with, Nick runs afoul of his snooty fellow students and is kicked out of school. Somehow or other, however, he manages to show up during the crucial fourth quarter of the Big Game. Lori Nelson plays requisite heroine Sharon Wallace, who helps draw the taciturn Nick out of his shell, while Mamie Van Doren does what Mamie Van Doren usually does. While the football sequences are exciting, the film is a bit hard to take at times, especially when the 20-plus college freshman Nick is advised by his professors to grin and bear it when he's hazed by the much-younger upper classmen. At the time The All-American was released, much was made of the fact that producer Aaron Rosenberg and director Jess Hibbs had both been USC All-American footballers. ~ Hal Erickson, All Movie Guide

The Pied Piper of Hamelin was originally filmed as a television special, then released theatrically outside the United States. The story is the familiar one: the town of Hamelin, plagued by rats, hires a mysterious piper (Van Johnson) to rid the town of rodents. The piper does so, on the promise that he'll be paid a handsome fee. But the duplicitous burgomeister (Claude Rains), on the advice of his Laurel-and-Hardy council (Doodles Weaver and Stanley Adams), reneges on his promise. In revenge, the piper lures all of Hamelin's children off to parts unknown. In a departure from the original, there's a happy ending this time. Most of the dialogue is spoken in rhyme (quite amusingly by Rains), while the songs are adaptations of Edvard Grieg tunes. In the musical department, Kay Starr comes off best as the grieving mother of one of the missing kids. Because it was filmed in color, The Pied Piper of Hamelin has remained in TV syndication into the 1990s. ~ Hal Erickson, All Movie Guide

Both Jane Russell and her uncredited stunt double look great in skimpy swimwear throughout the Technicolor and SuperScope romantic adventure Underwater. Ms. Russell is cast as the wife of fortune-chasing Richard Egan, who takes her along to the Caribbean on a treasure hunt. The couple is accompanied by mercenary Gilbert Roland, priest Robert Keith, and Egan's blonde-doxy secretary Lori Nelson. While exploring the depths in search of untold riches, the little party is menaced by a band of modern-day pirates, led by Joseph Calleila. Partially filmed on location in Mexico, Underwater was completed in a newly-constructed underwater tank in an RKO Radio soundstage. For its world premiere, Underwater was projected on a submerged movie screen at Silver Springs Florida, and the invited guests were encouraged to don aqualungs and bathing uits so that they could watch the picture while swimming! A similar publicity ploy was utilized nine years later at Marineland of the Pacific for the premiere of The Incredible Mr. Limpet (1955). ~ Hal Erickson, All Movie Guide

Walking My Baby Back Home is a bubbly musical of no significance whatsoever, but this doesn't diminish its enjoyability factor. The film wastes no time in showing off the singing and dancing skills of star Donald O'Connor, who is seen cavorting about during the opening credits. O'Connor plays war veteran Jigger Millard, who forms a band with several other musically inclined ex-GIs. Unfortunately, Jigger's music isn't what the public craves, so he's forced to join a minstrel show headed by Colonel Wallace (George Cleveland), the uncle of pretty Chris Hall (Janet Leigh). As he performs the old "down in Dixie" numbers required of him, Jigger is inspired to reorganize his band into a Dixieland aggregation, with the considerable input of black musician Smiley (Scatman Crothers). Buddy Hackett is on hand as comedy relief Blimp Edwards. A tantalizing excerpt from Walking My Baby Back Home was seen in an ironic context during a 1970s Columbo TV episode, guest-starring Janet Leigh as the murderer. ~ Hal Erickson, All Movie Guide