Lloyd Nelson Movies

Self-involved corporate raider Edward Lewis (Richard Gere) has recently split up with his girlfriend. Seeking directions to the Beverly Hills Hotel, he makes the acquaintance of free-spirited hooker Vivian Ward (Julia Roberts) and decides to put her on a 3,000-dollar retainer as his "date." He Cinderellarizes her by bankrolling a full wardrobe and cosmetic makeover. Of course, the setup will be strictly platonic. A disarming modern-day fairy tale, Pretty Woman was the picture that made Julia Roberts a superstar. As charming as she is in her "giggling" sequences, Roberts' best scene is her triumphant return to a posh Rodeo Drive shop where she'd been previously snubbed. Keeping Pretty Woman afloat throughout is the buoyant direction of Garry Marshall and the always welcome presence of Marshall's stock company of actors, including Hector Elizondo as a stuffy but golden-hearted concierge. Pretty Woman began its life as a much darker story of prostitutes and homicidal drug dealers, but more box-office-savvy heads ultimately prevailed. ~ Hal Erickson, Rovi

The Dead Pool is the fifth and (thus far) the last of Clint Eastwood's Dirty Harry movies. A sports pool is placing bets on which famous person will die next. Suddenly a serial killer who preys upon celebrities enters the scene, radically (and perhaps deliberately) changing the odds in the pool. As a celebrity of sorts, maverick cop Dirty Harry Callahan becomes a target of the killer, as does high-profile TV journalist Patricia Clarkson. Surprises are at a minimum in The Dead Pool; the film gets down to business quickly, moves logically if violently towards its climax (with a spectacular car-chase sequence thrown in for good measure), and delivers exactly what its fans expect. One major difference between this film and the earlier Dirty Harry epics is that the murders are committed in so outrageous a fashion that the picture seems at times to be a Freddie Krueger vehicle. ~ Hal Erickson, Rovi

Dr. Jack Hammond (Dudley Moore) is a noted heart surgeon whose personality is switched with his teenage son Chris (Kirk Cameron) in this uninspired comedy. The ingestion of a brain transference serum is the catalyst for the comic catastrophe and the confusion that follows. Sean Astin and Patrick O'Neal co-star with Margaret Colin and Catherine Hicks. A decent idea for a comedy that has since been done better in Brian Gilbert's 1988 comedy Vice Versa starring Fred Savage and Judge Reinhold. ~ Dan Pavlides, Rovi

Having spent much of his directorial career emulating Don Siegel and John Ford, Clint Eastwood borrows a page from the catalogue of Sam Fuller in Heartbreak Ridge. Eastwood casts himself as an old-fashioned Marine Corps sergeant who is out of step with the new-fashioned military. He returns to his old outfit as a gunnery sergeant, where he runs afoul of 1980s-style superior officers to whom the words "Gung Ho" are foolish anachronisms. But through his tough tutelage, Eastwood's lackadaisical platoon is whipped into a first-rate fighting machine, favoring teamwork over such New Age gobbledygook as "self-fulfillment." Eastwood's men prove their mettle during the invasion of Grenada. ~ Hal Erickson, Rovi

A mysterious and possibly otherworldly stranger comes to the rescue of a frontier town in this Western, which was strongly influenced by the George Stevens classic, Shane. The peace of a small mining community is shattered when Coy LaHood (Richard Dysart), the ruthless proprietor of a powerful strip-mining company, arrives in town with his son Josh (Christopher Penn) and a posse of hired guns to drive out the townspeople and take control of the territory. Megan (Sydney Penny), a young girl whose pet was killed in the melee, prays to God for someone to defend the village from the marauders; soon, the Preacher (Clint Eastwood) arrives on a pale horse, and joins forces with Hull Barrett (Michael Moriarty), the unofficial leader of the miners and one of the few who attempts to defend himself, to take a stand against LaHood and his men. As the Preacher and Barrett try to organize the miners to fight the invaders, both Megan and her mother Sarah (Carrie Snodgrass) find they're drawn to the Preacher, who keeps to himself and seems to have more than his share of secrets. Pale Rider was also directed by leading man Clint Eastwood; it was his first Western as both director and star since the acclaimed The Outlaw Josey Wales. ~ Mark Deming, Rovi

In this fourth installment of the Dirty Harry series, Harry has been banished temporarily from San Francisco because his superiors are uncomfortable about his feud with a local crime boss. He goes to an oceanside small town for a little rest and recuperation but finds the town has been traumatized by a series of brutal murders. Harry meets and falls in love with Jennifer Spencer (Sandra Locke), a young artist. Jennifer and her sister were brutally raped a few years previously by a group of men, leaving her sister catatonic and Jennifer filled with a rage that is expressed in her disturbing artworks. Harry investigates the killings and the rapes, and one by one he dispatches Jennifer's rapists, one of whom is the son of the local police chief (which explains why the police have done little investigating). Finally, Harry finds out that Jennifer also dispenses her own brand of justice because she cannot rely on the criminal justice system. ~ Michael Betzold, Rovi

Clint Eastwood put his tough-guy image on hold for this personal project, which follows a musician taking one final chance at the big time. Red Stovall (Eastwood) is a would-be country singer who has been bouncing around the margins of the music business for years. With nowhere in particular to go, Red arrives at the failing Oklahoma farm of his sister for an extended visit, where her son Whit (Kyle Eastwood) quickly bonds with his uncle. However, it's obvious that Red is in very poor health, drinking heavily and breathing with difficulty, and when Red is invited to audition for the Grand Old Opry in Nashville, Whit tags along for the road trip to keep an eye on his ailing uncle. En route, Red and Whit are joined by Whit's grandfather (John McIntire) and another hopeful vocalist, Marlene (Alexa Kenin), who like Red is chasing her own dreams of stardom on the Opry. Clint Eastwood performed his own vocals and guitar work for Honkytonk Man, and a number of Nashville legends appear in cameo roles, including Marty Robbins, Porter Wagoner, Ray Price, Merle Travis, and Johnny Gimble. ~ Mark Deming, Rovi

No one can escape from Alcatraz, right? Try telling that to lifer Frank Morris (Clint Eastwood). This Donald Siegel-directed nailbiter is a reenactment of Frank Morris' 1962 attempt to bust himself and two other cons out of The Rock. Eastwood, as Morris, tilts with nasty warden Patrick McGoohan for a while, befriends several fellow prisoners, and picks the guys with whom he'll make his escape. Among his break-out buddies are the Anglin Brothers (Fred Ward and Jack Thibeau), with whom he'd served in other lockups, and several others who've got their own special reasons to despise the sadistic McGoohan. Filmed on location at the newly renovated Alcatraz, Escape From Alcatraz was another box-office winner for the Eastwood/Siegel combo. ~ Hal Erickson, Rovi

After getting caught cheating his bookmaking boss over a high-stakes pinball wager, Neil Gallagher (Ken Marshall) leaves his Corpus Christi home for Los Angeles, hoping to make it big as a folk rock balladeer. With best friend Henry (Harvey Lewis) in tow as his manager, Neil finds only failure, but when they come across a streetsmart 14-year-old pinball whiz named Tilt (Brooke Shields), he envisions a plan to get rich quick and save face in his hometown. Impressed by Neil's music, Tilt agrees to hitchhike with him to Texas, thinking she's helping to raise money for a demo tape. They stop by roadside arcades along the way to hustle petty gamblers into betting against the unassuming teen's pinball prowess. When the duo hit home with cash in their pockets, Neil brazenly challenges his former employer, an obese pinball champion known as "the Whale" (Charles Durning), to a 400-dollar game against the unbeatable Tilt. What Neil doesn't realize is that Tilt has caught on to his manipulation and lies, and all his big plans are going to blow up in his face when Tilt and the Whale secretly hold their own late-night pinball tourney. ~ Fred Beldin, Rovi

The Fury meets The Misadventures of Merlin Jones in this comic-book sequel to Disney's Escape to Witch Mountain. Reprising their roles as the psychic siblings from another world are Kim Richards as Tia and Ike Eisenmann as Tony. Their Uncle Bene (Denver Pyle) gives the kids a treat by letting them vacation on planet Earth, and they make the most of it by immediately getting into hot water. It seems that arch-fiend Dr. Victor Gannon (Christopher Lee) and his Bette Davis-like accomplice, Letha (Bette Davis), are in the process of testing a mind-control device. They want to see if they can mentally save their cohort Sickle (Anthony James) from plunging to his death from atop a building. Tony spots Sickle's plunge and telekinetically saves him. When Dr. Gannon sees Tony's powers, he kidnaps him, hoping to utilize his otherworldly powers for his own nefarious purposes. Enlisting the aid of a collection of low-life youngsters (Christian Juttner, Brad Savage, Poindexter, and Jeffrey Jacquet), Tia uses her powers of telepathy to contact her brother and tries to rescue him from Gannon's clutches. ~ Paul Brenner, Rovi

This low-budget, Atlanta-lensed blend of horror and "blaxploitation" elements is basically a Ten Little Indians variant with a touch of voodoo thrown in for spice. The plot involves members of a family who are gathering at the decrepit estate of a legendary voodoo priestess for the reading of her will; the potential heirs are systematically murdered by the woman's butler (Jean Durand), who practices a diabolical form of voodoo himself. The cast is whittled down to two survivors (Victor French and Janee Michelle) before the killer's plan is undone. A justly forgotten relic of '70s horror-exploitation, this boring film was directed by television producer Ron Honthaner, who should have stuck with Gunsmoke. ~ Cavett Binion, Rovi

Batwoman (Katherine Victor) is a costumed crime fighter who leads a gang of beautiful Batgirls in a neverending crusade to "fight against evil with all sincerity." Her arch-enemy, Rat Fink (Richard Banks), sends henchmen to drug one of the Batgirls at a nightclub and hold her for ransom. Rat Fink wants revenge against Batwoman for foiling so many of his criminal schemes, so he threatens to dispose of the kidnapped girl if the heroine doesn't help him steal a very valuable new invention. The Ayjax Development Corporation has created an atomic hearing aid that hasn't been awarded a patent yet in the United States because it can be used for eavesdropping on telephone conversations, and it's downright explosive if exposed to cobalt. Rat Fink wants it for these very reasons, but Batwoman outwits his henchmen and escapes with the Batgirl. Understanding the danger that the world would be in if the device fell into the wrong hands, the Batgirls are sent to Ayjax to guard the prototype. Rat Fink's men hoodwink the ladies by serving them soup laced with experimental "happy pills," causing fits of go-go dancing, and soon the forces of evil have the atomic hearing aid in their clutches. Batwoman must save the day, and holds a seance to consult the spirits of the dead for help. Can Rat Fink be stopped or will the Batgirls be distracted by a wild rock & roll beach party? After D.C. Comics sued director/producer Jerry Warren for copyright infringement, a brief prologue featuring three yogurt-drinking vampire girls was added to this campy genre spoof and the title was changed to She Was a Hippy Vampire. ~ Fred Beldin, Rovi