Gordon Nelson Movies

Robert Jordan is a television star. Robert Jordan likes things orderly, on time and properly executed. In his world children are to be seen, not heard. So why would Mr. Jordan want to become the master of a rambunctious band of Boy Scouts? Ratings. His staff figures that if learns how to interact with the youth, they will be more inclined to watch his show. Of course watching Jordan cope comprises most of the fun. ~ Sandra Brennan, All Movie Guide

Unlike many westerns, City of Bad Men is placed within a specific historical time frame. The scene is Carson City, Nevada, in the year 1897. As the city prepares itself for the much-ballyhooed prizefight between Gentleman Jim Corbett and Bob Fitzsimmons, soldier-of-fortune Brett Stanton (Dale Robertson) rides into town with a few of his cronies. Stanton takes into consideration the enormous gate proceeds that the prizefight will yield and immediately begins formulating plans to steal the loot. He is deflected from this by his former girlfriend Linda Culligan (Jeanne Crain), whose good example sets Stanton on the right path. Corbett and Fitzsimmons are played, respectively, by ace stunt men John Day and Gil Perkins. Actual film footage exists of their legendary bout, and this brief ribbon of celluloid might make an interesting companion feature to City of Bad Men. ~ Hal Erickson, All Movie Guide

Gus (George Winslow) is the young son of divorced industrialist Dave Jennings (Richard Widmark). Unable to cope with Gus' mischievous streak, Jennings places the boy in a day-care center. Gus' teacher Lydia Marble (Joanne Dru) manages to curb the boy's prankishness, and along the way falls in love with Jennings. Enter the villainess of the piece: Jennings' ex-wife Joyce (Audrey Totter), who claims that the divorce is invalid and demands a huge sum from Jennings, lest she claim custody of Gus. In the end, it comes down to priorities: does Jennings value his son over his money, or vice versa? My Pal Gus is no Kramer vs. Kramer, but it does pass the time in an agreeable manner. ~ Hal Erickson, All Movie Guide

Since someone had already used the title The Bride Wore Boots, it follows that there'd eventually be a film called The Groom Wore Spurs. Jack Carson stars as movie cowboy hero Ben Castle, who in "real life" is exactly the opposite of his screen image. When Castle gets into a scrape in Las Vegas, he is bailed out by lady lawyer Abigail Furnival (Ginger Rogers). Despite Castle's many faults, Abigail can't help falling in love with the big lug. Once they've entered into a marriage of convenience (a plot device better seen than described), Abigail sets about to force Castle to truly become the virtuous, hard-riding, sweet-singing character he plays on screen. The film is bogged down with an unnecessary murder-mystery subplot, which is happily disposed of during a climactic slapstick chase. The Groom Wore Spurs was produced independently by Fidelity Pictures and released by Universal. ~ Hal Erickson, All Movie Guide

The Lawless was director Joseph Losey's second feature-length film. The story concerns a group of Mexican-American migrant workers who are subjected to all sorts of abuse and intolerance by their California bosses. A violent clash between whites and Latinos at a dance results in a torrent of bigotry. Seemingly the only Californian willing to champion the workers' cause is crusading newspaperman Larry Wilder, and soon he too is the victim of senseless mob violence. The story boils to a manhunt for a fugitive fruit-picker who has been accused of fomenting the aforementioned riot. Director Losey, producers William Pine and William Thomas and screenwriter Geoffrey Homes (aka Daniel Mainwaring) are to be commended for tackling a controversial issue in an honest, no-nonsense fashion; even so, the film ends in standard Hollywood-liberal fashion with a white man coming to the rescue. ~ Hal Erickson, All Movie Guide

A woman is torn between a comfortable lie and the painful truth in this drama. After she is abandoned by her unfaithful boyfriend Stephen Morely (Lyle Bettger), Helen Ferguson (Barbara Stanwyck) discovers that she's pregnant, and she has no choice but to go home to her family. Shortly after boarding the train, Helen meets Hugh and Patrice Harkness (Richard Denning and Phyllis Thaxter), a recently married couple who are travelling to visit Hugh's parents, who have yet to met his bride. Patrice, who is also with child, strikes up a conversation with Helen, and allows her to try on her beautiful wedding ring. Moments later, the train becomes involved in a terrible accident in which Hugh and Patrice are killed; because she was still wearing Patrice's ring, Helen is mistaken for the late Mrs. Harkness by Hugh's parents (Jane Cowl and Henry O'Neill), and is taken home with them as she recovers and has her baby. Helen begins to feel a part of the family until Stephen arrives, demanding money to keep her true identity a secret. No Man of Her Own was remade in 1996 as the comedy Mrs. Winterbourne. ~ Mark Deming, All Movie Guide

Though Humphrey Bogart is the official star of Knock on Any Door, the film is essentially a showcase for Columbia's newest young male discovery John Derek. The first production of Bogart's Santana company, the film casts Bogart as attorney Andrew Morton. A product of the slums, Morton is persuaded to take the case of underprivileged teenager Nick Romano (Derek), who has been arrested on a murder charge. Through flashbacks, Morton demonstrates that Romano is more a victim of society than a natural-born killer. Though this defense strategy does not have the desired result on the jury thanks to the badgering of DA Kernan (George Macready), Morton does manage to arouse sympathy for the plight of those trapped by birth and circumstance in a dead-end existence. As Nick Romano, John Derek would never be better, nor would ever again play a character who struck so responsive a chord with the audience. Nick's oft-repeated credo--"Live fast, die young, and leave a good-looking corpse"--became the clarion call for a generation of disenfranchised youth. Director Nicholas Ray would later expand on themes touched upon in Knock on a Any Door in his juvenile delinquent "chef d'oeuvre" Rebel without a Cause. Viewers are advised to watch for future TV personalities Cara Williams and Si Melton in uncredited minor roles. Knock on Any Door spawned a belated sequel in 1960, Let No Man Write My Epitaph. ~ Hal Erickson, All Movie Guide