Diana Bellamy Movies

Having made plans to spend his birthday ogling the nude dancers at "The Jiggle Room", Al (Ed O'Neill) is instead hauled into court by an overweight female customer whom he has repeatedly insulted in the past. Even worse, Al is besieged (and almost smothered!) by the outraged members of "Female Large American Beauties" (catch the initials). Elsewhere, the Bundy kids plan to surprise Al by tinting the windows of the Dodge, but the project get a bit out of hand. ~ Hal Erickson, All Movie Guide

Henri-Georges Clouzot's classic French thriller gets a Hollywood makeover in this glossy remake. Guy Baran (Chazz Palminteri) is the dull, loutish headmaster of a private school that has seen better days. While Guy oversees the day to day operations, the school is actually owned by his wife Mia (Isabelle Adjani), whose spirit has been crushed by Guy's casual cruelty and whose health is frail. Guy has been openly having an affair with one of his teachers, Nicole Horner (Sharon Stone), who has almost as much contempt for Guy as Mia. Mia and Nicole eventually join forces against their common enemy and plan to murder him and conceal the evidence. However, while the killing goes as planned, Guy's body mysteriously disappears from the carefully chosen spot where it was dumped, and when a chatty detective, Shirley Vogel (Kathy Bates) begins asking questions, both women begin to wonder who knows what about their murderous scheme. This was the third remake of Les Diaboliques, following two made-for-TV adaptations, Reflection of Murder and House of Secrets. ~ Mark Deming, All Movie Guide

A handful of scientists struggle to prevent the destruction of a small town -- and possibly the entire country -- in this suspense drama. In the mid-1960s, a deadly virus is discovered in Zaire that wipes out an entire village in 24 hours. Government researchers are brought in to investigate, but the military opts to destroy the village rather than risk further infection. Thirty years later, Sam Daniels (Dustin Hoffman), an expert on contagious diseases, is called in when the virus re-emerges in Africa. A monkey carrying the bug is smuggled into the U.S., and a suburban California town soon begins to succumb to the illness. Sam scrambles to find an antidote with the help of his ex-wife Robby (Rene Russo), a Center for Disease Control researcher, and their colleague Casey (Kevin Spacey), while Gen. McClintock (Donald Sutherland) has his own reasons for wanting to use bombs to contain the epidemic, and Army surgeon Gen. Ford (Morgan Freeman) is caught in the middle. Outbreak was produced in the hopes of beating the film version of Richard Preston's bestseller The Hot Zone (about a real-life epidemic) into theaters; script problems shelved The Hot Zone, and Outbreak had the infectious disease market to itself. ~ Mark Deming, All Movie Guide

Made-for-television, this drama tells the story of real-life pioneer aviatrix Amelia Earhart. Diane Keaton stars as the famous American female pilot, who challenged social stereotypes and took to the air in the 1930s. In an attempt to fly around the world, Earhart's plane went missing in 1937 and was never recovered. Keaton was nominated for a Golden Globe, an Emmy and a SAG Award for her portrayal of this ground-breaking historical figure. ~ Bernadette McCallion, All Movie Guide

In this black comedy, elderly Jack Scanlan (Jack Warden) passes away just as he's about to tell his oldest son Johnny (Bob Hoskins) what he's decided is truly important in life, which does little to ease Johnny's mid-life anxieties. Jack's funeral and the subsequent wake brings together the various members of the Scanlan Family, most of whom are having troubles of their own. Johnny's mother Mary (Maureen Stapleton) is not dealing well with losing her husband. His brother Frank (William Petersen), a would-be union delegate, has a nagging wife, Denise (Debra Rush), and a pregnant daughter, Rachel (Teri Polo). His sister Nora (Frances McDormand) is a leftist nun who has brought along a guest, a South American dissident wanted by the INS. Terry (Pamela Reed) is splitting up with her husband Boyd (Tim Curry) after finally realizing that he's gay. And Johnny is thinking of quitting his job and leaving his wife Amy (Blair Brown), which makes the mysterious Cassie (Nancy Travis) seem all the more attractive. Passed Away marked the directorial debut of successful screenwriter Charlie Peters. ~ Mark Deming, All Movie Guide

Ed O'Neill (Al Bundy) is the only Married. . .With Children regular to appear in the series' 100th episode, which serves as the pilot for the spinoff series Top of the Heap. The focus is on Al Bundy's lifelong buddy Charlie Verducci (Joseph Bologna), Charlie's dimwitted son Vinnie (a pre-Friends Matt LeBlanc) and hot-to-trot Kathleen Morgan (Diana Bellamy). Plot complications include Charlie's efforts to land a wealthy bride for his son at a fundraiser, Vinnie's attempt to be champion boxer, and Al's revenge after losing his TV in a bet. Watch for future film favorite Renee Zellwegger in a minor role. ~ Hal Erickson, All Movie Guide

Tim Daly stars in director Janet Greek's fair horror-thriller as Los Angeles attorney Jeff Mills, who rescues beautiful Miranda Reed (Kelly Preston) from being raped. As he and Miranda become lovers, Jeff learns that his new girlfriend is a witch trying to escape from an evil cult led by Aldys (Anthony Crivello), who wants to use her as a human sacrifice. Borrowing ideas from thrillers like Fatal Attraction (1987) and Tutti i Colori del Buio (1972), this borderline occult chiller co-stars genre veterans Rick Rossovich, Cary-Hiroyuki Tagawa, Stefan Gierasch, and Audra Lindley. ~ Robert Firsching, All Movie Guide

Shootdown, based on a controversial book by R. W. Johnson, examines the aftereffects of a politically sensitive air disaster. Angela Lansbury portrays the real-life Nan Moore, a US government employee whose son (Kyle Secor) is among the 269 people killed when Korean airliner KAL 007 is shot down by the Russians on September 1, 1983. The official story is that the plane accidentally invaded Russian airspace, then was mistaken for a spy plane when the crew did not identify itself. Ms. Moore doesn't swallow this, but in seeking the truth she runs up against a stone wall of bureaucracy. This film adheres to Ms. Moore's theory that KAL 007 was engaged in an actual spy mission, a theory dramatized in a "reconstruction" assembled by investigator John Cullum. Reportedly, the original telecast date of Shootdown was delayed because of its criticism of the Reagan administration; the real Nan Moore insisted that the film's production was slowed down because she didn't want to offend any members of her family. The intention of Shootdown was to put pressure on the US congress to inaugurate a hearing for the benefit of Ms. Moore. In 1989, a second TV movie based on the KAL 007 tragedy was released: Tailspin, which tells the story from the point of view of the government investigators. Since the original telecast of both films, new evidence has surfaced indicating that Flight 007 was not on an espionage mission, and that the Russian fighter pilots had acted on the orders of their over-zealous superiors. ~ Hal Erickson, All Movie Guide

April 5, 1987, was the historic day upon which the Fox network launched its first prime-time lineup with the highly controversial -- and incredibly successful -- situation comedy Married... With Children. The pilot episode wastes no time introducing the delightfully dysfunctional Bundy family of Chicago: Boorish shoe salesman Al Bundy (Ed O'Neill), his lazy, sex-obsessed wife Peg (Katey Sagal), and their worthless children, underachieving 11-year-old Bud (David Faustino) and promiscuous 15-year-old Kelly (Christina Applegate). In the opener, Peg insists that Al try to make friends with the Bundys' new next-door neighbors, simperingly sweet newlyweds Steve and Marcy Rhodes (David Garrison, Amanda Bearse) -- and in the process nearly destroy the young couple's marriage before it gets into first gear. Also on hand is Al's swinging-bachelor co-worker Luke Ventura (Ritch Shydner). ~ Hal Erickson, All Movie Guide

Stripped to Kill is an exciting, low-budget, stylish mystery thriller where dancers at a local strip club are killed one by one. Detective Cody Sheehan (Kay Lenz) wants the case and is willing to go undercover as one of the dancers in order to catch her suspect. Stripped to Kill, directed with great style by Katt Shea Ruben, is a terrific thriller, despite its excessive gore and nudity. Kay Lenz seems somewhat uncomfortable in her role, which requires her to do a striptease, exposing her complete lack of dancing talent. However she is very effective as the ambitious Cody and has considerable chemistry with her partner Heineman (Greg Evigan). Despite the fact that the plot is routine and the ending implausible, the dancer's are gorgeous and photographed with flair, and there is a good deal of black humor that enlivens this erotic, highly-recommended fast-paced, lively thriller. ~ Linda Rasmussen, All Movie Guide

Rich but repulsive teenager Jessie (Ally Sheedy) can't stand the notion that the whole world doesn't jump to the crack of her whip. Her overindulgent father, millionaire Charles Montgomery (Tom Skerritt), wishes he could teach his daughter a lesson, but can't bring himself to deny his little darling everything her heart desires. Unfortunately, she gets her comeuppance when, after finding out that Jessie has been arrested, her father mutters a wish that she'd never been born. Zap! Enter fairy godmother Beverly D'Angelo, who grants the girl her wish. With no name, no friends, and no money, Jessie has no choice but to look for work. She is hired as a maid by a filthy-rich Malibu couple (Valerie Perrine and Dick Shawn), whose selfish excesses make Jessie look like Pollyanna. Worse still, Jessie is compelled by circumstance to meet up with her father, who doesn't even recognize her. The key to the film's success is the wonderfully many-sided performance of Ally Sheedy. ~ Hal Erickson, All Movie Guide

When speaking of Laurel and Hardy's first feature film Pardon Us, Stan Laurel described it as "a three-story building on a one-story base"-in other words, a 2-reeler stretched and bloated into 6 reels. Much the same could be said of Blake Edwards's Blind Date, though one wonders if Stan Laurel could have even gotten two reels out of its wafer-thin premise. At the outset, yuppie Bruce Willis is warned not to let his blind date, southern belle Kim Basinger, drink anything stronger than lemonade. So what does Willis do the first chance he gets? That's right, kids; he plies poor Basinger with champagne. And then he wonders why his life rapidly goes to hell in a handbasket. In his first starring movie role, Bruce Willis manages to find all sorts of nuances in his one-note role, while Kim Basinger is very funny when she's blotto-at least, for the first five minutes or so. John Laroquette costars as a character straight out of a 1920s bedroom farce; he's also pretty good, even though his dialogue is numbingly unamusing. Blake Edwards is famous for his ability to make a lot out of a little...but there has to be a limit somewhere. ~ Hal Erickson, All Movie Guide

In a well-wrought sex comedy with one foot in the feminist camp and another on a banana peel, Casey Meadows (Deborah Foreman in an excellent performance) defies social custom when she gets a job as a limo driver. The manager of the Brentwood Limousine Company, McBride (Howard Hesseman), and her co-workers give her both a hard time and some of the worst fares possible. She is eventually assigned to chauffeur an overworked executive (Sam Jones) who just broke up with his girlfriend. After drowning his sorrows in the back seat of the limo, the ingrate wakes up in Casey's bed the morning after, refusing to believe he had anything to do with her. Their antagonistic relationship is stressed all the more when she has to drive him on a vacation and the car breaks down. What Casey does not know is that she has not been given the complete scoop on her passenger. ~ Eleanor Mannikka, All Movie Guide