Ann Nelson Movies

Howard Zieff directed this comedy-drama about the emotional awakening of a young girl in a small Pennsylvania town during the summer of 1972. Anna Chlumsky plays eleven-year-old Vada, a quiet child living with her widowed father Harry Dultenfuss (Dan Aykroyd), a local mortician who prepares bodies in his basement. Vada feels responsible for the death of her mother, who died giving birth to her, and lives in an emotional cocoon, her only friend being a personable local boy, Thomas J. Sennett (Macauly Culkin), who suffers from allergies. Like Vada, Harry keeps to himself, until a freelance make-up artist, Shelly DeVoto (Jamie Lee Curtis), comes to town and gets a job working with Harry. Shelly and Harry fall in love and Vada feels threatened by her presence. But then a personal tragedy forces Vada to come out of her emotional shell. ~ Paul Brenner, All Movie Guide

In the first episode of a two-part story (originally telecast as a single hour-long entry on the same evening as the debut of The Simpsons), Al (Ed O'Neill) wants to have "The Best Christmas Ever" for the Bundy family. Unfortunately, a few of the shoe-store customers insist upon hanging around after closing time--and as a result, Al arrives too late to withdraw the funds necessary to purchase presents. Meanwhile, Marcy (Amanda Bearse) gets drunk at an office party and leaves a strange "souvenir" at the copying machine. This episode is highlighted by a full-throated performance of "The Bundys' Five Days of Christmas" (no partridges or pear trees in THIS one!) ~ Hal Erickson, All Movie Guide

Jack Lemmon stars in Mass Appeal as a popular Los Angeles parish priest, who has retained the good will of his parishioners by cracking jokes and never taking a stand on crucial matters. Enter young seminarian Zeljko Ivanek, whose rebellious reputation threatens to earn him an expulsion. Lemmon is expected to bring Ivanek around to the Church's "party line," but the younger man resists the older man's advice--quite loudly at times. The audience is fully aware that, by film's end, Ivanek will have converted Lemmon instead of the other way around, but the sheer joy of watching two superb actors at work transcends the story's predictability. Mass Appeal was based on a play by Bill C. Davis, and produced by none other than the widow of McDonalds mogul Ray Kroc. ~ Hal Erickson, All Movie Guide

With the Jerry Zucker-Jim Abrahams-David Zucker team absent, this sequel to the cash-cow 1980 spoof Airplane once again finds garrulous man-with-a-past Ted Striker (Robert Hays) compelled to take over the controls of crippled aircraft, all the while trying to patch up his relationship with stewardess Elaine (Julie Hagerty). This time, the first passenger space shuttle is launched into orbit -- and takes off for the moon - but the on-board computer malfunctions and sends the craft hurtling toward the sun, threatening the lives of everyone on board. Lloyd Bridges and Peter Graves return from the first Airplane, while William Shatner, Chad Everett, Sonny Bono, Raymond Burr and Chuck Conners join the cast, as they too lampoon their established images. ~ Hal Erickson, All Movie Guide

This spoof of the Airport series of disaster movies relies on ridiculous sight gags, groan-inducing dialogue, and deadpan acting -- a comedy style that would be imitated for the next 20 years. Airplane! pulls out all the clichés as alcoholic pilot Ted Striker (Robert Hays), who's developed a fear of flying due to wartime trauma, boards a jumbo jet in an attempt to woo back his stewardess girlfriend (Julie Hagerty). Food poisoning decimates the passengers and crew, leaving it up to Striker to land the plane, with the help of a glue-sniffing air traffic controller (Lloyd Bridges) and Striker's vengeful former captain (Robert Stack), who must both talk him down. Along the way, we meet a clutch of stock disaster movie passengers like the guitar-strumming nun, a sick little girl, a frightened old lady, and two African-American travelers whose "jive" has to be subtitled. Leslie Nielsen portrays the plane's doctor, launching a new phase of the actor's career that carried him through the next two decades in several similarly comedic roles. The trio of directors Jim Abrahams, Jerry Zucker, and David Zucker responsible for the film would eventually go on to solo careers, but not before making Top Secret! and Ruthless People. ~ Perry Seibert, All Movie Guide