Hildegarde Neff Movies
German actress Hildegarde Neff was enrolled right out of high school with UFA Studios' Training Program in preparation for a film career. After a brief period as an artist in an animation firm, she commenced her movie acting with 1945's Fahrt ins Gluck. One year later, Hildegarde attained fame beyond the boundaries of Germany for her role in Murderers Among Us (1946). An actress first and star second, Ms. Neff divided her time between films and stage work for the Deutsches Theatre. A potential 1948 contract with American producer David O. Selznick (prompted by the actress' appearance on a Life magazine cover) came to nothing, but the publicity attending her nude scene in the 1950 German film The Sinner won the actress a pact with 20th Century-Fox. In 1951, Hildegarde appeared in Decision Before Dawn, a Fox picture shot primarily in Germany. The studio changed the spelling of her name for marquee purposes - it had been "Knef" on her birth certificate and in her German appearances - and cast her in such "alluring European" roles as the depraved Countess Liz in Snows of Kilimanjaro (1952). Disturbed that she was perceived as a mere foreign "type" by American producers, Hildegarde returned to Europe in 1952. Her next significant success was back in the USA in the 1955 Broadway musical Silk Stockings, which made her a favorite in New York but failed to convince Hollywood that she was anything more than a pretty commodity. As "Hildegarde Knef" again, the actress spent the '60s performing in her nightclub act both in the US and the Continent, and acting occasionally in second-rate films; these were years blighted by poverty and the loss of fair-weather friends. She made a major dramatic comeback in 1970 with a European TV production of Jean Cocteau's La Voix Humaine, and the next year published her best-selling autobiography, The Gift Horse. Hildegarde Neff/Knef's second book came out in 1975: The Verdict was a no-nonsense account of her ongoing struggles with cancer. ~ Hal Erickson, Rovi- 1978
- PG
In Fedora, Billy Wilder approaches Hollywood stardom in the same fashion as he did in Sunset Boulevard--with cynicism, regret, understanding, and awe. Fedora (Marthe Keller) is film's most intriguing movie queen. Rumored to be well into her sixties, the actress has remained a starlet for over four decades--retaining youth and radiance despite her advancing years. The mystery behind her numinous persona has never ceased to captivate audiences. Even now, as she lives in seclusion on the beautiful Greek island of Corfu, the public buzzes for her to return to the screen. When producer Barry Detweiler (William Holden) travels to Corfu, staking his faltering career on Fedora's return, he discovers the actress's tragic secret. Fedora's eternal loveliness may not be the result of defying her age, but of concealing her youth. ~ Aubry Anne D'Arminio, Rovi
- Starring:
- William Holden, Hildegarde Neff, (more)
The Lost Continent is a crazy-quilt of a film, with chunks of several unrelated plotlines sewn together willy nilly. Eric Porter plays Lansen, the captain of a tramp steamer who has agreed to deliver contraband dynamite for a hefty price. His passengers are a polyglot of the good, the bad and the worse. Shipwrecked on an mysterious isle in the Sargasso Sea, Lansen and party find themselves prisoners of a bizarre inbred colony still governed by the long-abandoned edicts of the Spanish Inquisition. The film is no more coherent than the original Dennis Wheatley novel Uncharted Seas, but that doesn't detract from its endearing wackiness. To their credit, the cast members of Lost Continent play the script straight, which merely adds to the kinky fun. ~ Hal Erickson, Rovi
- Starring:
- Eric Porter, Suzanna Leigh, (more)
- 1966
An unemployed, cynical Yankee pilot begins working for a strange colonel flying between Lisbon and Mozambique. He is in one of the wealthy officer's clubs when he meets a promising young singer. From there he finds himself entangled in murder, narcotics smuggling and the white slave trade. The film was shot on location in Mozambique and at Victoria Falls. ~ Sandra Brennan, Rovi
- 1966
Hypnosis is a psychological thriller reminiscent of themes found in Magic and Dead of Night. Erik (Jean Sorel) is the assistant in a ventriloquist/hypnotist act starring Magda (Elenora Rossi-Drago) and her fiancé Georg (Massimo Serato) Because of his secret love for Magna, Erik kills off anyone who gets in the way of his obsession. He becomes increasing unbalanced and frightened as he is tormented by the sound of the ventriloquist's dummy laughing at him. This Italian-German production, directed by Eugenio Martin, has an interesting premise, but the acting and production values of the are poor and the plot remains cliche-ridden and implausible. Hypnosis will disappoint even the most hardcore fans of the genre. ~ Linda Rasmussen, Rovi
- 1964
German director Alfred Vohrer often based his films on popular novels written by the likes of Edgar Wallace and Johannes Mario Simmel. British novelist James Hadley Chase's book Pay or Die was adapted to the screen for this Vohrer action feature. After denying a crime syndicate 100,000 pounds on demand, a British millionaire is soon dead. His nephew Don (Gotz George), heir to the fortune, is determined to get his vengeance and begins his own search for the guilty parties. It would seem Don has fortune on his side as the gang boss (Richard Muench) is having problems not only among his men, but also with his woman (Hildegarde Knef). ~ Kristie Hassen, Rovi
- Starring:
- Götz George
- 1963
This black comedy is based on the dastardly deeds of French serial killer Henri-Desire Landru, who wined, dined, scammed, and dismembered over 10 women during WW I. He obtained his victims by placing ads in the Personals section of the paper. He then chose wealthy dowagers in their fifties. First he would woo them to his villa. Then he would con them into forking over their fortunes. Finally he would kill them, chop them up, and immolate the pieces. He is finally captured after he is recognized by the sister of one of the victims. Landru swears that he is not a psychotic killer, that he only did it so he could continue to support his family in the bourgeoisie style that they were accustomed to. During his trial, Landru refused to plead for himself one way or the other; he showed no remorse at all. He was guillotined on February 25, 1922. ~ Sandra Brennan, Rovi
- Starring:
- Charles Denner, Danielle Darrieux, (more)
- 1963
This overdone German film relies on a repetitive plot centered around bedroom antics worthy of daytime dramas. A call girl (Hildegard Knef) teaches the "ways of love" to a boy (Thomas Fritsch). The boy uses the knowledge to seduce the young wife (Alexandra Stewart) of his professor (Martin Held). Meanwhile, the professor carries on with his secretary (Daliah Lavi). The story continues in like fashion, with little else to give it strength. ~ Lucinda Ramsey, Rovi
- Starring:
- Lilli Palmer, Nadja Tiller, (more)
- 1962
This drama is a remake of Pabst's famed 1929 film Die Buechse Der Pandora/Pandora's Box. It tells the story of a 14 year-old girl who is caught while trying to pick a doctor's pocket. The doctor ends up taking her in and turning her into a sophisticated lady whom he marries off to a wealthy man. Her new husband really likes to watch her dancing naked. Later, when he catches her 'dancing' with a young artist, the husband drops dead of a heart attack. She then marries the artist, but he soon commits suicide. After that she marries her doctor, but when they get into a fight over a pistol, she accidentally shoots him. She is sent to prison, but is later freed by the doctor's son, and his lesbian pal. The threesome head for gay Paris. In the end, she ends up a streetwalker in London where she becomes a victim of Jack the Ripper. ~ Sandra Brennan, Rovi
- Starring:
- Nadja Tiller, O.E. Hasse, (more)
- 1962
In his Ballade Pour un Voyou, first-time director Jean-Claude Bonnardot has put together an uneven, occasionally suspenseful crime drama that involves a mysterious suitcase -- and an unknown crime. The drama begins when an ex-convict agrees to deliver a suitcase according to the instructions that will be given him, step by step. As he is shunted from pillar to post trying to get the suitcase to its final, as yet unknown, destination, he notices that he is being followed by a gunman. His assignment becomes too much, and he attacks the gunman and runs off with the suitcase, only to find that both sides of the law are hot on his trail. ~ Eleanor Mannikka, Rovi
- Starring:
- Laurent Terzieff, Hildegarde Neff, (more)
- 1962
This costume drama chronicles the tumultuous rise of Catherine the Great in Russia. ~ Sandra Brennan, Rovi
- 1962
Hampered by over-orchestrated music, smeary color photography and (in the English version at least) poor dubbing, this 1963 French/German adaptation of the Kurt Weill-Bertolt Brecht piece The Three Penny Opera nonetheless has its attractions. Not least of these is the central performance of Curt Jurgens as robber captain MacHeath, whose romance with Polly Peachum (June Ritchie), daughter of beggar king J. J. Peachum (Gert Frobe), puts his life in jeopardy. Hildegarde Neff has an effective cameo as whore-ish Pirate Jenny. For the film's American release, distributor Joseph E. Levine hired Sammy Davis Jr. to play the Ballad Singer, who narrates the story, introduces the scenes, and sings the opera's most famous song "Moritat (The Ballad of Mack the Knife)." Unlike the music in the rest of the film, Davis' rendition of "Mack the Knife" is rearranged in Bobby Darin "pop" fashion. ~ Hal Erickson, Rovi
- Starring:
- Sammy Davis, Jr., Curd Jürgens, (more)
- 1960
In this tragedy, a sailor heads to Hamburg to search for the girl who became his friend a decade before when he had been a POW in Germany. He finds her in the red-light district, the Reeperbahn, where she works as a mud-wrestler in a crummy dive. She hates her job, and she hates the seedy clientele. When she meets the sailor, her hopes of a better life rise. Even though he is already married, the two fall in love. He promises to return that very night, but he is later knifed to death by a mugger. The unknowing woman, assuming he has abandoned her, is crushed and commits suicide. ~ Sandra Brennan, Rovi
- 1959
Meant to be a diatribe against yellow journalism and current social ills, this weakly limned drama by Josef von Baky features a reporter who works for one of the tabloid papers. The reporter digs up dirt on the past life of a local hotel owner, and wanting to take full advantage of the muck, he strings out his revelations in a series of perjorative, damning articles on the man. The result of this campaign turns out to be much worse than simply ruining the hotel owner's reputation. ~ Eleanor Mannikka, Rovi
- Starring:
- Hildegarde Neff, Hansjörg Felmy, (more)
- 1959
Berlin provides the backdrop for this crime drama that centers on a military doctor falsely accused of dealing illegal drugs. Determined to prove his innocence, he escapes from the MPs and ends up holing up in the apartment his wife rented. He doesn't know that she has sublet the flat to a nightclub singer. When he finds out, he begs the singer to assist him. She is attracted to him and agrees. The doctor believes that his wife is behind the black-market dealings, but in the end, they find the real culprit. ~ Sandra Brennan, Rovi
- Starring:
- Van Johnson, Hildegarde Neff, (more)
- 1958
Yves Allegret's 3DLa Fille de Hambourg3D (literally 3DThe Girl of Hambourg3D) was released stateside as 3DPort of Desire3D. The film focuses on a former French POW named Pierre (Daniel Gelin) who returns to Germany after the war to seek out a fraulein named Maria (Hildegarde Knef), who extended the hand of kindness to him during his incarceration. Despite the fact that he is married, Pierre hopes to inagurate a romance with Maria, who now works in a seedy Hamburg nightclub. When Pierre is killed by a two-bit thief, Maria brokenheartedly assumes she's been deserted, a misapprehension that leads to tragedy. As was his wont, Allegret piles symbolism upon symbolism throughout 3DLa Fille de Hambourg3D. ~ Hal Erickson, Rovi
- Starring:
- Daniel Gélin, Hildegarde Neff, (more)
- 1955
In Svengali, the 1955 adaptation of George DuMaurier's classic novel Trilby, Donald Wolfit achieves the near-impossible: he out-hams John Barrymore, who'd played Svengali in the 1931 version. A last-minute replacement for the equally flamboyant Robert Newton, Wolfit pulls out all the stops as the scroungy, sinister musician/mesmerist who hypnotizes lovely artist's model Trilby (Hildegarde Neff) and transforms her into a world-famous singer. While under Svengali's spell, Trilby forgets all about "Little" Billy (Terence Morgan) the starving artist who loves her fervently. But Billy doesn't forget, and follows Svengali and Trilby all over the world. The film's best moment is the celebrated Covent Garden climax, wherein Svengali finally, and fatally, relaxes his hold on Trilby. ~ Hal Erickson, Rovi
- Starring:
- Hildegarde Neff, Donald Wolfit, (more)
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