Patricia Neal Movies

The Face: Jesus in Art provides a thorough lesson in art history, exploring the diverse and numerous artistic representations of Jesus Christ rendered over the last 2,000 years. The film discusses the influence these depictions of Christ have had on the world's aesthetic, and also analyzes the varying stylistic interpretations of the man millions call the son of God. Viewers feast their eyes on Michelangelo's revered work, the catacombs of Rome, the contents of Chartres Cathedral, and much more. ~ Betsy Boyd, All Movie Guide

According to this made-for-cable documentary, stage and film star John Garfield set the standard for naturalistic acting that blazed the trail for such future "method" types as Marlon Brando and Robert De Niro. Lovingly narrated by Garfield's actress daughter, Julie Garfield, the film details the early childhood of Julius Garfinkel in the mean streets of New York, his fascination with acting, his absorption into the influential Group Theatre, and his ultimate journey to Hollywood, where as John Garfield, he earned an Oscar nomination for his first starring feature film, Four Daughters. From there, Garfield's star continued to ascend, unaffected by his internal battles with the studio bosses and his many marital infidelities. Yet for all his fame and fortune on the silver screen, Garfield was frustrated at being typecast as a "tough guy," yearning for more substantial, three-dimensional roles. With rare exceptions, such roles would elude him in Hollywood, compelling him to return to New York at the height of his movie popularity to star in Clifford Odets' Broadway hit The Big Knife -- ironically the story of a movie idol who had "sold out." Though extremely liberal in his politics, Garfield was never a Communist, but this didn't stop him from being persecuted by the HUAC in the late '40s, which led to his being blacklisted in Hollywood. Hounded and tormented by the anti-Red witch hunt of the era, Garfield's health suffered mightily, and by age 39 he was dead. In addition to an abundance of precious film clips (including rare footage of the actor's only TV appearance), The John Garfield Story features interviews from Garfield's co-worker's, friends, family members, and modern-day fans. ~ Hal Erickson, All Movie Guide

This Disney-produced made-for-TV version of the classic children's tale features Noley Thornton as Heidi, the plucky girl from the Alps, with Jane Seymour as a mean-spirited governess and Jason Robards as Heidi's kindly grandfather. ~ Mark Deming, All Movie Guide

This suspenseful drama first aired on television as part of the Hallmark Hall of Fame Theater. It tells the story of a young woman who suddenly appears at the family estate claiming to be the title character and demanding her rightful inheritance. The family doesn't know what to think, because they have spent the last 15 years believing that Caroline died in a plane crash. ~ Sandra Brennan, All Movie Guide

The made-for-TV Shattered Vows stars Valerie Bertinelli as a young nun named Mary Gilligan. Though she tries to honor the edicts of her calling, Mary falls in love with a handsome priest (David Morse). Her overwhelming desire to marry and raise a family culminates in her leaving her order before taking final vows. The real-life Mary Gilligan Wong eventually became a clinical psychologist. Her autobiography Nun: A Memoir served as the basis for Shattered Vows, which first aired October 29, 1984 ~ Hal Erickson, All Movie Guide

Produced for the syndicated "Operation Prime Time" series, The Bastard is the first of John Jakes' "Kent Family Chronicles" (followed by The Rebels and The Seekers). Presented in two parts, the story begins in 1771, with 17-year-old French commoner Philippe Charboneau (Andrew Stevens) discovering that he is the illegitimate son of a British Duke. He goes on a long journey, girdling several countries, to claim his birthright, with his mother (Patricia Neal) along for the ride. Settling in America in 1772, our hero--now known as Phillip Kent--becomes involved with the American Revolution. The all-star cast includes Buddy Ebsen, Barry Sullivan, Harry Morgan, Lorne Greene, Donald Pleasence, Tom Bosley (as Ben Franklin), William Shatner (as Paul Revere) and William Daniels (as Samuel Adams). Distributed nationally beginning May 22, 1978, The Bastard was re-titled Kent Family Chronicles in the more conservative TV markets. ~ Hal Erickson, All Movie Guide

Based on the 1976 autobiography My Luke and I by Eleanor Gehrig and Joseph Durso, Love Affair: The Eleanor & Lou Gehrig Story provides a slightly different slant on the events previously dramatized on film as Pride of the Yankees (1942). The story is told in flashback from the point of view of the wife of baseball's "Iron Man". Sitting in a deserted Yankee stadium, Eleanor (Blythe Danner) relates her tale to her biographer Joseph Durso (Robert Burr). She recalls how she met the painfully shy ballplayer Lou Gehrig (Edward Herrmann) on a blind date in 1933. She remembers her battle of wills with Lou's domineering and possessive mother (played with a nearly impenetrable foreign accent by Patricia Neal), and her 1934 elopement with her "Luke." Other memories include the New York Yankees' goodwill trip to Japan, where relationships became strained between teammates Gehrig and Babe Ruth (Ramon Bieri). Also recalled is the fact that Lou played 2130 consecutive games (a record was only recently broken by Cal Ripken Jr.). Eleanor's story ends inevitably with Lou's slow death from amyotropic lateral sclerosis. In summing up, Eleanor insists that despite the tragic final years, she wouldn't have traded her short time as Mrs. Lou Gehrig for anything. Edward Herrmann took pride in the fact that his portrayal of Lou Gehrig won the unqualified praise of the real Eleanor (though Herrmann learned to bat southpaw for the role, he is seen actually playing baseball only once) Originally scheduled for broadcast on October 9, 1977, the made-for-TV Love Affair was bumped by a World Series playoff game; it was rescheduled for January 15, 1978--smack dab opposite the Super Bowl. ~ Hal Erickson, All Movie Guide

In this fact-based made-for-TV tearjerker, the promising life of a talented teenage athlete is suddenly destroyed when he is diagnosed with terminal cancer. Despite the bad news, the boy does all he can to fight the disease. His devoted mother supports him to the bitter, inevitable end. The story is based on the experiences of Doris Lund, the late Eric's mother. ~ Sandra Brennan, All Movie Guide

When actor Lionel Jeffries turned to directing in the 1970s, he exhibited a preference for whimsy, as witness The Railway Children. Jeffries' Baxter is a notable exception to this rule, though, as with his other directorial efforts, he shows a keen sensitivity for the travails of troubled youngsters. Scott Jacoby plays Baxter, a boy with a marked speech impediment. His affliction worsens as his parents' marriage disintegrates. Patricia Neal plays a dedicated speech therapist who realizes that Baxter's problems go deeper than his inability to speak normally. Baxter was scripted by "Golden Age" TV veteran Reginald Rose. ~ Hal Erickson, All Movie Guide

This made-for-TV drama, based on the book by Earl Hamner Jr., was the basis for the popular long-running television series The Waltons. In this opening installment, the Waltons, led by matriarch Olivia Walton (Patricia Neal), spend an anxious 1933 Christmas Eve together as they await the arrival of their father during a snowstorm. The film won the Golden Globe Award for "Best TV-Movie" that year, and Neal won the "Best Actress" award for her performance. ~ Bernadette McCallion, All Movie Guide

In Harm's Way, based on James Bassett's novel Harm's Way, has enough plot in it for four movies or a good miniseries (when it was shown on network television in prime time, it was broken into two very full nights). On the morning of December 7, 1941, a heavy cruiser, commanded by Captain Rockwell Torrey (John Wayne), and the destroyer Cassidy, under acting commander Lieutenant (jg) William McConnell (Thomas Tryon), are two of a handful of ships that escape the destruction of the Japanese attack on Pearl Harbor. Under Torrey's command, the tiny fleet of a dozen ships carries out its orders to seek out and engage the enemy fleet. But lack of fuel and a daring maneuver (but tragic miscalculation) by Torrey causes his ship to be seriously damaged. He's relieved of command and assigned to a desk job routing convoys in the shakeup following the attack, and his exec and oldest friend, Commander Paul Eddington (Kirk Douglas), is reassigned after a brawl, the result of his anger after identifying the body of his wife (Barbara Bouchet) who was killed during the attack while cavorting with an Marine Corps officer.

Torrey's shore assignment leads him to reestablish contact on a very hostile level with his estranged son, Ensign Jere Torrey (Brandon de Wilde), from his long-ended marriage; he establishes a romantic relationship with Lt. Maggie Haynes (Patricia Neal), a navy nurse; and he also befriends Commander Egan Powell (Burgess Meredith), a special-intelligence officer. Partly as a result of his contact with Powell, Torrey is chosen by the commander of the Pacific Fleet (Henry Fonda) to salvage an essential operation called Sky Hook, which has become bogged down through the indecisiveness of its area commander, Vice Admiral Broderick (Dana Andrews). Promoted to rear admiral, with Eddington -- who'd been rotting away on a shore assignment, drunk most of the time -- assigned as his chief of staff, Torrey gets Sky Hook rolling and finally finds his purpose in this war, gaining the belated admiration of his son in the process. Eddington is similarly motivated but is still haunted by the violent, ultimately self-destructive demons that blighted his marriage and his life -- he is particularly attracted to a young nurse, Annalee Dohrn (Jill Haworth), not knowing that she is already involved romantically with Jere Torrey. Meanwhile, McConnell survives the sinking of his ship and is ordered to join Torrey's staff. Matters all come to a head when the Japanese begin a counter-offensive to Torrey's planned troop landing. And just at the time Torrey needs his men at their best, Eddington's violence and rage boil to the surface in a way that will destroy him and blight both men's lives. In a final attempt at redemption, Eddington provides Torrey with the information he needs to set up a battle that he has at least a chance of winning, pitting his small task group of destroyers and cruisers against the Japanese task force led by the Yamato, the largest battleship ever built. ~ Bruce Eder, All Movie Guide

Patricia Neal plays Allison Crawford, a woman who has suffered psychosomatic blindness for a number of years. Upon psychological examination, Allison seems to have a gap in her memory which may reveal the cause of her emotional distress. When she and her husband Eric (Curt Jurgens) move in with her provocative younger sister (Samantha Eggar), Allison uses her ailment as an excuse to do some of her own investigative research. Slowly gaining back her eyesight, Allison finds the missing pieces of her memory. Julian Halevy based her screenplay on Francoise des Ligneris's novel, Psyche 63. Though the titular number is never explained, it has been suggested that it refers to the year in which the lead character suffered her traumatic experience. ~ Kristie Hassen, All Movie Guide