Rodney Bell Movies

Jethro falls hopelessly in love with tempestuous movie starlet Kitty Devine (Sharon Farrell). Not surprisingly, the self-centered Kitty does not return Jethro's affections. But when she learns from her agent (Bernie Kopell) that the Clampetts are worth several million dollars -- and that Jethro's Uncle Jed owns the movie studio where she works -- it's a different story indeed! Part one of a three-part story arc, "The Movie Starlet" originally aired on January 13, 1965. ~ Hal Erickson, Rovi

Gina Lollobrigida plays a Lady of the Evening who is wooed by wealthy young Anthony Franciosa. She leaves him in the dark concerning her checkered past. Alas, Franciosa's father Ernest Borgnine knows everything about Lollobrigida, and breaks the bad news to his son. Aghast at first, Franciosa is willing to forgive Lollobrigida. But since the Production Code was still tenuously in effect, Lollobrigida can't possibly enjoy a happy ending, so she obligingly kills herself. Based on a novel by Tom T. Chamales, Go Naked in the World was written and directed by Ranald MacDougall, and did you know that MacDougall was the husband of Nanette Fabray? ~ Hal Erickson, Rovi

During a boy-girl raffle at a school picnic, Wally (Tony Dow) draws the name of his classmate Alma Hanson (Carol Sydes). Sizing up Wally as a "good catch," Alma's mother (played by Jean Vander Pyl, best known to cartoon fans as the voice of Wilma Flintstone) does everything in her power to keep Wally and Alma together. After a while, Wally begins to feel trapped, whereupon his dad, Ward (Hugh Beaumont), comes up with a plan to rescue his son from Mrs. Hanson's clutches -- with ironic results. ~ Hal Erickson, Rovi

This is an out-dated, feeble World War II comedy about a new army recruit who ends up alone with his Master Sergeant and a striking model on a deserted island, deserted except for two enemy soldiers. When Tommy Noonan (playing himself) insists on being drafted, the local boot camp has been all but shut down. In order to train him, Master Sergeant Marshall (Peter Marshall) and a few others hang around, but in the meantime Marshall's fiancee, actress Lili Marlene (Julie Newmar), arrives at the boot camp with her press agent to take advantage of the publicity surrounding Noonan's induction. She joins Noonan and Marshall when they board a ship destined for Japan, and then ends up in the drink with them when all three fall overboard. The trio make it to an island and comparative safety, until they discover that two Japanese soldiers (played by Noonan and Marshall) have also landed. ~ Eleanor Mannikka, Rovi

Missouri Traveler was one of a handful of independent films distributed by Disney's Buena Vista corporation. Brandon De Wilde heads the cast as 15-year-old orphan boy Biarn Turner. Doing his best to survive in the rural South of the pre-WW1 years, Biarn is unofficially adopted by crusty small-town newspaper editor Doyle Magee (Gary Merrill). Also taking an interest in Biarn's future is wealthy self-made farmer Tobias Brown (Lee Marvin), whose apparently cruel treatment of the boy masks his genuine affection and concern. Highlights include an annual trotting race and a climactic set-to between Magee and Brown. The Missouri Traveller is based on the novel by John Burress. ~ Hal Erickson, Rovi

Four Girls in Town is essentially an excuse by Universal-International to test out several of their newer contractees. The plot is motivated by a worldwide movie talent hunt, which naturally arouses the attentions of a bevy of pretty young aspiring actresses. The four girls of the title are Kathy Sonway (Julie Adams, who'd been appearing in films since 1950), Ina Schiller (Germany's Marianne Cook, nee Koch), Maria Antonelli (Italy's Elsa Martinelli) and Vicki Dauray (Gia Scala, also from Italy but herein portraying a Frenchwoman). Conducting the screen tests is budding director Mike Snowden (George Nader), who predictably falls in love with one of the hopefuls. Some laughs are had at the expense of Universal's rival 20th Century-Fox in the person of Helene Stanton, cast as a Marilyn Monroe clone named "Rita Holloway". ~ Hal Erickson, Rovi

Friday (Jack Webb) and Smith (Ben Alexander) receive a tip that middle-aged dope addict Denson (Rodney Bell) has recently purchased some 30 caps of heroin, which he plans to sell. Not only has "trailer trash" Denson ruined his life and his family with his drug habit, but he is also allowing his nineteen-year-old daughter Josie (a young Ruta Lee) to date a slimy dope pusher (Dennis Cross) in order to secure an endless supply of "H". This episode is based on the Dragnet radio broadcast of September 15, 1955. ~ Hal Erickson, Rovi

In this subtle 1954 comedy with feminist overtones, Clifton Webb plays Gifford, an executive with a large automobile manufacturer who is having trouble deciding who to hire as his chief sales manager. His three candidates are equally competent, so he brings their wives with them to New York headquarters, planning to hire the one whose wife is most suited to be an executive's wife. Elizabeth (Lauren Bacall) is the wife of Sid (Fred MacMurray), a company man. Elizabeth knows that Sid is such a workaholic that she will never see him if he gets the new job, but she is loyal to her husband and impresses the hiring team with her competency. Bill Baxter (Cornel Wilde) is handicapped in the competition by his wife Katie (June Allyson), a clumsy but sweet small-town girl from the Midwest. Katie dutifully tries to impress the big boss but proves inept at handling the social responsibilities. She would prefer to stay in Kansas City anyway. Jerry (Van Heflin) is married to Carol (Arlene Dahl), a seductive gold-digger who sexually teases various executives in the hopes that her assets can help land Jerry the job. Instead, her out-of-bounds behavior gets Jerry eliminated from the list, at least until Jerry tells Gifford that he doesn't sanction his wife's behavior. ~ Michael Betzold, Rovi

Daniel Mainwaring took this story right out of the headlines of the day, penning this true story of a mass murderer who was eventually executed in San Quentin's gas chamber. Released during McCarthy's witch-hunt, Mainwaring was not given credit because Howard R. Hughes, who produced it under RKO, refused to give credit to any "radicals." The story is that of two men on a fishing trip who pick up a hitchhiker. He turns out to be a sadistic psychopath who has committed multiple murders, a sociopath who hates humanity because of his own abuse as a child. He also has an affliction which terrifies these two men: an eye which is permanently open, thereby never allowing them to know if he is really asleep or just faking it--something which he does with regularity to scare them...letting them take off and then meeting up with them just as they feel they have escaped from him. A tense thriller skillfully directed by the only female director of the time, Ida Lupino, it is a suspenseful tale of terror on the highways. ~ Tana Hobart, Rovi

Something for the Birds is a toothless satire of Washington, filmed during the McCarthy era. For lack of a political target that wouldn't get them labeled as Communists, the producers decided to go after lobbyists. Patricia Neal comes to Washington on behalf of the preservation of the California Condor; she finds herself the object of ridicule for almost everyone, including leading man Victor Mature, a lobbyist for the oil interests who threatens a large bird sanctuary. Edmund Gwenn is one of the few Washingtonians willing to financially back Neal's cause; unfortunately he turns out to be a charlatan with nary a nickel to his name. Eventually Mature is made to realize that the plight of the Condor is worthy worrying about, and he is able to dissuade the agreeable oil executives from drilling on the bird's territory. ~ Hal Erickson, Rovi

The title character (Paul Douglas) is a pro football player of the early 1940s at the end of his career. Douglas is offered a coaching job, but he stubbornly turns it down in hopes of making a comeback. Day after day he sits in his den watching movies of his past gridiron triumph, much to the dismay of his wife (Joan Bennett). When she chews him out for living in the past, Douglas walks out and takes up with a younger woman (Linda Darnell). To prove that he's still in top shape, Douglas takes a job as a professional wrestler. His new girl friend, realizing that Douglas is miserable without his wife, conspires with the other woman to get Douglas back on his old team. The wartime need for warm bodies allows Douglas a few more years in football, but eventually he gets wise to himself and takes the coaching job. Ironically, Guy Who Came Back star Paul Douglas was in his youth an football pro who retired from active play to become a sports announcer. ~ Hal Erickson, Rovi

No one is as good as Barbara Stanwyck when she's bad. Here Stanwyck plays Thelma Jordon, a woman who late one night shows up in the office of happily married Assistant DA Cleve Marshall (Wendell Corey) to seek help in solving the string of robberies at her wealthy aunt's estate. Before Cleve can stop himself, he and Thelma are involved in an illicit affair. But Thelma is a mysterious woman, and Cleve can't help wondering if she is hiding something. His suspicions are confirmed when Thelma confesses to him that she is married to Tony Laredo, though she swears that she never wants to see him again. When Thelma's aunt is found murdered, Cleve's suspicions are aroused once again, but he is too love-struck to keep himself from being drawn into the complicated series of events that ultimately lead to his ruination. Siodmak directs with his usual skill and polish, but the film really belongs to Barbara Stanwyck who is magnificent as Thelma. Unlike the usual cold, passionless femme fatale of film noir, Thelma has a heart and a conscience. She comes to love Cleve, and has concern for his life and his future. However, despite her wish that her life could be different, she realizes that she belongs in Tony's world, and despite her attempts to sacrifice herself to save Cleve, he is doomed, by his love for her and by his own weaknesses. The File on Thelma Jordan is a romantic, unusual mystery, with a great performance and superior direction. ~ Hal Erickson, Rovi

First came 20th Century-Fox's Mother Was a Freshman; then, a few months later, the same studio's Father Was a Fullback. Fred MacMurray stars as college football coach George Cooper, whose team can't win a game to save its life. George finds some comfort in the arms of his wife Elizabeth (Maureen O'Hara), but his young daughters Connie (Betty Lynn) and Ellen (Natalie Wood) are too concerned with boys to pay their dad any attention. Connie causes no end of trouble for George by printing a highly imaginative article about her various romances. On the verge of losing his job, George is saved by the arrival of football champ Joe Burch (Richard Tyler). Rudy Vallee virtually repeats his stuffy-suitor characterization from Mother is a Freshman in Father Was a Fullback. ~ Hal Erickson, Rovi