Marshall Bell Movies

Director Alan Parker tackles this adapation of William Wharton's novel, which retains much of the source material's texture and complexity. Matthew Modine is Birdy, who comes back from Vietnam mentally shattered and deludes himself into thinking that he is a bird, an animal that has obsessed him since childhood. Birdy is confined to a military hospital, where he spends his time sitting naked in his room, not acknowleding anyone, moving and acting like a parakeet. His best friend Al (Nicolas Cage), also a wounded Vietnam vet, visits Birdy every day, determined to bring him back to reality. Birdy is occasionally disjointed but enriched by strong performances from Modine and Cage and a number of hard-to-forget moments. ~ Don Kaye, All Movie Guide

This modest teen comedy has the usual themes revolving around sex: how to handle it, how to relate to it, and how to do just about everything except engage in it. The focus is on two teenagers, one is the serious Natalie (Jennifer Connelly). She has her eyes set on becoming President of the U.S. and one day heads off to Washington D.C. on a special visit for "Future Leaders." A certain presidential aide brings a romantic touch to her idealized vision. The other teen is Polly Franklin (Maddie Corman) whose infatuation with a baseball player takes her to New York -- where a photographer steps in as a pinch-hitter. A few other subplots move circumstances around in the two teens' lives, though their romantic exploits take center stage. ~ Eleanor Mannikka, All Movie Guide

No Way Out is told in flashback as Naval officer Tom Farrell (Kevin Costner) is grilled by his superiors regarding a recent "unpleasantness." While at a Washington party, Tom meets Susan Atwel (Sean Young), and they're soon sharing a steamy love scene in the back of a limo (marvelously parodied in 1993's Hot Shots! Part Deux). Several months pass before Tom meets Susan again; he discovers she's the mistress of the US Secretary of Defense David Brice (Gene Hackman). When Susan is murdered by Brice, his loyal aide (Will Patton) dutifully destroys the evidence and invents the fallacious theory that a KGB mole was responsible. Tom is assigned to locate that mole -- a perilous situation, since Tom knows that no such mole exists, but must go along with the charade since he was the last person who was seen with Susan. ~ Hal Erickson, All Movie Guide

The central "gimmick" of the comedy-adventure Twins is established early on. Unbeknownst to one another, king-sized Arnold Schwarzenegger and gnomeish Danny De Vito are twin brothers. Even better: Schwarzenegger is a mild-mannered, bookish type, while De Vito is a vitriolic troublemaker. The film takes satiric jabs at the notion of "perfect" genetics, and makes several pointed comments concerning the dangers of youthful pre-conditioning by insensitive parents. ~ Hal Erickson, All Movie Guide

History tells us that would-be automobile mogul Preston Tucker was a silver-tongued con man, who misappropriated his investors' money and played fast and loose with ethics and legalities in the pursuit of his dream. Filmmaker Francis Ford Coppola isn't buying this: to hear Coppola tell it, Tucker was "Mr. Smith Goes to Detroit," a sincere visionary who tried and failed to buck the Big Three auto manufacturers. Moreover, he was a staunch defender of family values, as witness his inseparable relationship with his loyal wife (Joan Allen) and adoring children. It was for his family's sake, rather than any dreams of financial gain, that Tucker created the oddball three-headlight vehicle which he envisioned as the "car of the future". Naturally, the corporate fat cats of 1947 can't abide competition from a rugged individualist; thus, with several politicos in their pockets, they crush the Tucker and the man who built it. We'd have been more inclined to believe the story had Coppola adopted a straightforward Capraesque approach and not utilized all sorts of complicated camera trickery. Somehow, by presenting Tucker in so showoffy a directorial manner, the character comes off more as a sleight-of-hand artist than a bastion of sincerity. Even so, Jeff Bridges does a nice job as Tucker, as does Martin Landau as Tucker's incongruous business partner. Jeff's dad, Lloyd Bridges, appears in an uncredited role as a "bought" senator. ~ Hal Erickson, All Movie Guide

Robert Zemeckis' "And All Through the House" is about a psychotic Santa Claus (Larry Drake) who has just escaped from an insane asylum and comes knocking at the door of a woman (Mary Ellen Trainor), who's fresh from killing her husband for greedy reasons. The episode is a remake of one of the segments of the 1972 Tales from the Crypt feature directed by Freddie Francis and starring Joan Collins. ~ Stephen Thomas Erlewine, All Movie Guide

Mickey (D.B. Sweeney) is a reformed thief who works construction. He's saved up his money to move out of his small town and get away his criminal past. Before he leaves town, he proposes to Claudi (Bridget Fonda), a friend he's secretly loved for ages. Claudi has a reputation in town and she's also eager to escape. Their plans are spoiled by Dobbs (Cary Elwes), a mutual friend and gang leader who Mickey used to run with. After a botched robbery that ends in murder, Dobbs and his crew are pursued by a Vietnamese gang led by Tron (Craig Ng). But Dobbs still tries to disrupt his friends' wedding plans by telling Mickey that Claudi is a whore. Then, at Mickey's going away/bachelor party, Dobbs hires a couple of strippers (one played by former porn star Ginger Lynn) to entice Dobbs. Things get more complicated when Tron and company crash the party and shoot up the place, shooting Dobbs and killing several members of his gang. Mickey, Dobbs, Claudi, and Big Steve (Chris Penn) hit the road, heading to L.A. to evade the other gang. Along the way, secrets are revealed that change all of their lives, and they find that escaping the past is not so easy. The film was written and directed by Lee Drysdale, who would later write the script for Sweet Nothing. ~ Josh Ralske, All Movie Guide

Mel Gibson and Robert Downey Jr. play a couple of what-the-hell flyboys flying contraband to Laos during the Vietnam War. Gibson doesn't seem to care about anything but the "guts and glory" aspects of the job, but Downey has serious questions about the moral implications of their mission. When a Laotian general expresses more concern over the wellbeing of an opium shipment than the men who are risking life and limb to fly it in, Gibson comes around to Downey's way of thinking. By film's end, Gibson is stuck in one of those character-building dilemmas so common to films of this nature: should he deliver his cache of weaponry, or should he dump it all to rescue a bunch of refugees? ~ Hal Erickson, All Movie Guide

Sylvester Stallone gives comedy another try in this farce set in the 1930s. Angelo "Snaps" Provelone (Stallone) is the wealthy and powerful head of the Chicago mob, but his ailing father (Kirk Douglas) doesn't approve of his life in crime, and on his deathbed, Dad makes Snaps promise to go straight. Determined to honor his late father's wishes, Snaps decides to go into banking -- just as his life has fallen into chaos. Anthony Russano (Vincent Spano) informs Snaps that he's hijacked $50,000 of his money and wants to marry his daughter. Snaps discovers that his daughter Lisa (Marisa Tomei) is actually involved with the chauffeur, Oscar (Jim Mulholland), but Anthony's girlfriend Theresa (Elizabeth Barondes) has convinced her beau that Snaps is her father. Snaps hopes to use this misunderstanding as a way of getting his money back, but in the meantime, he has to deal with a wary banking board, rival mob boss Vendetti (Richard Romanus), prissy elocution coach Thornton (Tim Curry), and Snaps' one-time girlfriend Roxanne (Linda Gray). Oscar's stellar supporting cast includes Don Ameche, Chazz Palminteri, Harry Shearer, Eddie Bracken, Yvonne DeCarlo, and Bruce Davison. ~ Mark Deming, All Movie Guide

An uneven but entertaining blend of graphic horror and black comedy from John Landis, very much in the mode of the director's successful An American Werewolf in London. French actress Anne Parillaud -- star of Luc Besson's acclaimed thriller La Femme Nikita -- plays Marie, a lithe and lovely vampire with a conscience who will not take "innocent blood" and maintains a low profile by dining exclusively on criminals and lowlifes. She finds a virtual smorgasbord in Pittsburgh's criminal underworld, arriving in the thick of a bloody mob war sparked by ruthless kingpin Sal Macelli (Robert Loggia). After preying on one of Macelli's hoods (Chazz Palminteri), Marie fumbles her attack on the boss himself and he manages to escape, eventually transforming into a vampire himself. Macelli soon comes to appreciate his new superhuman condition and hatches a diabolical scheme to control the syndicates by turning his underlings into vampires -- including his beleaguered lawyer, Emmanuel Bergman (Don Rickles). Marie, faced with a new and powerful undead enemy, is forced to take matters into her own claws. To this end she enlists the reluctant aid (and eventual affection) of undercover cop Joe Gennaro (Anthony LaPaglia), whose cover has just been leaked to the press, making him a target for Macelli and his growing army of blood drinkers. Landis has crafted a dark and brooding film, pumped up with bouts of extreme gore and gangland violence -- but where American Werewolf's occasional comic touches helped to ground the story and give the "straight" horror scenes more punch, most attempts at humor here seem jarring and out of place. The film's highlights come from numerous horror in-jokes, including cameos from Sam Raimi, Clive Barker, Dario Argento and Linnea Quigley; Rickles' explosive death scene ranks among the weirdest in cinema history. ~ Cavett Binion, All Movie Guide

When a successful businessman Graham Krakowski (Bill Paxton) buys a house, he has a hard time evicting the previous tenant--a dirty, homeless vagabond (Marshall Bell). As Graham tries stunt after stunt to rid himself of his unwanted guest, he begins to crack, while the bum figures out new and exciting ways to torment him. ~ Iotis Erlewine, All Movie Guide

With Heaven and Earth -- cobbled together from two autobiographical reminiscences (When Heaven and Earth Changed Places and Child of War, Woman of Peace by Le Ly Hayslip -- Oliver Stone completes his self-declared "Vietnam Trilogy" (the other films being Platoon and Born On the Fourth of July) of films examining the Vietnam War from different perspectives. Heaven and Earth begins in the central Vietnamese village of Ky La during the 1950s. Phung Le Ly (Hiep Thi Le) is an innocent peasant girl, helping her mother (Joan Chen) to tend the rice paddies while being lectured in the ways of life by her father (Haing Ngor). The idyllic peace of the village is disrupted when a jet bomber crosses the skies. Soon the village is decimated as the American-backed South Vietnamese government troops and the Viet Cong engage in brutal warfare in which the victims are the innocent villagers. Le Ly is both tortured and raped. She leaves Ky La for Danang for a life as a prostitute. There she meets the tall and craggy American soldier Steve Butler (Tommy Lee Jones), a kind but lonely man who isn't looking for sex but for someone to settle down with -- as he says, "I want an Oriental wife." They marry, and Steve takes her back to the United States, where her in-laws look at her not as a wife but as a pet. In the harsh glare of 1970s U.S. culture, Le Ly has trouble adjusting to the American way of life. But not as hard a time as her husband, who, after twenty years in Vietnam, discovers he cannot adapt to civilian life. ~ Paul Brenner, All Movie Guide

In this unofficial remake of The Postman Always Rings Twice, an ex-con gets a job at a run-down roadside diner owned by a blind former prison guard. He commences an affair with the owner's wife, and they both plan to kill him and find a hidden treasure. Their plan starts to unravel, however, and a deputy sheriff and another ex-con start to cause problems for the couple. ~ Brian Gusse, All Movie Guide