Russell Napier Movies

Michael Caine stars as an espionage agent whose young son is kidnapped. Complicating matters is the fact that the kidnappers (John Vernon and Delphine Seyrig) are Caine's own colleagues. They want to secure Caine's aid in rounding up a diamond smuggling ring, and they don't care who they have to hurt to do so. He agrees to go along, all the while searching for his missing son. Janet Suzman co-stars as Caine's estranged wife, who is compelled to join him in his search. Helmed by veteran filmmaker Don Siegel, The Black Windmill is based on Seven Days to a Killing, a novel by Clive Egleton. ~ Hal Erickson, All Movie Guide

In a disturbing movie about psychosis, Hayley Mills plays Susan Harper, a young student who tries to help a rich, emotionally ill and sinister young man, Martin Durnley (Hywel Bennett). Martin is a schizophrenic who assumes the personality of a six-year-old boy when he is in his "nice" phase. Susan talks a store manager out of pressing charges against Martin after he steals a toy duck. Martin wants to take the toy to his mongoloid brother, who is in an institution. Martin's stepfather, Henry (Frank Finlay), enraged by his shoplifting, evicts Martin despite the pleas of his mother, Enid (Phyllis Calvert). Martin, again acting like a young child, is taken in by Susan's mother, Joan Harper (Billie Whitelaw), who runs a boarding house. ~ Michael Betzold, All Movie Guide

This silly twist on the silent classic Der Golem stars Roddy McDowall as Arthur Pimm, assistant museum curator and would-be Norman Bates who, among other things, preserves the body of his late mother in his home. When Pimm and museum director Grove (Ernest Clark) discover a grotesque statue left intact after a fire at one of the museum storehouses, they transport the stone behemoth to the museum for study. After finding Grove mysteriously crushed to death under the statue, Pimm's curiosity is piqued, leading him to investigate its origins. He discovers that the figure is actually the legendary Golem, an indestructible creature of 16th-century Yiddish myth capable of destroying the enemies of any man who becomes its master. Pimm is eventually able to control the monster with his deranged mind, leading it on a rampage of murder and destruction that devastates half of London. Aside from McDowall's typically eccentric performance, this stodgy film is a fairly tedious exercise, shambling along more slowly than the monster itself and punctuated only by occasional over-the-top moments, particularly at the laughable climax. Director Herbert J. Leder's earlier horror film The Frozen Dead is much more enjoyable. ~ Cavett Binion, All Movie Guide

Damn the Defiant! is an 18th-century seafaring drama from director Lewis Gilbert. Alec Guinness plays the stern but compassionate captain of a British warship, engaged in the Napoleonic wars. Guinness is popular with his men, which is more than can be said for his new second-in-command Dirk Bogarde. When Guinness tries to modify Bogarde's sadistic adherence to discipline, Bogarde responds by mistreating Guinness' cabin-boy son, knowing that the captain cannot intervene under the edicts of British maritime law. During an incipient mutiny, Bogarde is accidently killed, and Guinness knows that the crewmen responsible must hang once they reach shore. But after these same men perform courageously in battle, Guinness suffers a crisis of conscience: How can he condemn these fearlessly patriotic men to death, as he knows he must? Based on the novel Mutiny by Frank Tilsley. ~ Hal Erickson, All Movie Guide

This penultimate film by director Michael Curtiz, perhaps best known for his 1942 Casablanca, is a verbose, routine religious drama on the life of St. Francis of Assisi. After quickly passing over St. Francis' early life as the son of a wealthy cloth merchant in Assisi, the story notes his talents in and out of battle. St. Francis hears the call to the cloth (in his hagiography, the call was repeated several times before he finally responded completely), and gives up all his worldly goods to dedicate himself to God. The main focus of attention is then on his relationship to Clare (Dolores Hart) a young aristocratic woman who was so taken with St. Francis that she left her family and became a nun. St. Francis by this time (1212 A.D.) had a well-established reputation for his vows of poverty, and aside from the dubious aspersions cast on his interest in Clare, the drama goes on to note miracles and other aspects of his life, up to and including his death on October 3, 1226. ~ Eleanor Mannikka, All Movie Guide

With an award-winning screenplay by director Val Guest, this is a first-rate cops-and-robbers crime drama about a dangerous escaped convict and the police inspector who goes after him. The gritty industrial town of Manchester and its outlying moors provide a somber backdrop to the action. Inspector Martineau (Steve Baker) suspects that the escaped thief, Don Starling (John Crawford) is going to return to Manchester to retrieve a cache of jewels he hid away before being convicted. The sudden, brutal murder of a woman and the missing money she was carrying, tips the Inspector off that his suspicions were right. He starts tracking down the killer and the gang of men he knows must be working with him, as suspense builds at every turn. The gang falls one by one, until only the killer is left. ~ Eleanor Mannikka, All Movie Guide

In this crime drama, two crooked brothers, an embezzler and a gambler, find themselves in deep trouble when the embezzler steals from a steel mill so he can buy his lover fancy clothes. During the theft, he kills a night guard. This spawns an investigation by the slain watchman's son who locates a sightless witness. The son then convinces the killer that the witness saw him and this causes him to confess. ~ Sandra Brennan, All Movie Guide

In this crime drama, an innocent man is imprisoned and his 10-year-old son is left to suffer the consequences at the hands of his schoolmates who taunt him mercilessly. One day the boy witnesses the same type of crime that got his father in prison. To bring the real culprits to justice, the police use the brave boy as a decoy. Though his life is endangered for a time, the ruse works and his father is finally freed. ~ Sandra Brennan, All Movie Guide

This meticulous re-creation of the sinking of the Titanic was adapted by Eric Ambler from the best-selling book by Walter Lord, and it preceded the blockbuster Titanic by almost 40 years. The film covers the life and death of the huge vessel from its launching celebration to that fateful night of April 14, 1912, when the "unsinkable" ship struck an iceberg in the North Atlantic. Of the 2224 passengers on board, 1513 were drowned as a result of the bad planning of lifeboats and escape routes. Kenneth More heads a huge and stellar cast, with 200 speaking parts, as second officer Herbert Lightoller, from whose point-of-view the story unfolds. Also in the cast are Laurence Naismith as the ill-fated Captain Smith; Michael Goodliffe as conscience-stricken ship's designer Thomas Andrews; Tucker McGuire as feisty American millionaire Molly Brown, whose courage and tenacity saved many lives; and Anthony Bushell as the captain of the Carpathia, who launched a noble but vain rescue mission once he was apprised of the disaster. Also appearing are two future TV favorites: The Avengers' Honor Blackman as a woman who believes that she has nothing to live for, and The Man From UNCLE's David McCallum as a wireless operator. The climactic sinking of the vessel is re-created with painstaking accuracy; filmed in "real time," it is a mere 37 minutes shorter than the actual tragedy. Two years before the film's release, an American TV adaptation of A Night to Remember set a precedent as the most elaborate and technically complex "live" broadcast of its time. Some viewers will find this movie a more accurate and gripping representation of this sea disaster than the romance-heavy Titanic. ~ Hal Erickson, All Movie Guide

Based on a best-selling Australian novel by D'Arcy Niland, The Shiralee stars Peter Finch as an Aussie "swagman," or poacher, saddled with a faithless wife (Elizabeth Sellars). Concerned over the well-being of his young daughter (Dana Wilson), Finch takes her out of her hostile environment and hits the road. Against the breathtaking landscapes and panoramas of the Outback, Father and Daughter grow to love and understand one another on a deeper and more profound level than ever before. The storyline rambles more than does Peter Finch, but the relationship between the two main characters holds the film together. The Shiralee was remade as an Australian TV miniseries in 1989. ~ Hal Erickson, All Movie Guide

Despite its provocative name, Britain's Eros Films was a small company set up for second-feature melodramas and murder mysteries rather than sexploitation flicks. The Narrowing Circle is a typical sausage off the Eros assembly line. The film is set in the offices of a magazine, where tensions and jealousies come to a head. A murder is committed; suspects include Paul Carpenter, Hazel Court, Ferdy Mayne and Russell Napier. The storyline cuts to the bone and gets everything settled within 66 minutes. ~ Hal Erickson, All Movie Guide

Though his Hollywood career had petered out, Tom Conway continued to star in British films throughout the 1950s. In Last Man to Hang, Conway heads the cast as Roderick, who at present is on trial for his life. Accused of poisoning his wife, Roderick's fate rests in the hands of the jury, who must decide whether or not the death was accidental. The most damning evidence is provided by Roderick's housekeeper Mrs. Tucker (Freda Jackson), who will do anything to see her ex-employer swinging from a gibbet. The title refers to the British Parliament's mid-1950s efforts to outlaw capital punishment; this legislation would in fact not come about until after the miscarriage of justice dramatized in 1972's Ten Rillington Place. ~ Hal Erickson, All Movie Guide

In this complex thriller, a womanizing chemist is accused of murder after his mistress is found poisoned to death. No one believes his claims of innocence except his fiancee who is determined to get him freed from prison. She soon unearths an extortion plot involving a newspaper reporter trying to hide the fact that he had abused the mistress. ~ Sandra Brennan, All Movie Guide