Mitch Baker Movies

Inspired by author Eric Schlosser's New York Times best-seller of the same name, director Richard Linklater's ensemble drama examines the health issues and social consequences of America's love affair with fast food and features an all-star cast that includes Greg Kinnear, Ethan Hawke, Kris Kristofferson, Patricia Arquette, and Luis Guzman. Mickey's is the most popular fast-food chain in America, and The Big One is the top-selling burger that put them on the map. When the higher-ups at Mickey's corporate offices learn that the frozen meat patties used to make the wildly popular burger have somehow been tainted with contaminated meat, they send marketing executive Don Henderson (Kinnear) on an urgent mission to ensure quality control and find out precisely how their product became compromised. It's a long way from the Southern California boardroom to the immigrant slaughterhouses, though, and the further Henderson works his way through the bustling feedlots and toward the ubiquitous restaurant sites that have become a staple of modern culture, the more he begins to realize just how dangerous convenience can become when it leads to blissfully ignorant complacency. ~ Jason Buchanan, All Movie Guide

Douglas McGrath's Infamous represents the second major biopic about the avant-garde belletrist Truman Capote to be released within a year. It thus tells roughly the same story as Bennett Miller's earlier Capote, recounting the events that belied the writer's six-year authorship of the seminal "nonfiction novel" In Cold Blood. The story opens with Capote (Toby Jones) visiting the site of the 1959 Clutter family homicide, on a Kansas research trip, accompanied by his close friend and colleague, author Harper Lee (Sandra Bullock). As Capote settles into the community, McGrath uses the preponderance of screen time to explore the emotional tapestry of Capote's increasingly risky emotional attachment to one of the two murderers, Perry Edward Smith (Daniel Craig), with whom he senses more than a few common bonds. McGrath weaves a decidedly bittersweet tale, contrasting the optimism and devil-may-care, "conquer all" attitude of Capote in his early years with a seemingly endless string of poor choices in the writer's later years, from addictions to drink and pills, to a failure to maintain healthy output as a writer, to poorly chosen romantic and sexual entanglements. Most significantly, however, McGrath reveals how the relationship with Smith virtually destroyed Capote as an artist and a human being, by inducing him to sell out on all levels to satisfy his lust for accomplishment and notoriety. ~ Nathan Southern, All Movie Guide