Michael Higgins Movies

2006  
R  
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You can take the clerks out of the Quick Stop, but you just can't take the Quick Stop out of the clerks as Dante (Brian O'Halloran) and Randall (Jeff Anderson) prove in this long-awaited sequel to Kevin Smith's breakthrough comedy. Years after we last saw them, Dante is still toiling behind the counter at a New Jersey convenience store and Randall is still annoying customers at the video shop next door -- or at least they are until a fire burns down the strip mall, forcing Dante and Randall to look for work. Times are tough, and the guys find themselves embracing the ultimate indignity as they take jobs at Mooby's, a fast-food outlet where the burgers are advertised as "udderly delicious." While Randall's snarky attitude toward the public remains unchanged, Dante is trying to make the best of the situation as he plans to marry his fiancée, Emma (Jennifer Schwalbach Smith), and move to Florida. However, Dante's plans are complicated when he falls for Becky (Rosario Dawson), a funny and tart-tongued woman who happens to be his boss at Mooby's. Lurking about in the background, as always, are Jay (Jason Mewes) and Silent Bob (Kevin Smith), who for good or ill have changed even less with the passage of time than Dante and Randall. Clerks II also features Wanda Sykes, Ethan Suplee, and Trevor Fehrman, with cameo appearances from Kevin Smith regulars Ben Affleck and Jason Lee. ~ Mark Deming, All Movie Guide

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Starring:
Brian O'HalloranJeff Anderson, (more)
1992  
PG13  
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High-concept director Robert Zemeckis applies his usual polish -- helped by an equally adept cast -- for this surprisingly gruesome and extremely funny black comedy. The film begins with narcissistic actress Madeline (Meryl Streep) stealing the latest in a series of potential fiancées, wimpy plastic surgeon Ernest (Bruce Willis), from her ex-best friend Helen (Goldie Hawn). Depressed and infuriated, Helen suffers a breakdown that lands her in a mental hospital -- in addition to a junk-food bender that seems to triple her weight. When Madeline crosses paths with Helen again many years later, she is horrified to discover her once-chunky rival looking younger, slimmer and more glamorous than ever before. Fearing that Helen will try to steal Ernest back -- and dreading the thought of not having a plastic surgeon at her beck and call -- Madeline solicits the supernatural services of an exotic New Age mystic (Isabella Rossellini), who sells her a potent youth elixir with the stipulation that she follow the dosage instructions to the letter... yeah, right. It appears that Helen owes her sexy comeback to the same magic formula, and the inevitable violent clash between the two well-dressed banshees leads to the realization that both women have become nearly impervious zombies, clawing at each other's throats long after the blood has run cold in their veins. Best remembered for Dick Smith's Oscar-winning makeup effects, which allow the rapidly-rotting undead femmes to toss off witty one-liners with ragged holes blasted through their bodies or spin their heads Exorcist-style. Not all the sight gags work, and Zemeckis' lighthearted treatment of such grotesque material tends to dull the satirical edge, but there are some truly inspired moments of dementia -- particularly a hilarious cameo from Sydney Pollack as a doctor who comes unglued while examining Streep (who has yet to realize she's dead). ~ Cavett Binion, All Movie Guide

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Starring:
Meryl StreepBruce Willis, (more)
1990  
 
The final installment in the Back to the Future trilogy picks up where the second film left off, but it casts off the dizzying time travel of the first two films for mostly routine comedy set in the Old West. Marty McFly (Michael J. Fox) receives a 70-year-old letter from his inventor friend, Doc Brown (Christopher Lloyd), who tells Marty that he has retreated a century in time to live out a relatively quiet life in the Old West. Doc Brown reveals that he hid his DeLorean car/time machine in an abandoned mine outside town, and when Marty does some research and discovers that the Doc died shortly after writing the letter, he decides to find the car, travel back in time, and warn the Doc about his demise. Meanwhile, the Doc, who has fallen in love with a local woman (Mary Steenburgen), realizes he can't hide in the past from the problems he has caused to the time flow in the previous two adventures. He reluctantly decides to return to the present with Marty, but first, they have to find a way to get the DeLorean up to time-travel velocity with a broken fuel line and no gasoline. ~ Don Kaye, All Movie Guide

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Starring:
Michael J. FoxChristopher Lloyd, (more)
1985  
PG  
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On her first day at an all-girls Catholic High School in Chicago, shy and reserved Janey Glenn (Sarah Jessica Parker) meets the wild and wacky Lynne Sands (Helen Hunt). Even though her oppressive dad, Col. Glenn (Ed Lauter), won't let her go, Lynne talks her into sneaking out to try out for a spot on the beloved show Dance TV. Janey wows the judges with her gymnastic ability and makes first cuts, conveniently assigned to a cute dance partner: blue-collar bad boy Jeff Malene (Lee H. Montgomery). They compete against the bratty rich girl Natalie Sands (Holly Gagnier), who sabotages them because she wants Jeff and the contest for herself. Janey and Lynne get revenge by inviting punks and street kids to crash her debutante ball. Natalie then resorts to making her wealthy industrialist dad, J.P. Sands (Morgan Woodward), threaten Jeff; If he doesn't let Natalie win, his dad (Biff Yeager) could lose his job at the factory. It all leads up to the live television broadcast of the Dance TV contest, right when Janey's dad races to the studio to stop her. Also starring Shannen Doherty as Jeff's little sister, Maggie. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Sarah Jessica ParkerLee Montgomery, (more)
1983  
PG  
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Director Sylvester Stallone proves you really can't go home again in Staying Alive, the absurd sequel to Saturday Night Fever. The story finds Tony Manero (Travolta) six years later working as a waiter in a nightclub while he tries to realize his dreams of dancing on Broadway (what tough street kid from Brooklyn doesn't?) He eventually makes the cut as an extra for "Satan's Alley" (billed as "a musical trip through Hell") and immediately sets his sights on the show's snooty prima-donna star (Finola Hughes, decidedly unsuited for such dancing as her role requires). Meanwhile, the nice girl he's been seeing (Cynthia Rhodes) stands by her man, waiting patiently for him to come around. When the male lead can't cut it, Tony is offered the part, and tensions rise. The action culminates in the show itself and Tony's ultimate realization that he needs to please only himself. Indeed, the horrific dancing combined with Frank Stallone's inane musical score makes one wonder just how accurate the show's billing of "a musical trip through Hell" actually is. As long as one disassociates this film from its predecessor, Staying Alive is highly enjoyable for its schlock value; it may well be an inadvertent camp classic for Travolta's sweaty thongs alone. As for Stallone's direction and screenwriting abilities, he proves he is better off to remain an underdog prize-fighter/ commie-killer/mercenary cop/ double-fisted union leader/etc... ~ Jeremy Beday, All Movie Guide

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Starring:
John TravoltaCynthia Rhodes, (more)

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