Alan Napier Movies

Set in turn-of-the century London, this period thriller stars Laird Cregar as George Harvey Bone, a composer who suffers from a rather severe case of artistic temperament. Driven to distraction by the discordant sounds of the city, the usually sensitive Bone occasionally snaps when exposed to undue stress, and the results can be deadly; he sometimes blacks out and commits murders that he can't quite recall the next morning. Working on a major concerto, Bone is at his wit's end, and when an antique dealer tries to cheat him, the salesman turns up dead. Dr. Allen Middleton (George Sanders), a psychologist with Scotland Yard, questions Bone about the crime; he claims to know nothing about it, but the perceptive doctor suggests that Bone needs to relax more. Taking Middleton's advice, Bone visits a music hall that evening and sees Netta London (Linda Darnell), a singer with whom Bone immediately becomes entranced. This makes the composer even less patient with his sweetheart Barbara Chapman (Faye Marlowe), whose father, the wealthy Sir Henry Chapman (Alan Napier), has commissioned Bone's latest work. When Barbara tells Bone that his concerto is not up to snuff, she only narrowly escapes with her life, and while Bone believes that he's found true love with the beautiful Netta, the singer finds herself in danger when Bone suspects her of infidelity. Hangover Square gave character actor Laird Cregar his first starring role. Sadly, it was also his last film; Cregar, who struggled with weight problems all his life, tipped the scales at nearly 300 pounds when he made this film. Eager for more starring roles, Cregar went on a dangerous crash diet, and while he soon lost 100 pounds, it put his health into serious disarray, and the actor died of a heart attack at the age of 28, shortly before the release of his first starring vehicle. ~ Mark Deming, All Movie Guide

An innocent man is drawn into a web of espionage when he unwittingly comes into possession of a crucial piece of microfilm in this shadowy, ominous film noir. Fritz Lang's adaptation of Graham Greene's novel is filled with unusual touches, beginning with the fact that protagonist Stephen Neale (Ray Milland) has just been released from a mental asylum. To celebrate his return to the real world, he visits a local carnival, only to accidentally receive a "prize" meant for a Nazi agent. When he discovers the error, he turns for help to a detective, whose investigations only make the matter more complicated. Neale soon winds up on the run from both the Nazis and the police, who mistakenly believe him guilty of murder. Lang's famous expressionistic style is somewhat muted here, but Henry Sharp's crisp black-and-white cinematography sets a suitably unsettling mood, and the twists and double-crosses of Greene's story unfold at an appropriately quick pace. While it does not reach the same level of timeless classic as Carol Reed's adaptation of Greene's The Third Man four years later, Ministry of Fear stands as a well-made, thoroughly gripping and intelligent example of film noir. ~ Judd Blaise, All Movie Guide

Despite a few Hollywood compromises, The Hairy Ape remains one of the more artistically successful filmizations of Eugene O'Neill. William Bendix is nothing less than brilliant as ship's stoker Hank Smith, a brutish but sensitive lug who is convinced that his strength is derived from the hair that covers his body. While Hank's ship is docked in Lisbon, the boiler room is visited by the wealthy-but-bitchy Mildred Douglas (Susan Hayward), the mercenary sweetheart of second engineer Lazar (John Loder). Disgusted by Hank's hirsuteness, she calls him a "hairy ape." At first enraged, Hank becomes fascinated by the beautiful Mildred, and before long is openly lusting after her. For her own selfish purposes, Mildred leads him on, laying the groundwork for the disastrous events that follow. In the original O'Neill play, a maddened Hank enters the cage of a circus gorilla, believing himself to be "one" with the huge beast, only to be crushed to death. For reasons that defy explanation, this ending is eliminated from the film, which concludes a discordant note of banality. If for no other reason, The Hairy Ape is memorable for one of the few post-Citizen Kane appearances of actress Dorothy Comingore, here cast as Susan Hayward's rival for John Loder's affections. ~ Hal Erickson, All Movie Guide

One of the few failures for RKO Radio's resident "prestige programmer" producer Val Lewton, Mademoiselle Fifi is based on two Guy De Maupassant tales, with emphasis on Boule de Suif. The story takes place during the Franco-Prussian war of 1870, though it is clearly an allegorical representation of the German mindset of WW2. "Mademoiselle Fifi" is the derisive nickname of a brutal Prussian officer (Kurt Krueger) who rules the roost in a tiny French village. When a stagecoach rides into the village, the passengers are detained by the Prussian tyrant, who threatens to kill them all at any given moment. Desperately, the passengers demand that one of their own, a laundress of dubious morals named Elizabeth (Simone Simon), surrender herself sexually to the Prussian to secure their freedom. Previously the object of scorn and ridicule from her fellow passengers, Elizabeth is bitterly amused by their change of heart, but she's too loyal to France to refuse their request. How she completes her "mission" and eliminates "Mademoiselle Fifi" in the process is the film's dramatic core. Though superbly directed by Robert Wise, Mademoiselle Fifi is laid low by its pretentiousness-not to mention the uneveness of the performances, none more uneven than Jason Robards Sr., who at one point declaims in his flat midwestern tones "We must not forget that we're all Frenchmen!" ~ Hal Erickson, All Movie Guide

Adapted from a Saturday Evening Post serial by Frank and Marian Cockrell, Dark Waters stars Merle Oberon as heiress Leslie Calvin, a woman with a neurotic aversion to water. This stems from the fact that in her childhood, Leslie was one of four survivors of a torpedoed steamship. Preying upon Leslie's fears, conniving Mr. Sydney (Thomas Mitchell), a guest at the Calvin family's Louisiana plantation, concocts a campaign of terror designed to drive the poor girl crazy so that he can claim her vast inheritance. Sydney and his cohorts also have the presence of mind to murder all of Leslie's closest relatives, leaving her utterly helpless. ~ Hal Erickson, All Movie Guide

Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. ~ Hal Erickson, All Movie Guide

The Song of Bernadette is a reverent recounting of the life of St. Bernadette of Lourdes. As a teen-aged peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Jennifer Jones) experiences a vision of the Virgin Mary in a nearby grotto. At least, she believes that she did. The religious and political "experts" of the region cannot accept the word of a silly little girl, and do their best to get her to renounce her claims. Bernadette's vision becomes a political hot potato for many years, with the authorities alternately permitting and denying the true believers' access to the grotto. No matter what the higher-ups may think of Bernadette, there is little denying that the springs of Lourdes hold some sort of recuperative powers for the sick and lame. Eventually, Bernadette dies, never faltering in her conviction that she saw the Blessed Virgin; years later, she is canonized as a saint, and the Grotto of Lourdes remains standing as a permanent shrine. The 20th Century-Fox people knew that The Song of Bernadette would whip up controversy from both the religious and the agnostic. The company took some of the "curse" off the project with a now-famous opening title: "To those who believe in God, no explanation is necessary. To those who do not believe in God, no explanation is possible." Jennifer Jones' performance in The Song of Bernadette won her the Best Actress Oscar in 1943. ~ Hal Erickson, All Movie Guide

With America's Air Force not completely mobilized in mid-1942, Universal paid tribute to those foresighted Yankee flyboys who joined England's Royal Air Force before America's entry into WW2 in Eagle Squadron. Robert Stack stars as Chuck Brewer, one of several US flyers participating in RAF bombing raids of Germany. The film stresses the importance of hands-across-the-sea teamwork in this massive undertaking, concluding with Brewer leading his British compatriots on a Commando raid behind enemy lines, the better to capture a revolutionary new Nazi war plane. Every so often, the story slows to a walk as Brewer romances British lass Anne Partridge, played by the unfortunate Diana Barrymore in her last truly important screen role. Producer Walter Wanger made special arrangements with the British government to incorporate several exciting shots of authentic air battles in the film's 108 minutes. ~ Hal Erickson, All Movie Guide

At the close of World War I, shell-shocked amnesia victim Ronald Colman is sequestered in a London sanitarium; with no identity and no next of kin, he has nowhere else to go. Unable to stand the loneliness, Colman wanders into the streets, then stumbles into a music hall, where he is befriended by good-natured entertainer Greer Garson. That Colman and Garson fall in love and marry should surprise no one; what is surprising, at least to Colman, is that he discovers that he has a talent for writing. Three years pass: while in Liverpool to sell one of his stories, Colman is struck down by a speeding car. When he comes to, he has gained full memory of his true identity; alas, he has completely forgotten both Garson and their child. Returning to his well-to-do relatives, Colman takes over the family business. Having lost her child, the distraught Garson seeks out the missing Colman. Psychiatrist Philip Dorn helps Garson, advising her that to reveal her identity may prove a fatal shock for her husband. To stay near him all the same, Garson takes a job as Colman's secretary. "Strangely" attracted to Garson, Colman falls in love with her all over again. Will there be yet another memory lapse? Under normal circumstances, we wouldn't believe a minute of Random Harvest, but the magic spell woven by the stars and by author James Hilton (Lost Horizon, Goodbye Mr. Chips etc.) transforms the wildly incredible into the wholly credible (just one quibble: isn't Colman a bit long in tooth as a "young" World War I veteran?) The film was one of MGM's biggest hits in 1942--indeed, one of the biggest in the studio's history. ~ Hal Erickson, All Movie Guide

Don Ameche, an American news bureau chief stationed in London, is frustrated by the British government's censorship of his wildly speculative dispatches to the United States. Joan Bennett is the government Teletype operator assigned to make sure that Ameche doesn't send out any story that hasn't been cleared. At first adversarial towards each other, Ameche and Bennet fall in love while huddled in various bomb shelters during the 1940 London blitz. Clearly inspired by Hitchcock's Foreign Correspondent (40), Confirm or Deny was one of many "preparedness" films turned out by Hollywood in the months just prior to Pearl Harbor. Any political proselytizing, however, takes second place to the Don Ameche/Joan Bennett love story. ~ Hal Erickson, All Movie Guide

A semi-sequel to the 1933 Universal horror masterwork The Invisible Man, The Invisible Man Returns stars Vincent Price in the title role. Condemned for a murder he did not commit, Price begs doctor John Sutton to inject him with the invisibility serum invented by Claude Rains in the first film. Sutton does so, even though he warns Price that the serum will very likely drive him insane. Sir Cedric Hardwicke co-stars as the genuine murderer, a colliery owner who framed Price. Though his behavior veers dangerously close to homicidal, Price is able to mete out retribution to Hardwicke without stooping to murder. As he gradually weakens, Price is recaptured and rushed to the hospital, where his life is saved by an emergency blood transfusion. Price's face is revealed to us for the first time as he vows his undying love to leading lady Nan Grey. Taking a less playful approach to the grim goings-on than director James Whale had in The Invisible Man, The Invisible Man Returns is a grim little morality play, containing vestiges of The Count of Monte Cristo and distinguished by an odd preoccupation with the mechanics and minutiae of death (a characteristic trait in the screenplays of Curt Siodmak). The film helped to solidify the cinematic reputation of Vincent Price, though it would be years before he'd specialize in horror on a full-time basis. ~ Hal Erickson, All Movie Guide

The eponymous Four Just Men of this film are British World War I comrades, who reunite in peacetime to bring disaster to their country's enemies. The quartet is not above murder and sabotage to achieve their ends, but their patriotism is never in question. The goal of the heroes is to thwart a megalomaniac who plans to destroy the Suez Canal, then devastate the British empire in order to create his own world dictatorship. Francis L. Sullivan, Hugh Sinclair, Griffith Jones and Frank Lawton play the Four Just Men, though Lawton's early death reduces the ranks to three. The villainy is in the hands of Basil Sydney, who is every bit as ruthless and resourceful as the heroes. Four Just Men is based on a series of adventure novels by British "writing machine" Edgar Wallace--which also formed the basis of a 1959 TV series of the same name, starring Dan Dailey, Richard Conte, Jack Hawkins and Vittorio De Sica. ~ Hal Erickson, All Movie Guide