J. Carrol Naish Movies

The Leathernecks Have Landed is an adventure yarn revolving around three boisterous marines. Lew Ayres is the headstrong one, James Ellison the sincere one, and Maynard Holmes the roly-poly comic relief. Holmes is killed in a nightclub brawl for which Ayres gets the blame. The real murderers are smugglers; the disgraced Ayres joins the gang to bring them to justice. Republic Pictures must have been entranced by this plotline, since it popped up virtually scene for scene in four subsequent films over the next six years: Forged Passport (39), Rough Rider's Roundup (39 again!), Girl From Havana (40) and Remember Pearl Harbor (42). ~ Hal Erickson, All Movie Guide

In the wake of Shirley Temple, every Hollywood studio scrambled to find a child star who might possibility match Temple's selling power. Warner Bros.' candidate was South Africa-born Sybil Jason, who starred in several of the studio's short subjects and was headlined in a handful of features like Little Big Shot. Here she is cast as Gloria Gibbs, whose daddy is knocked off by gangsters early in the picture. Left in the care of confidence tricksters Steve Craig (Robert Armstrong) and Mortimer Thompson (Edward Everett Horton), it doesn't take long for Gloria to twist her surrogate "parents" around her little finger. With the help of Steve, Mortimer and lunch-counter waitress Jean (Glenda Farrell), our heroine not only puts the finger on the gang responsible for her father's demise, but collects a huge reward as a result. ~ Hal Erickson, All Movie Guide

When British actor Robert Donat dropped out of Warner Bros. Captain Blood, the studio took a chance on its new contractee, Tasmania-born Errol Flynn. Adapted from the novel by Rafael Sabatini, the film is set during the oppressive reign of King James II. Irish physician Peter Blood (Errol Flynn), arrested for treating a wounded anti-crown rebel, is condemned to slavery in Jamaica. Here he earns several privileges after treating the governor (George Hassell) for gout; this does not rest well with Lionel Atwill, the wicked owner of the plantation on which Blood is forced to work. Nor is Atwill pleased with the growing relationship between his niece Arabella (Olivia DeHavilland) and the imprisoned doctor. An attack on Jamaica by Spanish pirates gives Blood and his fellow slaves the opportunity to become buccaneers themselves. After several months of fighting and plunder, Blood's men capture a merchant ship bearing Arabella. Blood fights a duel with a French pirate (Basil Rathbone) over the girl; having "won" her, Blood intends to have his way with her, but his more decent instincts prevail. When King James is overthrown by William of Orange, Blood is given a commission and lauded as a hero as a reward for his bravery against the Spanish galleons. He is appointed governor of Jamaica, wins the hand of the lovely Arabella, and genially forces Atwill to eat crow. This seemingly outsized swashbuckler was actually a very economical production, using stock footage from several silent films. Captain Blood transformed the 26-year-old Errol Flynn into a star; he's a little clumsy in the dialogue department at times, but cuts a dashing figure in the action scenes. The film also represented the cinematic debut of composer Erich Wolfgang Korngold, who wasn't completely happy with his hastily written score and asked that his on-screen credit be diminished to "musical director". Long available only in its 99 minute re-issue version, Captain Blood has been restored to its full, glorious 119 minute length. ~ Hal Erickson, All Movie Guide

Front Page Woman was one of those bread-and-butter vehicles that forced Bette Davis to go on strike against Warner Bros., demanding more worthwhile scripts. On its own terms, the film is a briskly entertaining newspaper yarn about two warring reporters (Davis and George Brent). In their efforts to out-scoop each other, Bette and George frequently land in hot water, especially after phoning in contradictory information concerning a murder trial. In the climax, Davis and Brent are both sent to cover a spectacular fire. While competing over interviews and evidence, the two newshounds discover that they're in love with each other. Front Page Woman was remade nearly scene-for-scene as the "Torchy Blaine" B picture Blondes at Work (37). ~ Hal Erickson, All Movie Guide

In this western-style musical, a rakish gaucho rides off across the Argentine pampas to Buenos Aires in search of his stolen horse. Once there, he soon engages in hot pursuit of a lovely singing señorita. Soon he discovers that her manager just may be the thief he has been looking for. Keep a sharp eye out for a young Rita Cansino (later known as Rita Hayworth) in an early performance as a dance hall girl. Songs include: "Zamba" (Arthur Wynter-Smith), The Gaucho" (Buddy De Sylva, Walter Samuels), "Querida Mia" (Paul Francis Webster, Lew Pollack), "Love Song of the Pampas," "Veredita," and "Je t'Adore" (Miguel de Zarraga, Cyril J. Mockridge). ~ Sandra Brennan, All Movie Guide

Like many 1930s Warner Bros. films, Black Fury drew its inspiration from the headlines. The story is adapted from a true-life incident from 1929, wherein a striking Pennsylvania coal miner was beaten to death by three company detectives; this served as the focus for Henry R. Irving's stage play Bohunk as well as Judge M. A. Musmanno's story Jan Volkanik, both of which were woven into Black Fury's screenplay. Using a Polish accent so thick one can cut it with scissors, Paul Muni plays an illiterate miner, happy in his job and his company-town surroundings until his girl Karen Morley deserts him for policeman William Gargan. A disconsolate, drunken Muni stumbles into a labor meeting, where his loud, unthinking outbursts win him the leadership of the new miner's union. When the company locks out the strikers and brings in scabs, the angry miners hold the thick-headed Muni responsible. Fellow miner John Qualen, Muni's best friend, is then killed by a gang of rampaging hired goons. Vowing to "feex" the situation, Muni kidnaps head goon Barton MacLaine and takes him into the bowels of the mine with several sticks of dynamite in tow. Muni threatens to blow himself, MacLaine, and the mine to smithereens unless management comes to terms with the union. Thanks to overwhelming public support, the owners capitulate, and Muni is the hero of the hour. Though it seemed uncompromising in 1935, Black Fury obviously pulls its punches when seen today; for example, it is suggested that the mine owners are guiltless regarding violence against the strikers, laying blame on the hired detectives, who are shown to be in the employ of a crook who plays both sides against the other. Even allowing for this, Black Fury is one of the most powerful of Warners' "social conscience" films. Although the Academy gave Muni a Best Supporting Actor nod for this film, the AMPAS database indicates that it wasn't an "official nomination" - he was a write-in candidate, and came in second. ~ Hal Erickson, All Movie Guide

British Agent starred the Hungarian/British actor Leslie Howard in the title role, was directed by full-fledged Hungarian Michael Curtiz, and costarred American leading lady Kay Francis as a Russian spy. Based on the memoirs of R. H. Bruce Lockhart, who had been the unofficial British emissary to the Russian Revolutionary government in 1917, British Agent spends more time on its romantic subplot than in recreating the birth of Bolshevism. Leslie Howard's purpose in this film is to dissuade the Bolsheviks from signing a separate treaty with the World War I German regime. It is obvious to modern-day viewers that Howard is merely looking after Britain's interests and has no concern for the Russians; this was par for the course in a 1930s film, but does not play well with less jingoistic audiences of the 1990s. The most interesting aspect of British Agent is the performance of saturnine Irving Pichel as a young Josef Stalin. ~ Hal Erickson, All Movie Guide

The Lafayette Escadrille, that elite corps of volunteer WW I flyboys, is the collective "hero" of Fox's Hell in the Heavens. American lieutenant Steve Warner (Warner Baxter) heads to France to join the Escadrille in the months just prior to his country's entry into WW I. It is Warner's mission in life to blast the much-feared (and much-admired) German "Red Baron" Kurt von Hagen (Arno Frey) from the skies, but our hero manages to take enough time to help a fellow comrade-in-arms (Russell Hardie) overcome his fear of flying. The usual romantic subplot features Conchita Montenegro in one of her few major Hollywood roles. Hell in the Heavens was based on The Ace, a play by Herman Rossman. ~ Hal Erickson, All Movie Guide

An Edgar Wallace yarn was the basis for the uncharacteristic Warner Bros. melodrama Return of the Terror. Hoping to escape prosecution for a series of poison murders, Dr. Redmayne (John Halliday) feigns insanity at his trial. The audience knows that Redmayne is innocent, so when he escapes from the asylum and a new rash of murders breaks out, the good doctor is instantly scratched off the suspect list. But this time the audience has been led up the garden path, as proven in the over-the-top finale. The presence of Mary Astor and Frank McHugh in the cast reassures the audience that this is indeed a Warner production and not something out of Universal or Monogram. Return of the Terror is a remake of The Terror (1928), the studio's first all-talking horror film. ~ Hal Erickson, All Movie Guide

Written by the prolific Ben Hecht, Upper World is a clash-of-class melodrama set in New York City. Railroad tycoon Alexander Stream (Warren William) is neglected by his social-climbing wife Mary Astor. Quite unintentionally, through a chance encounter, he strikes up a reasonably chaste friendship with good-hearted showgirl Lilly Linder (Ginger Rogers). Lilly's ex-boyfriend Lou Colima (J. Carroll Naish) sees an opportunity to blackmail Stream; Lilly tries to block him from doing so, and is murdered for her troubles. Stream shoots Colima in self-defense and manages to cover up his involvement so that the crime scene looks like a murder-suicide, protecting his good name and marriage in the process. But a vitriolic cop (Sidney Toler), whom Stream had earlier gotten demoted over a traffic stop -- and who was on patrol in the vicinity of the crime -- involves himself in the case and gathers enough evidence to point the detectives and the press toward the wary tycoon. Though he must stand trial for Colima's death, Stream is supported in his ordeal by his suddenly attentive and affectionate wife.
~ Hal Erickson, All Movie Guide

A lover selflessly dumps her boy friend so that he will obey the wishes of his wealthy benefactor and marry someone more suitable. If he fails to marry an approved woman, his wealthy guardian will no longer pair for his support. Meanwhile, the heartbroken lover ends up marrying a creepy gambler. One day the gambler is shot and killed leaving the girl accused of the crime. Will her true love be able to save her from the death penalty? ~ Sandra Brennan, All Movie Guide

Based on a novel by Frederick Nebel (of "Torchy Blane" fame), Sleepers East is largely set on a train bound for New York. The plot is set in motion by the murder trial of a man accused of killing a politician. The defendant intended to pull the trigger, but the murder was actually committed by someone else. The DA, however, isn't interested in facts: He's been ordered by the local political machine to railroad the defendant into the electric chair. The only person who can clear the poor fellow is witness Lena Karelson (Wynne Gibson), an ex-convict who is being transported to New York by train under an assumed name to prevent her death at the hands of hired gunmen. Unhappy at being a political pawn, Lena tries to escape from her bodyguards in the company of man-with-a-past Jason Everett (Preston S. Foster). She gets her chance during a train wreck, but ultimately realizes that unless she shows up to testify, she will never be able to live with herself. Sleepers East was remade in 1941 as the "Michael Shayne" series entry Sleepers West. ~ Hal Erickson, All Movie Guide

Joe E. Brown plays Elmer Kane, a rookie ballplayer with the Chicago Cubs whose ego is matched only by his appetite. Because he is not only vain but naive, Elmer's teammates take great delight in pulling practical jokes on him. Still, he is so valuable a player that the Cubs management hides the letters from his hometown sweetheart Nellie (Patricia Ellis), so that Elmer won't bolt the team and head for home. When Nellie comes to visit Elmer, she finds him in an innocent but compromising situation with a glamorous actress (Claire Dodd). She turns her back on him, and disconsolate Elmer tries to forget his troubles at a crooked gambling house. Elmer incurs an enormous gambling debt, which the casino's owner is willing to forget if Elmer will only throw the deciding World Series game. Elmer brawls with the gambler and lands in jail, where he learns of a particularly cruel practical joke that had previously been played on him. Out of spite, he refuses to play in the Big Game, and thanks to a jailhouse visit by the gamblers, it looks as though Elmer has taken a bribe. But when he shows up to play (after patching things up with Nellie), Elmer proves that he's been true-blue all along. Based on the Broadway play by Ring Lardner and George M. Cohan, Elmer the Great betrays its stage origins in its static early scenes, but builds confidently to a terrific climax during a rain-soaked ball game. This enjoyable film was the second in Joe E. Brown's "baseball trilogy" (see also Fireman Save My Child and Alibi Ike). Elmer the Great was remade in 1939 as Cowboy Quarterback, with Bert Wheeler in Joe E. Brown's part and with football substituting for baseball. ~ Hal Erickson, All Movie Guide