Alejo Sauras Movies
A follow-up to Spanish enfant terrible Pedro Almodóvar's 2006 arthouse sensation Volver, Los Abrazos Rotos finds the filmmaker re-teaming with actress Penélope Cruz and working on a canvas much broader than those of his previous outings, in terms of genres covered, narrative scope, and duration. Lluís Homar stars as the former Mateo Blanco, a screenwriter and ex-director who changed his name to Harry Caine after losing his sight in an automobile accident. A past scandal suddenly resurfaces when the news arrives that the producer of one of Harry's old movies ("Girls and Suitcases"), a corrupt stockbroker named Ernesto Martel (José Luis Gómez), has died. For mysterious reasons, this makes Harry's ex-production manager Judit (Blanca Portillo) nervous; then Ernesto's son, Ray X (Rubén Ochandiano), turns up and asks Harry to help him write a vindictive script to get back at his vile father. The film subsequently flashes back to the early '90s, when Martel became involved with his secretary, Lena (Cruz), but Mateo also began to develop feelings for her, and auditioned her for "Girls and Suitcases." In response to Mateo's interest in Lena (and her burgeoning interest in him), the jealous Martel commissioned Ray to make a documentary about the making of "Girls and Suitcases" as an excuse to spy on the director and star. This enabled him to watch Mateo spiriting off with Lena right under his nose, and set the stage for the wily producer's elaborate revenge against Mateo. As this synopsis suggests, Almodóvar uses a tricky structure laden with flashbacks to both comment on and explain the events of the present; he also interweaves a noirish sensibility throughout the picture that marks something of a first for this director. ~ Nathan Southern, Rovi
- Starring:
- Penélope Cruz, Blanca Portillo, (more)
- 2008
A hip fashionista at a trendy design school takes the concept of "fashion victim" soaring to bloody new heights as she embarks on a brutal killing spree, all the while flying comfortably beneath the radar of the clueless homicide detectives frantically searching for clues in all the wrong places. When a collection of corpses are unearthed at the Med School on a large university campus, the authorities scramble to land a lead before the case goes cold. No one suspects design school trendsetter Barbara could be the homicidal maniac behind these vicious slayings, but what better way to rid the world of bad dressers than kill them slowly and bury them in shallow graves? ~ Jason Buchanan, Rovi
- Starring:
- Macarena Gomez, César Camino, (more)
A group of motley math experts must solve problems at lightning speed to avoid being squashed into oblivion in writer-director Luis Piedrahita's mindbending thriller Fermat's Room. The story begins with a handsome, twentysomething intellectual, Galois (Alejo Sauras) banking off the success of solving an intimidating mathematical enigma known as Goldbach's theorem. Galois then receives an invitation from the mysterious stranger Fermat (Federico Luppi) who invites both him and several other intellectuals to a set location in a warehouse, with the stated intention of having them collectively solve a mathematical riddle. He instructs them to avoid bringing cell phones, which none do. Upon arrival, Fermat indeed greets them in the warehouse, but is soon summoned offsite and leaves his invitees alone. As soon as he departs, odd events begin to transpire: the members of the group begin receiving strange mathematical riddles on their PDAs which they must solve in under a minute; subsequently, hydraulic presses on the exterior of the warehouse kick on and the walls begin to close in, threatening the lives of the protagonists. ~ Nathan Southern, Rovi
- Starring:
- Alejo Sauras, Santi Millan, (more)
- 2006
With his gentle ensemble comedy Bienvenido a casa (aka Welcome Home), Spanish director David Trueba meditates on one man's passage from youth to the emotional maturity of adulthood. In the process, Trueba takes a wise and reflective look at the dynamics of contemporary relationships, romantic and otherwise. Alejo Sauras is Samuel, an aspiring photographer who makes the broad leap from his rural village in the Spanish countryside -- where he lives under the thumb of his domineering mother -- to the wonderland of urban Madrid. He moves in with his girlfriend, Eva (Pilar Lopez de Ayala), and accepts a position as resident photojournalist for a local culture magazine, where his eccentric colleagues include a slightly embittered, blind movie critic (with a blind guide dog), a burnt-out sports columnist, and a depressed vocalist/instrumentalist who pens the music column. Through the various employees, Trueba reveals a spectrum of attitudes toward love and romance. The remainder of the story finds Samuel teaming up with the magazine's reporter, Sandra, for an investigative story on a murder related to human trafficking. Meanwhile, Samuel begins to grapple, privately, with problems in his marital life -- specifically, how to preserve the love, romance, and devotion he feels for Eva (and she for him). Samuel's watchful mother cautions him not to repeat the same mistakes that she once made -- but the past comes back to haunt Samuel in the guise of a fateful encounter with a childhood friend, Nieves. Then, suddenly, Eva announces her pregnancy. ~ Nathan Southern, Rovi
- Starring:
- Alejo Sauras, Pilar López de Ayala, (more)
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