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Marty Nadler Movies

2010  
PG13  
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Gary Marshall's ensemble romantic comedy Valentine's Day follows nearly two dozen people as they find and lose love in all its many forms over the course of the title holiday. The numerous characters include a very busy florist (Ashton Kutcher) and his schoolteacher best friend (Jennifer Garner). She's having an affair with a married doctor (Patrick Dempsey). Meanwhile, a businessman (Bradley Cooper) and a military captain (Julia Roberts) on leave share a long conversation during an international flight. There's also an elderly couple (Hector Elizondo and Shirley MacLaine) who are caring for their elementary school-age grandson, who is pining for a classmate and missing his mother. The huge cast also includes Jamie Foxx as a local TV personality, Topher Grace, Queen Latifah, and Anne Hathaway. ~ Perry Seibert, Rovi

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Starring:
Julia RobertsEmma Roberts, (more)
 
1991  
R  
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Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, Rovi

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Starring:
Al PacinoMichelle Pfeiffer, (more)
 
1990  
R  
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Self-involved corporate raider Edward Lewis (Richard Gere) has recently split up with his girlfriend. Seeking directions to the Beverly Hills Hotel, he makes the acquaintance of free-spirited hooker Vivian Ward (Julia Roberts) and decides to put her on a 3,000-dollar retainer as his "date." He Cinderellarizes her by bankrolling a full wardrobe and cosmetic makeover. Of course, the setup will be strictly platonic. A disarming modern-day fairy tale, Pretty Woman was the picture that made Julia Roberts a superstar. As charming as she is in her "giggling" sequences, Roberts' best scene is her triumphant return to a posh Rodeo Drive shop where she'd been previously snubbed. Keeping Pretty Woman afloat throughout is the buoyant direction of Garry Marshall and the always welcome presence of Marshall's stock company of actors, including Hector Elizondo as a stuffy but golden-hearted concierge. Pretty Woman began its life as a much darker story of prostitutes and homicidal drug dealers, but more box-office-savvy heads ultimately prevailed. ~ Hal Erickson, Rovi

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Starring:
Richard GereJulia Roberts, (more)
 
1976  
 
Shirley (Cindy Williams) is shocked when her boyfriend Carmine (Eddie Mekka) dumps her for another girl named Rhonda (Sande Lou Sanders). Vowing to raise her standards to impossible heights for all fututre romantic entanglements, Shirley succeeds only in becoming a boy-less recluse. In her efforts to bring Shirley out of her shell, Laverne invites her pal for a night out at a "friendly" neighborhood tavern--with painful results. Carol Ita White shows up in a different role than her usual Laverne and Shirley guise of snooty "Big Rosie" Greenbaum, while a young Mark Harmon also makes a guest appearance. ~ Hal Erickson, Rovi

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1976  
 
Laverne (Penny Marshall) is slated to bowl in a tournament between Shotz' bottle-cap division and the brewery's public-relations department. On the eve of the big event, Laverne comes down with a terrible head cold. Determined not to be shown up by her bowling rival Karen (Ruth Silveria), a heavily medicated Laverne shows up for the tournament, bowling ball in hand--and weird visions in her head. ~ Hal Erickson, Rovi

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