James Bell Movies

Pulp novelist Tobias Finch (Walter Brooke) wants to write "The Saga of the Courageous Cartwrights"-but the courageous Cartwrights want no part of such an exploitive project. Undaunted, Finch decides to pen the life story of over-the-hill lawman Reed Laramore (Bruce Cabot), who revels in being "glorified." Inevitably, Laramore causes trouble for everyone concerned when he tries to live up to his own legend. Cowritten by Richard and Esther Shapiro, "A Dime's Worth of Glory" was first shown on November 1, 1964. ~ Hal Erickson, Rovi

Woodrow Parfrey guest stars as Bob Wire, a likeable eccentric who decides to capitalize on his given name by becoming a barbed-wire salesman. Unfortunately, there is an abundance of open-range advocates who don't want the territory to be fenced in, and they intend to kill anybody who even mentions the words "barbed wire." Inevitably, Paladin (Richard Boone) is called in to protect Mr. Wire during his brave but foolhardy efforts to ply his trade. Featured in the cast is the statuesque Irish McCalla, best known to baby boomers as the star of the TV series Sheena, Queen of the Jungle. ~ Hal Erickson, Rovi

In this sleazy melodrama a defiant Southern farm girl marries a poor dirt farmer instead of the wealthy landowner her mother picked out. After her new husband is drafted and leaves, the girl descends into a life of cheap thrills, moving from man to man. She is beautiful and the men fight over her like dogs. During one of the scuffles one man runs another over with his car. The bereaved father of the dead man comes to the woman's house and shoots her. ~ Sandra Brennan, Rovi

Burt Reynolds appears in this episode as truck driver Bill Davis, who with his brother Andy is piloting a huge tanker through the desert. When the road is blocked by a stalled car, Bill and Andy climb out of their truck to offer assistance. The disabled auto turns out to be owned by a pair of kidnappers (Murray Hamilton, Robert Karnes) who are escaping with their female victim (Venetia Stevenson). Getting the drop on the Davis brothers, the kidnappers steal their tanker, leaving Bill, Andy and the girl to roast under the desert sun. Fortunately, good is rewarded and evil punished by episode's end -- with the fate of the villains proving most ironic in light of the "cargo" being hauled by the Davis boys. ~ Hal Erickson, Rovi

Wealthy Morgan Gibbs (Robert F. Simon) hires Paladin (Richard Boone) to locate Gibbs' son David (Bud Slater), a fugitive from justice, and bring him back alive. Shortly thereafter, Paladin returns with David's dead body in tow. Accused of murdering the boy in order to collect a $500 body, Paladin is himself put on trial--and the jury has been hand-picked by the vengeful Morgan Gibbs. One of the best episodes of the series' third season, this one is a real treat for movie buffs, filled to overflowing with an abundance of familiar faces in the supporting cast. ~ Hal Erickson, Rovi

It's late Thursday night at the local paper and a savvy city editor, a world-weary but upright writer, and a beleagured copy boy prepare to put the next day's paper to bed. Suddenly two stories come over the wire. In the first, a young girl has gotten lost in the city's storm drains, and her life is endangered when a terrible storm erupts and the sewers begin to fill with runoff. In the second, the grandson of the writer is among a team of missing Air Force pilots who were attempting to set a record flying from Hawaii to Washington, DC. This suspenseful, newsroom drama chronicles the ways in which these situations affect the workers as they try to get the paper out on time. ~ Sandra Brennan, Rovi

Based on the Anton Myrer novel The Big War, In Love and War is an entertaining showcase for several of 20th Century-Fox's younger contract players. Robert Wagner, Jeffrey Hunter and Bradford Dillman plays three young San Francisco residents who sign up for the Marines at the outbreak of WW2. The film traces the progress of all three in the Pacific "theater of operations", emphasizing the characters' individual strengths and shortcomings. One of the men is a gung-ho patriot, the second is a perennial goof-off, and the third hopes to prove his worth to his wealthy father. The women in the three protagonists' lives are played by Sheree North, Hope Lange, France Nuyen, and Dana Wynter, the latter delivering a powerhouse performance in an extremely difficult role. Providing comic counterpart to the more serious goings-on is nightclub comedian Mort Sahl, making his screen debut in a tailor-made role as an eternal griper. ~ Hal Erickson, Rovi

Perry Mason (Raymond Burr) is intrigued when he receives a $2500 check from one Lucille Allred (Anna Lee), with no explanation why. Contacting Lucille's husband Bernard (Neil Hamilton), Perry is told that the woman has run off with another man. The situation becomes even more vexing when Bernard turns up murdered, not long after being in a highly suspicious car accident which also involved his business associate Bob Fleetwood (Harry Townes). Now Perry will be able to earn that $2500 as defense councel for Lucille Allred, who has been charged with her husband's murder. In an interesting bit of casting, Yvonne Craig appears as Bernard Allred's stepdaughter, some nine years before Ms. Craig and Neil Hamilton respectively played Barbara Gordon (aka Batgirl) and her dad Commissioner Gordon on TV's Batman. This episode is based on a 1947 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

Taciturn marshal-turned-bounty hunter Henry Fonda rides into a small town where greenhorn deputy Anthony Perkins is sole representative of the law. Sensing that the boy could use some seasoning, Fonda makes it his mission to teach Perkins how to protect himself against the criminal element. Though diametrically opposed in personality, the older Fonda and the younger Perkins find they are kindred spirits in their dedication to their work. Using the lessons taught him by Fonda, Perkins is able to prove his worth by taking on town hothead Neville Brand. Directed with a minimum of slack and flab by Anthony Mann, The Tin Star was later spun off into the TV series The Deputy, which starred Henry Fonda and Allen Case. ~ Hal Erickson, Rovi

In this gentle, non-melodramatic drama, an elderly, wealthy widow will not leave her apartment even after her building is slated to be converted into a dormitory by the university that purchased it. She refuses to leave because she is convinced that her son, who disappeared 27 years before after being expelled from the college, will comeback. The university lets her stay and she becomes the house "Nana" for the students that live there. When an ex-Marine moves in, the woman is sure that he is her grandson as he has the same name as her son. She begins helping the young man with his personal and academic life. Just before his father is to arrive for a visit, the woman dies. She never knows that the boy is not her grandson. ~ Sandra Brennan, Rovi

Adapted by Stirling Silliphant from his own novel, Huk was filmed on location in the Philippines. George Montgomery heads the cast as a plantation owner who struggles to fend off native insurrectionists (the "Huks" of the title). He is aided in this effort by fellow planter John Baer, whose wife Mona Freeman harbors a secret love for Montgomery. The thrill-packed conclusion finds Montgomery and Baer working shoulder to shoulder to save a boatland of women and children from the Huk guerillas. Ramio Barri portrays the Huk leader as a villain pure and simple, making it easy for the audience to sort out the good and bad guys in this somewhat jingoistic endeavor. ~ Hal Erickson, Rovi

A Day Of Fury stars Jock Mahoney as town marshal Alan Burnett, whose life is saved by a stranger he meets on the trail. His rescuer turns out to be Jagade (Dale Robertson), a gunslinger just returned after years away, who finds when he gets into town that he can't abide the peace that has been settled between "his" people (i.e. the saloon-keepers, gamblers, etc.) and the righteous, "respectable" folk. Jagade stirs up trouble by persuading the saloon owners to open on Sunday, which they'd voluntarily stopped doing years ago. Suddenly, the peace that had settled over the town is broken, and gambling and other vices that had been in check rise anew, drawing in many of the respectable townsmen and women in the process -- some of the men can't resist the lure of a good high-stakes poker game or a pretty woman, and even the spinster schoolteacher finds herself drawn to Jagade's dark charisma. An escalating cycle of vice and violence unfolds in barely 24 hours; Burnett won't back Jagade down, partly because the man has broken no laws and also partly due to his gratitude to the gunman for saving his life. None of the townspeople can comprehend his inaction, however, and this soon jeopardizes not only his job as marshal and his safety, but also the well-being of his fiancée, Sharmon Fulton (Mara Corday), who was a saloon girl before she was brought out of that life and given a home with a respectable family. Soon Jagade loses control of what he's started, and the town begins to destroy itself in a cycle of guilt, anger, betrayal, murder, suicide, and lynch law.
~ Bruce Eder, Rovi

The catch-all title Tribute to a Bad Man had been floating around MGM for years (at one point, it was the working title for The Bad and the Beautiful) before it was finally affixed to this big-budget western. Originally intended as a vehicle for Spencer Tracy, the film was recast with James Cagney when Tracy walked out of his MGM contract. Cagney stars as no-nonsense land baron Jeremy Rodock, who plays by his own rules, his own sense of justice and his own code of honor. Young cowhand Steve Miller (Don Dubbins) learns the hard way what it means to incur Rodock's wrath when he falls in love with Jocasta Constantine (Irene Papas), whom Rodock considers his own personal property. Through the example of the even-tempered Miller, however, Rodock rediscovers his own essential humanity. The film's "money scene" takes place when Rodock punishes a group of scraggly horse thieves by forcing them to march barefoot through the sagebrush. ~ Hal Erickson, Rovi