George Nader Movies

Lawman Allan “Rocky” Lane is mistaken for a hired killer in this average western from Republic Pictures. Assuming the identity of his captive, Clune (Stuart Randall), when the latter is killed by mistake by fellow outlaw Murray (John Cason), Rocky learns that Murray’s cohort Leo Straykin (Roy Barcroft) has killed a rancher named Reynolds and is planning on robbing Josh Taylor (Forrest Taylor) and then sell him the dead man’s property. But Taylor arrives with his lawyer, Parradine (John Eldredge), and a surveyor, Bob Bennett (George Nader), one of whom is rumored to be Straykins’ boss. Playing along and keeping his cover despite unwanted interference from Nugget Clark (Eddy Waller), an old-timer he has befriended along the way, Rocky learns that not only is Parradine Straykin’s boss but young Bennett is actually Jack Reynolds, the vengeful son of the murdered rancher. The plot thickens with the arrival of Jack’s pretty wife Carol (Claudia Barrett) but Rocky and Nugget eventually bring the villains to justice. Rustler’s on Horeback marked the screen debut of 1950s matinee idol George Nader. ~ Hans J. Wollstein, All Movie Guide

Webb Garwood (Van Heflin) is a cynical policeman who believes that success comes from lucky breaks. Responding to a prowler complaint at the home of Susan Gilvray (Evelyn Keyes), he is immediately attracted to her and her wealth. He returns to "check up" on Susan, and they begin an affair, conducted while listening to her husband William (Emerson Treacy)'s all-night radio program. Feeling guilty, Susan ends the relationship, but Garwood remains obsessed. He pretends to be a prowler on the Gilvray property so he can respond to another police call. Drawing William outside, he shoots him and makes it appear accidental. When Garwood manipulates Susan's confusion about the shooting, she buys his story, and the lovers marry. However, upon discovering that Susan is pregnant "too soon," they flee to give birth in secret, but eventually Susan learns the devastating truth. Intense performances by Heflin and Keyes bring alive this story of a prowler who preys on a woman's loneliness while also representing the forces of authority who literally screw those they are supposed to serve. ~ Steve Press, All Movie Guide

David Trask (Gary Merrill), the sole survivor of an airplane crash, takes it upon himself to contact the families of the various victims. Though he's already formed preconceived notions of his deceased fellow passengers, he's in for quite a few surprises when he meets the relatives. His first visit is to the wife (Beatrice Straight) and son (Ted Donaldson) of a profoundly troubled doctor (Michael Rennie). His second stop is at a nightclub managed by the domineering mother-in-law (Evelyn Varden) of an aspiring actress (Shelley Winters). Finally, he meets the invalid wife (Bette Davis) of an outwardly obnoxious travelling salesman (Keenan Wynn). After his odyssey into other people's lives, Trask gains a new perspective on his own personal travails. Few studios could pull off the "multi-story film" format as well as 20th Century-Fox, and Phone Call From a Stranger is a grade-A example of that format. ~ Hal Erickson, All Movie Guide

A young boy named Johnny (Gregory Moffett) is on a picnic with his widowed mother (Selena Royle) and sister (Claudia Barrett, ($Pamela Paulsen), when he meets a pair of archeologists (John Mylong, George Nader) exploring a nearby cave. Later, while napping, he has a dream -- that the Earth has been attacked by an alien named Ro-Man (played by George Barrows in a gorilla suit with a diving helmet), using the "calcinator death ray," and that he and his family (with Mylong and his mother now married) and scientist Nader are the only survivors. They try to elude capture by Ro-Man, who turns out to have some very human failings despite his mechanized mentality, including a desire to experience human emotions, which greatly complicates his efforts to destroy the family. ~ Bruce Eder, All Movie Guide

Lensed in Germany, Carnival Story stars Anne Baxter as a wayward Teutonic lass who joins a travelling carnival troupe. She falls in love with carny spieler Steve Cochran, and out-and-out louse who treats Baxter like dirt and makes her like it. Eventually, she rises to star status through the auspices of high-diver Lyle Bettger, but she can never get over her passion for Cochran. Inevitably, this romantic triangle degenerates into violence, leaving magazine photographer George Nader to pick up the pieces. Carnival Story was filmed simultaneously with a German-language version, Rummelplatz der Liebe, which starred Eva Bartok, Curt Jurgens and Bernhard Wicki. Produced by the King Brothers and released by RKO, Carnival Story has since lapsed into public domain, and as such has become a ubiquitous presence on cable television. There's even a version that has been outfitted with a narration for the benefit of sight-impaired film fans. ~ Hal Erickson, All Movie Guide

Her days of cinematic glory behind her, Paulette Goddard was compelled to take whatever came along in the mid-1950s. Playing the title role in Sins of Jezebel, Goddard survives the ordeal armed with little more than grim determination. The wicked princess of Phoenicia, Jezebel hopes to expand her power by marrying Ahab (Eduard Franz), the King of Israel. Jezebel brings destruction upon the Israelites through her many sexual peccadilloes and orgiastic bacchanals. The film's nominal leading man is George Nader, cast as a charioteer who succumbs to Jezebel's wiles. Surprisingly, the film manages to be quite entertaining within its tiny budget. The "redeeming moral value" of Sins of Jezebel is achieved by having the film presented in flashback, during a sermon delivered by pious preacher Elijah (John Hoyt). ~ Hal Erickson, All Movie Guide

This exciting caper outing is loosely based on the famous robbery of Brinks in Boston that netted the crooks $2.5 million. The story covers the six years small-time hood Jerry Florea (Tony Curtis) spent planning the heist. The story begins with the events that led a young Florea (played by Sal Mineo) to become a crook. Hoping to save him from a life of crime, a kindly policeman and his wife take him under their wing. Though he appreciates their kindness, Florea seems destined to become a criminal. As a young man, he begins pretending to reform and even gets a job at Brinks. The loving couple have no clue that it is only a ruse and that he is preparing to rob the establishment. It is only after he and his gang pull-off the job that Florea reconsiders his actions and then makes a daring attempt to make amends. ~ Sandra Brennan, All Movie Guide

This musical is a contemporary version of Aristophanes' ancient play Lysistrata. Instead of Greece, this play is centered in the town of Osawkie, Kansas and centers on the feuds between the men there and those of nearby towns. They are fighting over the possession of a safe filled with important county records. The women, sick of all the fighting, band together, lock themselves in a fortress and refuse to make any form of love with the brutes until they stop. They do, and prairie love blossoms. Songs include: "Lysistrata," "Send Us a Miracle," "My Love Is Yours," "Travellin' Man," "What Good Is a Woman Without a Man?" "There's Gonna Be a Wedding," "The Second Greatest Sex," "How Lonely Can I Get?" ~ Sandra Brennan, All Movie Guide

Four Girls in Town is essentially an excuse by Universal-International to test out several of their newer contractees. The plot is motivated by a worldwide movie talent hunt, which naturally arouses the attentions of a bevy of pretty young aspiring actresses. The four girls of the title are Kathy Sonway (Julie Adams, who'd been appearing in films since 1950), Ina Schiller (Germany's Marianne Cook, nee Koch), Maria Antonelli (Italy's Elsa Martinelli) and Vicki Dauray (Gia Scala, also from Italy but herein portraying a Frenchwoman). Conducting the screen tests is budding director Mike Snowden (George Nader), who predictably falls in love with one of the hopefuls. Some laughs are had at the expense of Universal's rival 20th Century-Fox in the person of Helene Stanton, cast as a Marilyn Monroe clone named "Rita Holloway". ~ Hal Erickson, All Movie Guide

Based on the novel by Kenneth M. Dodson, Away All Boats stars Jeff Chandler as a tough Navy captain who takes charge of a group of raw, undisciplined sailors during World War 2. To keep his men from getting on each other's nerves, Chandler makes himself the target of their excess hatred by assuming the pose of a rigid martinet who cares nothing about his crew's wellbeing. He finds an ally in lieutenant George Nader, who catches on to Chandler's "act" and helps him maintain discipline. The crew survives numerous Japanese air and sea attacks with flying colors. ~ Hal Erickson, All Movie Guide

Based on a play by Evan Wylie and Jack Ruge, Joe Butterfly also bears the influence of Teahouse of the August Moon. The title character, played by Burgess Meredith, is a wily Japanese wheeler-dealer who offers his services as interpreter to the American GIs occupying postwar Tokyo (where the film was lensed). But Joe's "services" go above and beyond the call of duty, not to mention military protocol. To make certain that the local Army newspaper will continue to meet its deadlines as more and more soldiers march into Japan, Joe sets up the paper's staff in a luxurious private home. Top-billed Audie Murphy plays an army photographer who can't seem to adjust himself to military life, while Kieko Shima portrays Murphy's Japanese sweetheart. While Joe Butterfly is well cast and smartly directed, star Burgess Meredith always felt that the film could have been better had the Universal-International production staff had more faith in the project. ~ Hal Erickson, All Movie Guide

Maggie Smith makes her film debut in this outing as an aristocrat whose sheltered existence is shattered by the arrival of George Nader. Nader is a fugitive from justice who can expect no help from his fellow criminals. He takes refuge in Smith's home, entreating her to shield him from the police. She draws closer to Nader after the latter is accidentally shot. The film was adapted from a novel by Donald McKenzie. ~ Hal Erickson, All Movie Guide