Burt Mustin Movies

In 1945, James Cagney, through his independent production company, bought the rights to a lurid novel by Adria Locke Langley, concerning the rise of a Southern demagogue, loosely based on the political career of Huey Long. By the time the film finally went into production and was released in 1953, the film became an also-ran, trailing behind Robert Rossen's Oscar-winning production All the King's Men, which concerned the same subject. The film, directed by Raoul Walsh, never escapes from the towering shadows of the Rossen film, so it becomes, in the end, a matter of preference for the lead character -- whether one prefers the looming intimidation of Broderick Crawford or the brisk pugnacity of James Cagney. Cagney plays swamp peddler Hank Martin, who tries to ride into the governor's mansion in a backroad Southern state by making a crusade out of the plight of the poor and impoverished majority of the state. He begins his political assent by leading a sharecropper's revolt against the rip-offs the sharecroppers are receiving at the local cotton mill. But things become more intense and Hank Martin sows the seeds of his own destruction when he makes a deal with a local, crooked political boss in order to get ahead in his political career. ~ Paul Brenner, All Movie Guide

Young Robert Fontaine, Jr. (Billy Gray) lives with his hard-working father (George Murphy) and mother (Nancy Davis), who is soon to give birth to a second child, on their northern California citrus farm. He's lonely on the farm and has been saving to buy a dog. One day, a mysterious stranger (Kurt Kasznar), who gives his name as Matlock, moves into the empty house adjacent to the farm -- he's not only highly strung but downright hostile to any friendly overtures that Robert Sr. or anyone else makes. Meanwhile, young Robert finds a stray dog that he adopts, and his whole life seems to blossom with his new companion -- but one day he finds the dog dead. He becomes fixated on the notion that Matlock poisoned the dog, and insists that his father do something -- but when Matlock angrily denies knowing about it, the boy's frustrations start to build. He tries to report to the poisoning to the police; when they won't help, he tries to get Mr. Wardlaw (Lewis Stone), the owner of the newspaper that he delivers, to run a news story about it, and when Wardlaw tries to reason with the boy, his rage finally boils over and he goes out-of-control. The boy decides to try and gather evidence against Matlock and follows a trail that takes him across the state hitchhiking, to the home of the former owner of the house Matlock is living in, and there he confronts a rumor that the other man was murdered. Stories and whispers begin to spread through the town about Matlock that make him seem even more sinister. The populace are getting stirred up, and Robert Jr., in his rage, commits an act of vandalism that threatens the entire community. ~ Bruce Eder, All Movie Guide

The titular Lusty Men are rodeo riders in this modern-day western, assembled with a touch of the offbeat by director Nicholas Ray. Former rodeo star Robert Mitchum, disabled by a series of accidents, hobbles back to his Oklahoma hometown in hopes of replenishing his bank account. Aspiring bronco-buster Arthur Kennedy hires Mitchum to train him for an upcoming rodeo, promising that they'll split the winnings. It doesn't take a crystal ball to predict that Mitchum will soon fall hard for Kennedy's wife Susan Hayward; she can take Mitchum or leave him, but decides to take him so that he'll continue to train Kennedy. After a falling out, Mitchum quits his job and enters the rodeo himself, hoping to win the prize from the arrogant Kennedy. He proves he still has what it takes, but does so at the price of his life. The Lusty Men was co-adapted by one-time cowboy David Dotort from a Life magazine story by Claude Stannish. ~ Hal Erickson, All Movie Guide

Gerald Mayer proved once more that he had talent above and beyond being the nephew of MGM-head Louis B. Mayer with his direction of The Sellout. The story begins with a bang, as big-city newspaper editor Haven Allridge (Walter Pidgeon) falls victim to the small-town tyranny of corrupt sheriff Kellwin C. Burke (Thomas Gomez). Poised to launch an investigation of Burke's underhanded activities, Allridge is suddenly intimidated into silence. Crusading state's attorney Chick Johnson (John Hodiak) discovers that Burke is keeping Allridge quiet by threatening to reveal the criminal activities of Allridge's son-in-law Randy Stanton (Cameron Mitchell). The final reels illustrate the thesis of Edmund Burke that evil will triumph so long as good men do nothing -- except that this time, they do something. Though hardly a big-budget effort, The Sellout boasts an unusually strong cast, including the aforementioned actors, as well as Karl Malden and Everett Sloane. ~ Hal Erickson, All Movie Guide