Stephen Murray Movies

Leslie Howard and Wendy Hiller star in Anthony Asquith's and Leslie Howard's classic version of George Bernard Shaw's satiric comedy. Henry Higgins (Howard) is an upper class phonetics professor who encounters low-class guttersnipe Eliza Doolittle (Hiller) and bets his friend Colonel Pickering (Scott Sunderland) that he can pass her off as a duchess within three months. Pickering accepts Higgins' bet, with Eliza readily agreeing to the proposal, since she will get to live in Higgins' fancy home. Once in Higgins' house, Eliza is subjected to intensely repetitive phonetics lessons in an effort to transform her Cockney accent into the speech of proper English. Things are a bit rocky at first, with Eliza blurting out "Not bloody likely" at a tea party. But when Eliza is presented at the Ambassador's Ball, she is not only accepted as a princess but is the talk of the ball, everyone in attendance commenting on her charm, beauty, and poise. Relishing his success, Higgins abruptly dismisses her. But Eliza has fallen in love with Higgins and is aghast at her cursory treatment by him. She tells him, "I sold flowers. I didn't sell myself. Now you've made a lady of me, I'm not fit to sell anything else." When Eliza leaves, Higgins realizes that he loves her too, but Eliza has announced to Higgins that she plans to marry high society playboy Freddie Eynsford-Hill (David Tree). ~ Paul Brenner, All Movie Guide

The phrase "Loose Lips Sink Ships" takes on a new and special meaning in the cautionary British war drama Next of Kin. In grade-school-primer fashion, the film shows how careless talk can have a devastating and tragic effect in times of war, sometimes boomeranging on the "talker" in the form of lost loved ones. Extra attention is paid the gossipy "Ma" Webster (Mary Clare), whose casual revelation of troop movements, culled from a recent visit by her son, has long-ranging, fatal consequences. American critics, unmoved by the melodramatic breast-beating of Next of Kin, suggested that the film might cause viewers to swear off moviemaking rather than talking. ~ Hal Erickson, All Movie Guide

Set in Yorkshire in the 19th century, this period drama centers upon a family of mill owners. The story shifts from the well-to-do surroundings of the Crowther family to the less desirable conditions in the mill. While there are the usual crises, disasters, and labor clashes, the film manages to include a few humorous moments, mostly providing by top-billed comic actor Tom Walls. The production couldn't really hope for a profitable American run, but it did well in the provincial British cinemas. Master of Bankdam was based on the novel The Crowthers of Bankdam by Thomas Armstrong. ~ Hal Erickson, All Movie Guide

In this drama, a frustrated upper-class writer decides that he will find real inspiration by examining his subjects first-hand. This leads him to begin wandering about the seamiest side of town where he witnesses a murder. When an innocent man is arrested, the writer refuses to assist him as the knowledge that he has been "slumming" could destroy his career. The young man is sentenced to 15 years in prison. Upon his release, he hears his own story in a radio drama written by the author. This enables the ex-con to get the necessary evidence to clear his name. ~ Sandra Brennan, All Movie Guide

Roland Pertwee and his son Michael Pertwee penned the stage play The Paragon, and then Michael adapted the play for film. Curiously, the central characters in the story are father and son: a baronet, and his deceased war-hero offspring. The grief-stricken baronet builds a memorial to his son's honor--whereupon sonny boy turns up very much alive, and very much of a jerk. The drama (or rather, melodrama), arises from the father's efforts to preserve the honor of the family name. This is another of director Lance Comfort's compact, compelling film noir-ish programmers of the 1940s. ~ Hal Erickson, All Movie Guide

This gentle Ealing Studios comedy features young William Fox as a mischievous English lad. A goodly portion of the film shows Fox and his companions at play, aimlessly but enjoyably wandering about their neighborhood in search of adventure. Eventually the boy finds a discarded magnet, believing it to be a good-luck token; it turns out to be just that, enabling the boy to become a hero of sorts. The Magnet scores with young and old viewers alike, principally because it is told from the boy's point of view. William Fox would later sprout up to become leading British actor James Fox. ~ Hal Erickson, All Movie Guide

Originally titled 24 Hours in a Woman's Life, the British Affair in Monte Carlo stars Merle Oberon and Richard Todd. A compulsive gambler, Todd is on the verge of disgrace and ruin. Ms. Oberon makes it her mission in life to save Todd from himself. The story is told from the point of view of worldly writer Leo Genn, who is obviously intended as the alter ego of Stefan Zweig, author of the original novel 24 Hours in a Woman's Life. Whenever the drama bogs down, the viewer is encouraged to revel in the authentic Riviera locations. ~ Hal Erickson, All Movie Guide

Recently freed from his MGM contract, Van Johnson headed to England to star in a series of pictures, the first of which was The End of the Affair. Adapted by Lenore Coffee from the novel by Graham Greene, the film casts Johnson as Maurice Bendrix, the clandestine lover of married Briton Sarah Miles (Deborah Kerr). When Maurice disappears during the London blitz, Sarah feels responsible; perhaps if she hadn't been cheating on her husband Henry (Peter Cushing), Maurice might never have been placed in harm's way. She gets down on her knees and prays, promising to return to her husband and give up Maurice if her lover's life is spared. The film's title rather gives the game away. The best performance is delivered by John Mills, as an affable private detective hired by Henry Miles to check up on Sarah's whereabouts. ~ Hal Erickson, All Movie Guide

Off-his-trolley concert pianist Stephen Murray craves both money and publicity. He hopes to attain both by kidnapping beauteous lady journalist Patricia Dainton. Notifying the London media, Murray announces that unless his conditions are met, Dainton will be murdered five days hence "at the stroke of nine". It is the "helpless" heroine herself who engineers the psychopath's downfall. Leading lady Patricia Dainton, who'd begun her career in precocious teen-ager roles, made only a handful of films after At the Stroke of Nine before her 1960 retirement. ~ Hal Erickson, All Movie Guide

Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film. ~ Hal Erickson, All Movie Guide