Rosemary Murphy Movies

Based on a true story, The Hunt for the Unicorn Killer concerns the notorious Ira Einhorn, a political activist turned murder suspect who eluded Philadelphia police for nearly 20 years. In 1968, Texas-born Holly Maddux (Naomi Watts) left home to attend Bryn Mawr College, and two years later she made the acquaintance of Einhorn (Kevin Anderson), a community organizer and activist well known for leading peaceful crusades and as the key figure in Philadelphia's radical community. Holly and Ira became romantically involved, but, despite his public image, behind closed doors Einhorn was often abusive and manipulative, though Holly, for her own reasons, accepted his poor treatment and infidelity. In 1977, Holly had reached the end of her rope and told friends she was leaving Ira, intending to return to their apartment only to collect her belongings. She was not seen again for several months, until her corpse was found stuffed in a trunk in Ira's apartment. Einhorn was arrested in connection with the crime, but was released on bail, only to flee the country, surfacing in France four years later. Convicted 'in absentia' for Holly's murder in 1993, Einhorn was extradited to the United States in 1997 under the condition he receive a new trial. The Hunt for the Unicorn Killer was produced for NBC Television, and was first aired as a two-part miniseries in May 1999. ~ Mark Deming, All Movie Guide

The second film to be made from Woody Allen's successful stage comedy (following a 1969 feature starring Jackie Gleason), Don't Drink the Water is a made-for-television adaptation directed by and starring Allen himself. The fish-out-of-water premise remains the same: Allen plays Walter Hollander, a caterer from New Jersey who takes his family on vacation to a fictional Eastern European country. The trip turns sour when, thanks to a series of misunderstandings involving some inopportune snapshots, they are accused of espionage. The family goes on the run, taking refuge in the American Embassy. There, with the help of a wily young diplomat, they try to figure out a way to return to America without sparking an international incident. Though this version is set 25 years later than the original film, the changes are mostly cosmetic: the visual style is hand-held and more frantic, and the script replaces numerous references to the Cold War with a few glancing nods to present-day politics. Another notable change, the addition of an opening montage parodying newsreels, was reportedly the result of network pressure after Allen's initial cut proved too short for the planned time slot. ~ Judd Blaise, All Movie Guide

The renovation of a Manhattan brownstone yields the skeletal remains of a young boy. Further investigation indicates that the unfortunate youngster disappeared without a trace in 1960. The case causes the boy's childhood friend Julie Atkinson (Mary Joan Negro) to suffer the anguish of reliving some horrible, long-repressed memories. This episode marked a reunion between series co-star Michael Moriarty and director Ed Sherin, who'd previously collaborated on Moriarty's debut film, My Old Man's Place (1972). ~ Hal Erickson, All Movie Guide

Illiterate factory employee Tim Hurley (Sean Kelly) is killed in a explosion because of his inability to read the warning signs posted on the walls of his workplace. While looking into this tragedy, Quincy (Jack Klugman) is shocked to discover that his colleague, coroner's investigator Arnold Chatham (Gerald S. O'Loughlin), is also illiterate. Though it is something of a stretch to believe that Chatham could have held down an important job for so long without being found out, this plot inconsistency is shunted aside as Quincy goes on a crusade against a public educational system that allows its students to graduate without being able to read or write. ~ Hal Erickson, All Movie Guide

Through some freakish glitch in the time-space continuum, Magnum (Tom Selleck) awakens in the year 1936. Despite this bizarre displacement, he's still a private eye, and he's still very much for hire. In fact, his latest client is Brenda McCutchen (Anne Lockhart), whose labor-leader father has been framed for the murder of an evil industrialist. Playing the "30s" angle to the hilt, the episode is stylishly written and directed in the manner of an old Warner Bros. detective film, and the familiar Magnum PI characters conform to Depression-era sensibilities: Magnum speaks fluent "Dashiel Hammett", Higgins (John Hillerman) is a Noel Coward-ish bon vivant, and so on. ~ Hal Erickson, All Movie Guide

After 1970's Diary of a Mad Housewife, actress Carrie Snodgress found her career moving in frets and starts rather than barrelling ahead. By 1979, Snodgress was making do with gothic horrors like The Attic. In a variation on a theme previously explored in The Barretts of Wimpole Street and The Heiress, Snodgress plays a shy, withdrawn young woman who is totally dominated by her tyrannical father Ray Milland. At father's insistence, she remains sequestered in her attic room, denied contact with any men. When she finally breaks free, a spectacularly bloody denouement is the result. ~ Hal Erickson, All Movie Guide

First aired March 13, 1977, Eleanor and Franklin: The White House Years was the brilliant follow-up to the equally praiseworthy 1976 TV movie Eleanor and Franklin: The Early Years. The film is framed in a flashback experienced by first lady Eleanor Roosevelt (Jane Alexander) while accompanying the casket carrying the body of her husband Franklin Delano Roosevelt (Edward Herrmann) to its final resting place in Hyde Park. Elected in 1933, FDR endeavors to pull the country out of the Depression with the New Deal during his first term, while Eleanor emerges as a formidable public figure in her own right during the second term, tirelessly working on behalf of social change and reforms. Ever under the baleful eye of his mother Sara (Rosemary Murphy), Roosevelt tries to maintain family equilibrium in the White House as he seeks an unprecedented third term. Sara dies in December of 1941, two days before Roosevelt, in his "Day of Infamy" speech, declares war on Japan. Despite health problems, FDR successfully pursues a fourth term in 1944; he dies in office in April of 1945, a scant few months before the end of World War II. Despite her long-standing displeasure over her husband's long-ago affair with artist Lucy Mercer (Linda Kelsey), a stiff-lipped Eleanor puts on a brave front when Roosevelt dies in the company of Deakins at a health spa in Georgia. Based on Joseph P. Lash's Pulitzer prize-winning biography, Eleanor and Franklin: The White House Years earned Emmies for "Outstanding Special" and for director Daniel Petrie. ~ Hal Erickson, All Movie Guide

Stone (Karl Malden) and Keller (Michael Douglas) mingle with the cream of San Francisco society in search of a murderer. The victim was the blackmailing publisher of a sleazy tell-all magazine--and as a result, the detectives are confronted with a veritable "Who's Who" of suspects. This is the final episode of Streets of San Francisco's second season. ~ Hal Erickson, All Movie Guide

David Hartman stars as Lucas Tanner in this made for TV film. A former athlete and sportswriter, Tanner decides to become a high school teacher after losing his wife and son in an auto accident. His new career is almost over before it begins when Tanner is held responsible for the death of a student. Rosemary Murphy co-stars as Tanner's rules-are-rules principal. First telecast May 8, 1974, Lucas Tanner served as the pilot for the subsequent series of the same name, which also starred Hartman and Murphy. ~ Hal Erickson, All Movie Guide

When Cliff Robertson was toasted by Ralph Edwards on the TV series This is Your Life in 1972, Robertson was standing on the set of Ace Eli and Roger of the Skies. This production was announced as an "upcoming release"-though as it turned out, the film lay on the shef for several years thereafter. Robertson plays a barnstorming stunt flyer of the Roaring Twenties. Accompanying him from job to job is his 11-year-old son, Eric Shea. Despite having a child in tow, Robertson has no trouble scoring with the local lovelies wherever they go. 20th Century-Fox had so little faith in Ace Eli and Roger of the Skies that the company changed many of the names in the production credits: producer "Boris Wilson" was really Robert Fryer, director "Bill Sampson" was actually John Erdman and screenwriter "Chips Rosen" was known to friends and family as Claudia Salte. Only poor Cliff Robertson was denied the opportunity to cloak himself in an alias. ~ Hal Erickson, All Movie Guide

The star of the Broadway version of Any Wednesday was Sandy Dennis. Headlining the 1966 film version is Jane Fonda, who imbues her character with enough quirkiness to satisfy both herself and the endearingly mannered Ms. Dennis. Fonda plays the dippy mistress of philanderer Jason Robards, who visits his paramour only on Wednesdays (hence the title). Dean Jones costars as the erstwhile swain who messes up Robards' routine by falling in love with Fonda. Screenwriter Julius J. Epstein does a expert job at expanding Muriel Resnick's play for the screen without robbing it of its inherent charm. ~ Hal Erickson, All Movie Guide

Harper Lee's Pulitzer Prize-winning autobiographical novel was translated to film in 1962 by Horton Foote and the producer/director team of Robert Mulligan and Alan J. Pakula. Set a small Alabama town in the 1930s, the story focuses on scrupulously honest, highly respected lawyer Atticus Finch, magnificently embodied by Gregory Peck. Finch puts his career on the line when he agrees to represent Tom Robinson (Brock Peters), a black man accused of rape. The trial and the events surrounding it are seen through the eyes of Finch's six-year-old daughter Scout (Mary Badham). While Robinson's trial gives the film its momentum, there are plenty of anecdotal occurrences before and after the court date: Scout's ever-strengthening bond with older brother Jem (Philip Alford), her friendship with precocious young Dill Harris (a character based on Lee's childhood chum Truman Capote and played by John Megna), her father's no-nonsense reactions to such life-and-death crises as a rampaging mad dog, and especially Scout's reactions to, and relationship with, Boo Radley (Robert Duvall in his movie debut), the reclusive "village idiot" who turns out to be her salvation when she is attacked by a venomous bigot. To Kill a Mockingbird won Academy Awards for Best Actor (Peck), Best Adapted Screenplay, and Best Art Direction. ~ Hal Erickson, All Movie Guide