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Pat Murphy Movies

Pat Murphy is one of Ireland's more prominent filmmakers; two of her notable projects include Maeve (1981) and Anne Devlin (1984). She began directing while still enrolled in a London art school. Her first film was the short Rituals of Memory (1977). Maeve is an interesting film because it uses an experimental narrative form to chronicle the feelings of alienation experienced by the female protagonist as she deals with her place in a patriarchial nation. Anne Devlin looks back at the place of women in 19th-century Ireland. Unlike Maeve, it utilizes traditional narrative to tell its story. ~ Sandra Brennan, Rovi
2000  
R  
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This period drama is based on the real-life relationship of the great Irish novelist James Joyce and his longtime lover, Nora Barnacle. Aspiring writer James (Ewan McGregor) meets Nora (Susan Lynch) in Dublin in 1904. While she lacks James' interest in literature, she shares his frustrations about the limitations of life in Ireland, and she encourages him in both his work and in his desire to try his hand in Europe. Nora also shares James' potent sexual appetite, and James finds himself at once thrilled by her enthusiasm for lovemaking and troubled by suspicions that she may be unfaithful to him. When James decides to relocate to Trieste, Nora joins him, and they eventually have two children together, but their relationship is often stormy -- James angrily suspects that Nora is having affairs with his brother Stanislaus (Peter McDonald) and their close friend Roberto (Roberto Citran) as he struggles with his writing and battles censors over his masterwork, Ulysses. However, while they have troubles keeping their relationship together, they find that it's even harder for them to live apart from one another. Ewan McGregor served as both star and co-producer for Nora, which was backed in part by his production company, Natural Nylon Entertainment. ~ Mark Deming, Rovi

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Starring:
Roberto CitranSusan Lynch, (more)
 
1984  
 
This long, slow-paced but interesting historical docudrama, based on personal diaries, focuses on the role of Anne Devlin in a failed Dublin uprising in the 19th century. Anne was the daughter of a farmer in County Wicklow and when the Irish patriot Robert Emmet went into hiding in a nearby farmhouse to plan his uprising against British rule, Anne agreed to help out at the house. Emmet's rebellion was eventually thwarted by the British, and in 1803 he was captured and executed. The British also arrest Anne Devlin for consorting with the rebel leader, but Anne quietly refuses to acknowledge her involvement, or to provide the British with any information on the subject. As a study in the neglected role of women in history, this docudrama does highlight the courage and bravery of Anne, in contrast to the behavior of many of the others around her. ~ Eleanor Mannikka, Rovi

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Starring:
Brid BrennanBosco Hogan, (more)
 
1983  
 
Utu is the Maori word for "Retribution," which sums up the chief motivating factor of this New Zealand-produced drama. Set in the 1870s, the film details the exigencies of British Colonial rule. A Maori scout, Te Wheke (Anzac Wallace), stumbles across a native village that has been destroyed in a British raid. Since it is the scout's own village, he deserts the British army, the better to seek "utu." Leading a vigilante force consisting of his fellow Maoris, Te Wheke kills as many British settlers as he can get his hands on. The feverish conviction of his crusade is in stark contrast to the attitudes of the British, who seem more concerned with material possessions than with human beings. Popular down under star Bruno Lawrence is cast as a vengeance-driven settler who makes it his personal mission in life to end Te Wheke's reign of terror. The most expensive New Zealand-filmed project to date, Utu was an enormous success upon its first domestic release; the American version runs some 15 minutes shorter than the original. ~ Hal Erickson, Rovi

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Starring:
Anzac WallaceBruno Lawrence, (more)
 
1983  
R  
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Independent filmmaker, artist, and critic Lizzie Borden made her feature-film debut with this bold fusion of science fiction and feminist politics. In the near future, America is celebrating the tenth anniversary of a socialist revolution that has changed the political fabric of the nation, but some aspects of life have evolved much more than others. As some Americans become disenchanted with the new order, racism and sexism are on the rise, and though the new leaders may talk a good game about economic justice and equality in the workplace, women find they're still working harder and being paid less, and their jobs mysteriously vanish when they complain. Adelaide Norris (Jeanne Satterfield) is an educated African-American woman who is also a blue-collar laborer; fed up with the double standards that control her life, Norris helps form the Women's Army, a revolutionary feminist group that serves as a vigilante force to protect women on the street and a paramilitary unit to fight the powers that be. The Women's Army are successful enough in protecting women against rape and assault to gain the unwelcome attention of the FBI. The FBI succeeds in putting Norris behind bars, where she's killed in a shadowy incident, but New York City's female-run underground media rises up to make sure the people know the truth about her death. Eric Bogosian and Kathryn Bigelow each made their screen debuts in Born in Flames, with minor supporting roles - the former as a technician at a television studio, and the latter as an editor. ~ Mark Deming, Rovi

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Starring:
HoneyJeanne Satterfield, (more)
 
1981  
 
Maeve is a young woman living in London who is homesick for her native Ireland, and so goes back to the northern, strife-ridden environment of her home and faces some childhood memories that have not gone away with time, such as the British soldiers, and other more immediate problems relating to exactly who she is and what she wants out of life. ~ Eleanor Mannikka, Rovi

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Starring:
Mary JacksonBrid Brennan, (more)