Caroline Munro Movies

This odd, independently produced horror film features performances by Warhol-era legend Holly Woodlawn and the versatile performer John Leguizamo. In the story, the handsome young man (James Raftery) who picks up women at a disreputable neighborhood bar is a real lady-killer; in fact, he's a vampire. When his sister doesn't come home one day, Angel (Leguizamo) tries to find out why. Meanwhile, the vampire is having a love relationship with a young woman he would rather not kill. ~ Clarke Fountain, Rovi

The demented Dr. Flamand (Helmut Berger) and his beautiful but deadly assistant Nathalie (Brigitte Lahaie) lure unsuspecting victims in this horror feature. The doctor uses the young skins of his victims to perform plastic surgery on his disfigured sister. Telly Savalas is Hallen, the New York businessman who hires private detective Sam Morgan (Chris Mitchum) to find his missing fashion model daughter Barbara (Caroline Munro). A sadistic Nazi doctor (Anton Diffring) and a chainsaw/power tool psychosexual tormentor are called in by the devious Dr. Flamand to join in the fun. ~ Dan Pavlides, Rovi

When the school geek (Simon Scuddamore) is physically scarred by his classmates' ill-conceived practical joke, he vows to get revenge. When the guilty students travel back to Doddsville High for a ten-year reunion, they begin to die off in mysterious and violent ways. ~ Iotis Erlewine, Rovi

In this slice-n-dicer, a cabbie becomes obsessed with a lovely movie scream queen and decides to follow her to the Cannes Film Festival. Though she is a cult favorite, few take the horror-movie actress seriously. The taxi driver does and is sure that with a little of his expert direction she could become an excellent dramatic actress. Unfortunately, before he can help her, he must first get her attention. He first approaches her while she is taking a shower in her suite. Naturally she attempts to throw him out. A scuffle ensues and he ends up threatening to slit her throat. She escapes and dressed only in a towel runs through a crowd. The taxi driver is right behind her and the other festival-goers, thinking it all a clever promotional gimmick, applaud. He stops to take a bow and she makes it to safety. This bad start does not stop the cabbie from trying to reach her and before the story ends, many people die horrible deaths, leading to the film's surprising ending. Much of the story was shot on location at the 1981 Cannes Film Festival and features shots of several famous actors and filmmakers. ~ Sandra Brennan, Rovi

Italian schlock-master Luigi Cozzi (billed as Lewis Coates here) directed this low-budget Star Wars rip-off in 1978, right when the sci-fi craze was hitting audiences on a world-wide scale. The story begins familiarly enough, with a huge spaceship tracking through an extremely colorful space scene while under attack by some kind of unknown and deadly force resembling a lava lamp. Being no match for the '60s acid-flashback rays, they manage to jettison a few escape pods just before being blown to kingdom come. Fast forward now to the other end of the galaxy, where we find the best smugglers in town -- gorgeous Stella Star (Caroline Munro) and space-pimp Akton (Marjoe Gortner) -- outrunning a band of cops on their tail. Eventually, they're caught, taken into custody, and sentenced to intense Labor Camps, where Stella is forced to wear a skimpy Barbarella-like outfit by the extreme, merciless guards. A break-out ensues, and in the intense laser shoot-out, Stella manages to escape, only to be captured again by the semi-green-skinned Thor (Robert Tessier) and his annoying southern-drawled robot, Elle (voiced by genre veteran Hamilton Camp). Brought in front of the Emperor of the Galaxy (Christopher Plummer) and reunited with Akton, the sexy duo find themselves suddenly in charge of finding Prince Simon (David Hasselhoff). Thus begins the heroes' amazing adventure through space and time as they search for Hasselhoff and end up fighting Amazons, Cavemen, and the Evil Count Zarth Arn (Joe Spinell) along the way. ~ Jeremy Wheeler, Rovi

Fifty secret agents and civil servants, all apparently healthy and robust, have died of unknown causes over a two-year period. Steed (Patrick MacNee), Gambit (Gareth Hunt) and Purdey (Gareth Hunt) investigate the health farm where all of the victims had worked out before their untimely demises. Cult-movie favorite Caroline Munro appears as a health-farm employee who may or may not be in on the sinister plot. Clips from previous episodes of The New Avengers) are seen during Steed's drug-induced flashback. ~ Hal Erickson, Rovi

This weird British hybrid of The Exorcist, Rosemary's Baby and It's Alive! stars Joan Collins as a stripper who spurns the advances of a lecherous dwarf and is subsequently cursed by a monstrous baby -- which emits horrifying demonic howls and attacks everyone within reach, including his parents, his nanny and the family doctor (Donald Pleasence). A final exorcism is attempted by a nun (Eileen Atkins), for what it's worth. No clear explanation is given for the link between the spurned dwarf and the demonic influence placed upon the homicidal tyke (even the countless Italian Exorcist knock-offs usually maintained some sort of twisted logic), and the considerable potential for horror in the killer-baby concept is not explored thoroughly enough to keep viewers involved. Also released as I Don't Want To Be Born. ~ Cavett Binion, Rovi

The second of special-effects wizard Ray Harryhausen's three Sinbad epics, this film finds the titular hero played by John Philip Law, while the principal villain, Koura, is portrayed by future Dr. Who Tom Baker. The plot sends Sinbad and his crew on a quest for a valuable and magical golden tablet. Harryhausen's "Dynamation" highlights include a six-armed statue, a one-eyed centaur and a flying griffin. Caroline Munro also stars. Golden Voyage of Sinbad was followed by Sinbad and the Eye of the Tiger (1979). ~ Hal Erickson, Rovi

This sequel to the stylish 1971 melodrama The Abominable Dr. Phibes once more stars Vincent Price in the title role. Long believed dead, Phibes arises from a state of suspended animation, in search of the means to bring his deceased wife back to the land of the living. Phibes also wears a rubber mask to disguise his own horribly disfigured countenance. (The giveaway: he never moves his mouth when speaking, and eats by applying his fork to his neck!) With the aid of the enigmatic, never-speaking Vulnavia (Valli Kemp), Phibes follows an Egyptian expedition, seeking out an ancient elixir of life and killing everyone who gets in his way. In the original film, all of the doctor's grisly but ingenious murders were motivated, and all were linked by a Seven Deadly Plagues throughline. In the sequel, Phibes kills whenever he feels like it, and utilizes an impressive array of death-dealing contraptions (one victim literally has his skin blown off his body by a high-powered electric fan). This marks one of the only films ever made to wrap with Vincent Price singing "Somewhere, Over the Rainbow." ~ Hal Erickson, Rovi

Richard Widmark stars as a professional gambler who finds himself financially embarrassed. To bail himself out, Widmark marries into a wealthy Mexican household. What he doesn't know is that the family is cursed: its female members are compelled to love their men literally to death. Chaim Topol and Cesar Romero costar in the inconsequential but enjoyable comedy. ~ Hal Erickson, Rovi