Brian Munn
A grieving widow finds her husband's warmth radiating from the afterlife when she discovers that he left her a series of tasks to be revealed in ten monthly messages and designed to help her overcome her sorrow while gradually making the transition into a new life. Holly Kennedy (Hilary Swank) is a New York real estate broker whose good-humored husband, Irishman Gerry (Gerard Butler), always stood by her side. Suddenly, and seemingly out of nowhere, Gerry succumbs to a brain tumor and Holly is left to face an uncertain future. No one in the world knows Holly better than Gerry, not even her mother (Kathy Bates) or her best friends, Sharon (Gina Gershon) and Denise (Lisa Kudrow). But while Holly remains unsure if she can go on without the love of her life to help guide her, Gerry has planned ahead. On Holly's 30th birthday, she receives a cake and a special tape recording from Gerry that implores her to get out and celebrate instead of staying in and mourning. Later, as the months wear on, a series of additional messages arrive from Gerry -- always delivered in the most remarkable and surprising of ways. With each new message comes a new adventure, and each letter signs off in the same familiar way: "P.S. I love you." Despite the fact that Holly's mother and friends think these humorous, posthumous messages are keeping Holly bound to the past, the truth is that they are lovingly guiding her into the future while proving that sometimes death isn't just the end, but a new beginning as well. Director Richard LaGravenese teams with screenwriter Steve Rogers to adapt author Cecelia Ahern's best-selling novel. ~ Jason Buchanan, All Movie Guide
- Starring:
- Hilary Swank, Gerard Butler, (more)
In this epic Ron Howard film, Joseph Donelly (Tom Cruise) is an impoverished 19th-century Irish tenant farmer who has recently lost both his father and his home to the agents of his unscrupulous landlord. On a mission to avenge his family's injustice at the hands of the ruthless land baron Joseph meets the landlord's daughter and the two run off to America together where the girl expects to claim a piece of land for herself in the Oklahoma Land Rush. After she is robbed on the boat that carries them to America, they arrive with nary a penny and struggle just to keep their heads above water in the slums of Boston. After a series of serious set-backs they do eventually work their way out West, where Joseph must fight to realize his dream and claim a piece of the American Dream for himself -- and where they finally acknowledge their love for each other. Shot in wide-screen Panavision, the movie was filmed on-location in Ireland and Montana. ~ Iotis Erlewine, All Movie Guide
- Starring:
- Tom Cruise, Nicole Kidman, (more)
- 1984
- R
In the opening scenes of this politically-oriented drama, a killer enters the home of a policeman and in a shocking sequence murders him in cold blood -- an act that becomes the key to the rest of this film about the conflict between politics and life. Young Catholic, Cal (John Lynch) works in a slaughterhouse during the day and has participated in terrorist activities, but he wants out after he has been forced to drive a getaway car in the murder of the policeman. Meanwhile, he is slowly enchanted by Marcella, an older woman (Helen Mirren) who has just started working at the local library. Smitten but shy, Cal manages to ease himself into a job on her land, and when his father's home is burned to the ground by Protestants, Cal moves into a cottage on the woman's estate. Eventually, the two start a quiet liaison -- but Cal's inner turmoil disturbs the happiness he feels when he is with Marcella. Can he continue to hide his terrorist past from Marcella, who knows nothing about what he has done? While this question and others raised by the film are reasonable, director Pat O'Connor's treatment of the story may be too muted, and John Lynch's Cal too innocuous and frail (especially in contrast to Helen Mirren's Marcella) to win over all viewers. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Helen Mirren, John Lynch, (more)
