Esther Muir Movies
"Closer, hold me closer," Amazonian Esther Muir whispers seductively to Groucho Marx, whose reply comes fast and furious: "If I hold you any closer, I'll be in back of you." (Drum roll.) The amusing repartee comes from A Day at the Races, the comedy for which Esther Muir will always be remembered. Esther was the typical statuesque '30s vamp but with one difference: a keen sense of humor. And she certainly needed both humor and timing fending off all three Marx brothers and, before them, Wheeler and Woolsey. Yet despite her success in handling some of Hollywood's brightest farceurs, Muir was rarely appreciated as the gifted comedienne she obviously was. All too often she was wasted in stock assignments playing the garden-variety femme fatale with nary a smile in sight.A former model, Muir had made her theatrical bow in the chorus of the Greenwich Village Follies and later became a foil for comedian Charlie Ruggles in both Mr. Battling Butler (1923) and Queen High (1926). A starring role in the farce His Girl Friday brought her to the attention of Hollywood, where in 1931 she made her screen debut as a murderess in A Dangerous Affair and wed dance director Busby Berkeley. The union, it seems, was doomed from the outset and lasted less than a year. Berkeley, she later explained, "was a lovely person but a real mama's boy." Most of the time she was "more his keeper than his wife."
As a screen performer, Esther Muir came into her own with So This Is Africa (1933), lampooning documentary filmmaker Osa Johnson on a back-lot expedition that included the zany Bert Wheeler and Robert Woolsey. The jaunt was filled with naughty double entendres and the Hays Organization took umbrage to the point where censorship was tightened considerably thereafter. Consequently, Muir's vamps became much tamer and she appeared mainly on Poverty Row. MGM cast her all too briefly in the gargantuan The Great Ziegfeld (1936), where she traded barbs with Fanny Brice; and she was at the top of her game attempting to seduce Groucho Marx in the aforementioned racetrack farce. But her subsequent performances were uniformly disappointing and she retired from the screen in 1942. Divorced from her second husband, lyricist Sam Coslow, Muir made a couple of stage comebacks but spent most of her energy on a real estate business, retiring a very wealthy woman. ~ Hans J. Wollstein, All Movie Guide
X Marks the Spot was the first of eight brisk wartime-oriented melodramas, each running slightly under an hour, produced and directed in rapid succession by George Sherman. Private detective Eddie Delaney (Damian O'Flynn) swings into action when his father (Robert E. Homans), a police sergeant, is gunned down by rubber racketeers (please recall that rubber was a valuable commodity during WW2). With the help of heroine Linda Ward (Helen Parrish) and police lieutenant Decker (Dick Purcell), Delaney chases after the villains, experiencing all sorts of serial-like dangers along the way. Numbered among the bad guys are the typecast Jack LaRue and the cast-against-type Neil Hamilton (later Batman's Commissioner Gordon). Though the script covers familiar ground, X Marks the Spot is exhilarating entertainment in the true Republic Pictures tradition. ~ Hal Erickson, All Movie Guide
- Starring:
- Damian O'Flynn, Helen Parrish, (more)
- 1942
In this drama, an ex-vaudevillian dancer opens up a dance band agency and help street kids at the same time by hiring them to help out. Unfortunately, the local gang of hood's leader resists his attempts. More trouble ensues when the dancer helps a convict gain parole by hiring him. It later turns out that the ex-con is only interested in trying to use the agency as a front for extortion. Songs include the Oscar nominated "When There's a Breeze on Lake Louise," "Your Face Looks Familiar," "Heavenly, Isn't He?" "Let's Forget It," "You're Bad For Me," and "A Million Miles From Manhattan." ~ Sandra Brennan, All Movie Guide
- Starring:
- George Murphy, Anne Shirley, (more)
Misbehaving Husbands was intended as a comeback vehicle for silent-film comedy great Harry Langdon, who after his fall from grace in the 1920s had to content himself with cheap 2-reelers, featured roles and screenwriting assignments. Langdon plays henpecked store-owner Henry Butler, who decides to save money by designing his window displays himself. When Henry's wife (Betty Blythe) spots him in an innocent but compromising situation with one of his underdressed models, she walks out on him and files for divorce. Making matters worse, poor Henry is accused of murder when he's seen carrying a store dummy into his house. It's all strictly short-subject material, but Langdon carries off his assignment with finesse, proving that he was still capable of carrying a feature film if given half a chance. Others contributing to the general merriment are statuesque Esther Muir, Langdon's longtime screen partner (and close friend) Vernon Dent, Ralph "Dick Tracy" Byrd and veteran western heavy Richard Cramer (who'd previously appeared in the Langdon-scripted Laurel&Hardy vehicle Saps at Sea). ~ Hal Erickson, All Movie Guide
- Starring:
- Ralph Byrd, Harry Langdon, (more)
- 1941
Stolen Paradise is a melodramatic tale of youth led astray from the director of Reefer Madness, Louis J. Gasnier. No less a cautionary tale than its infamous predecessor, the lurid B-movie centers around a troubled young teen (Leon Janney) who is studying for the priesthood when he finds himself falling for his sexy new stepsister (Eleanor Hunt), leading to a downward spiral of inner anguish and despair. ~ All Movie Guide
- 1941
- NR
The marvelous rapport between stars Clark Gable and Lana Turner makes MGM's Honky Tonk seem far more substatianal than it really is. About to be tarred and featherd by an angry mob, frontier con artists Candy Johnson (Gable) and his pal Sniper (Chill Wills) manage to make a quick getaway via train. While on board, Candy strikes up a friendship with Boston-bred Lucy Cotton (Turner), whose "respectable" daddy Judge Cotton (Frank Morgan) turns out to be as big of a sharpster as Candy. For Lucy's sake, Candy decides to use his huckstering skill to good use by helping to build a small-town church, but soon he's up to his old tricks, managing a dance hall and gambling emporium. Growing more ambitious by the minute, Candy intends to take over the whole town with the covert assistance of Judge Cotton. But when Candy marries Lucy (who still doesn't know that he's really a crook at heart!), the enraged Judge exposes Candy's takeover scheme, only to be shot down by the gambling hall's straw boss Hearn (Albert Dekker). In his efforts to set things right and atone for past misdeeds, Candy is separated from Lucy time and time again, but there's never any doubt that a happy ending awaits them both. A TV remake of Honky Tonk surfaced in 1974, with Richard Crenna in the Gable role. ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Lana Turner, (more)
- 1941
Celebrity fan-dancer Sally Rand, the undraped sensation of the 1933 Chicago World's Fair, was the star of the 1938 Grand National production The Sunset Murder Case. Borrowing a page from the Bob Steele westerns, La Rand is cast as a nightclub dancer who hopes to avenge her father's murderer. She gets a job in the establishment run by the man she holds responsible for the killing, maintaining a harmless front by performing a nightly exotic dance (which by 1990s standards is about as erotic as a plastic shower curtain). In his first leading role, Reed Hadley plays the hero who rescues Sally in the nick of time, while Henry King's orchestra provides the music. In perpetual reissue well into the 1940s and 1950s (this synopsis is based on its 1941 re-release), Sunset Murder Case was sometimes retitled The Sunset Strip Case on the grind-house circuit. ~ Hal Erickson, All Movie Guide
- Starring:
- Sally Rand, Reed Hadley, (more)
- 1939
In this western, a dashing caballero makes a wager with his gang that he can court a beautiful dancer and lure her back to their lair. Unfortunately the woman loves another so the outlaw kidnaps them both. At the Mexican border, he has a change of heart and sets the lovers free. ~ Sandra Brennan, All Movie Guide
- Starring:
- Leo Carrillo, Tim Holt, (more)
- 1939
- Add The Story of Vernon and Irene Castle to QueueAdd The Story of Vernon and Irene Castle to top of Queue
The last of RKO's Fred Astaire-Ginger Rogers vehicles, The Story of Vernon and Irene Castle is also the least typical. At their best playing carefree characters in gossamer-thin musical comedy plotlines, Fred and Ginger seem slightly ill at ease cast as the real-life dancing team of Vernon and Irene Castle. The stripped-to-essentials storyline boils down to novice dancer Irene (Rogers) convincing vaudeville comic Vernon (Astaire) to give up slapstick in favor of "classy" ballroom dancing. With the help of agent Edna May Oliver, the Castles hit their peak of fame and fortune in the immediate pre-World War I years. When Vernon is called to arms, Irene stays behind in the US, making patriotic movie serials to aid the war effort. Vernon is killed in a training accident, leaving a tearful Irene to carry on alone. To soften the shock of Astaire's on-screen death (it still packs a jolt when seen today), RKO inserted a closing "dream" dancing sequence, with a spectral Vernon and Irene waltzing off into the heavens. The film's production was hampered by the on-set presence of the real Irene Castle, whose insistence upon accuracy at all costs drove everyone to distraction--especially Ginger Rogers, who felt as though she was being treated like a marionette rather than an actress. In one respect, Mrs. Castle had good reason to be so autocratic. Walter, the "severest critic servant" character played by Walter Brennan, was in reality a black man. RKO was nervous about depicting a strong, equal-footing friendship between the white Castles and their black retainer, so a Caucasian actor was hired for the role. Mrs. Castle was understandably incensed by this alteration, and for the rest of her days chastised RKO for its cowardice. As it turned out, it probably wouldn't have mattered if Walter had been black, white, Chicano or Siamese; The Story of Vernon and Irene Castle was a financial bust, losing $50,000 at the box office. Perhaps as a result, Fred Astaire and Ginger Rogers would not team up again for another ten years. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Ginger Rogers, (more)
- 1938
Republic Pictures borrowed heavily from Damon Runyon when they crafted this tuneful Gene Autry series entry, restored to its full length by Gene Autry Entertainment in 2001. Just as Apple Annie had in Lady for a Day (1933), kindly old Dad Haskell Frank Darien) has gilded the lily a bit by suggesting to his Eastern daughter Betty (Jean Rouverol) that he is the sole owner of the Circle J, a Western dude ranch. The problem is that the ranch has just been sold to one Van Fleet (Davison Clark) and is not equipped to receive guests at all. Yet despite being repeatedly snubbed by Betty, foreman Gene Autry nevertheless agrees to put up a front in order for the girl to impress her socialite fiancé Walter (George Wolcott). But unbeknownst to all and sundry, there is helium in them thar hills and soon both bullets and fists are flying. Gene Autry, Smiley Burnette and guest stars Joe Frisco and Edward Raquello perform "Old November Moon", "Roll, On Little Dogies, Roll On", "When the Bloom Is on the Sage", "El Rancho Grande", "Cielito Lindo", "I Love in the Morning", and "The Balloon Song". ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Gene Autry, Smiley Burnette, (more)
- 1938
In this tearful crime melodrama, a waitress becomes so taken with her dream of living in posh luxury and comfort that she leaves her honest boyfriend the district attorney to take up with a notorious gangster who lavishes her with stolen furs and fabulous diamonds. She has no idea that the crook is only using her as a pawn in his scheme to learn the DA's secrets. When she finally does learn the truth, she gives up her life for truth, justice and love. ~ Sandra Brennan, All Movie Guide
- Starring:
- Phyllis Brooks, Ricardo Cortez, (more)
- 1938
Despite its title and its potent lineup of cowboy talent, RKO Radio's The Law West of Tombstone is more comedy than western. The characters are all based on famous frontier characters, with names changed to protect the producers. Harry Carey is cast against type as a blowhard Judge Roy Bean clone, whose bravado masks the heart of a coward. With the help of Billy the Kid rip-off Tim Holt, Carey fends off a gang that closely resembles the Clantons. Holt ends up in the arms of Jean Rouverol, a busy ingenue of the 1930s who later became a prolific children's story writer. Law West of Tombstone was directed by onetime movie leading man Glenn Tryon. ~ Hal Erickson, All Movie Guide
- Starring:
- Harry Carey, Tim Holt, (more)
- 1938
Directed by Richard Thorpe, this costume drama stars Luise Rainer as 16-year-old southern belle Gilberta, who, upon her return to Louisiana after a brief stay in France, discovers her sister Louise Barbara O'Neil) has recently gotten engaged. Gilberta (Rainer) quickly finds herself attracted to her sister's fiance George (Melvyn Douglas), and eventually steals him for herself. Though they marry and have a son together, Gilberta is unable to to cope with the stress and responsibility involved in running a plantation and raising a child at the same time. At Gilberta's request, Louise (O'Neill) agrees to take over the duties of the plantation. Meanwhile, Gilberta begins an affair with a former suitor of hers, Andre Vallane (Robert Young), and agrees to go to New York with him. Upon their return, George (ouglas and Andre (oung) have a duel, which proves fatal for Andre. Shortly after, Gilberta catches a fatal disease. Though much strife had been created due to her sordid affairs, Gilberta comes to terms with her behavior and makes peace with her family shortly before she died. ~ Tracie Cooper, All Movie Guide
- Starring:
- Luise Rainer, Melvyn Douglas, (more)
- 1938
Herman Bahr's German play The Yellow Nightingale from 1907 became Paramount's 1938 entry in the then-popular operetta cycle. Gladys Swarthout, formerly of the Met, stars as Ilona Boros, a peasant girl with a magnificent voice who becomes a pawn in the rivalry between opera tenor Tony Kovach (John Boles) and his business manager Zoltan Jason (John Barrymore). Both men are infatuated with the beautiful, but cold, Countess Foldessy (Claire Dodd), and Tony plans to make Ilona a star so that Jason will be attracted to her instead. The scheme backfires, of course, and soon both men are fighting over Ilona, the outraged countess left to instead pursue Jason's butler, Von Hemisch (Curt Bois). In between the comedy, Swarthout, Boles, and company perform such well-known selections as "Because," from the opera Jocelyn; "Habanera," from Carmen; "La Ci Darem la Nano," from Don Giovanni; and Ralph Rainger and Leo Robin's "Tonight We Love." ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Gladys Swarthout, John Boles, (more)
- 1938
- NR
Based on a novel by Erich Maria Remarque, Three Comrades represented one of the few successful screenwriting efforts of F. Scott Fitzgerald. Set in Germany in the years just following World War I, the film stars Robert Taylor, Franchot Tone and Robert Young as three battle-weary, thoroughly disillusioned returning soldiers. The three friends pool their savings and open an auto-repair shop, and it is this that brings them in contact with wealthy motorist Lionel Atwill--and with Atwill's lovely travelling companion Margaret Sullavan. Taylor begins a romance with Sullavan, who soon joins the three comrades, making the group a jovial, fun-seeking foursome (this plot element bears traces of Hemingway's The Sun Also Rises, as well as the 1931 film The Last Flight). Though Sullavan suffers from tuberculosis (her shady past is only alluded to), she is encouraged by her male companions to fully enjoy what is left of her life. This becomes increasingly difficult when one of the comrades, Young, is killed during a political riot (it's a Nazi riot, though not so-labelled by ever-careful MGM). In the end, the four comrades are only two in number, with nothing but memories to see them through the cataclysmic years to come. Despite its Hollywoodized bowdlerization of the Remarque original, Three Comrades remains a poignant, haunting experience. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Margaret Sullavan, (more)
- 1938
The titular battle is the one that noisily rages between American legionnaires Big Ben Wheeler (Victor McLaglen) and Chesty Webb (Brian Donlevy). While attending a convention in New York, the two friendly enemies are ordered by their boss Homer C. Bundy (Raymond Walburn) to break up the romance between Bundy's son Jack (Robert Kellard) and showgirl Marjorie Clark (Lynn Bari). In the course of their merry misadventures along the Great White Way, our heroes get mixed up with nightclub entertainer Linda Lee (Louise Hovick, aka Gypsy Rose Lee). When their boss shows up, he is immediately smitten by Linda and forgets all about his son's "scandalous" affair. It ain't art, but it's fun. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor McLaglen, Brian Donlevy, (more)
- 1937
Love on Toast was one of several mid-1930s Hollywood films helmed by E. A. DuPont, a once-celebrated German filmmaker then on the skids. The plot concerns a female press agent who must select a "Mr. Manhattan" and "Miss Brooklyn" for an ad campaign mounted by a soup company. The Mr. Manhattan chosen is a singing soda jerk, who doesn't want to play along until he is given the honor of choosing his own Miss Brooklyn. He picks a brash radio songstress, who ends up causing all sorts of trouble at a banquet thrown in her honor -- but who cares now that Mr. Manhattan has fallen in love with the pretty press agent. John Payne, who'd emerged as a singing star the year before, is the hero; radio soubrette "Sugar" Kane (that was her billing!) is the troublesome gal from Brooklyn; and the press agent who sets the plot in motion is a movie newcomer named Stella Ardler, who under her given name of Stella Adler later established herself as one of America's foremost acting coaches. ~ Hal Erickson, All Movie Guide
- Starring:
- John Payne
- 1937
Filmed on a budget of about 78 cents, High Hat was a foredoomed attempt to turn radio singer Frank Luther into a movie star. Luther struggles manfully in the role of Suwanee Collier, the boyfriend and mentor of aspiring vocalist Elanda Lee (Dorothy Dare). A classical singer, Elanda refuses to lower herself to perform "swing" music until Collier shows her the way. Such reliable character actors as Franklin Pangborn, Gavin Gordon, Robert Warwick, Esther Muir and Clarence Muse go a long way to relieve the overall tedium. High Hat was distributed on a states-rights basis by Imperial Films, a fly-by-night firm best known for the Bela Lugosi epic Murder by Television. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Luther, Dorothy Dare, (more)
- 1937
Jack Holt stars as Robert Bailey, a Henry Ford-like auto industrialist who decides to give his millions away to various charitable causes. Naturally, this arouses hostility amongst Bailey's friends, relatives and associates, some of whom have murder on their minds. When he elects to give away his company stock to his faithful employees, Bailey's intimates converge upon him, making a last-ditch effort to make him change his mind. When the inevitable murder attempt finally comes to pass, Bailey is shocked to discover that the culprit is his oldest and most trusted friend. Like most Columbia "B"'s of the period, Under Suspicion boasts a top-rank cast, including three former Marx Brothers foils: Margaret Irving, Esther Muir and Purnell Pratt. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Holt, Katherine de Mille, (more)
- 1937
Opera diva Grace Moore plays (what a stretch!) an opera diva in I'll Take Romance. Moore reneges on an agreement to open the opera season in Buenos Aires, opting instead for a better-paying job in Paris. Melvyn Douglas, acting on behalf of the Buenos Aires company, pretends to fall in love with Moore in order to win her back--but soon discovers to his surprise that he's not pretending at all. Ms. Moore sings selections from Manon Lescaut, Madama Butterfly and La Traviata. and also warbles the title song, which became a hit and subsequently popped up as background music in many a future Columbia production. I'll Take Romance barely has a plot at all, though fans of Grace Moore weren't complaining. ~ Hal Erickson, All Movie Guide
- Starring:
- Grace Moore, Melvyn Douglas, (more)
- 1937
The comedy team of Bert Wheeler and Robert Woolsey are atypically cast as bickering "friendly enemies" in On Again-Off Again. Based on the old stage farce A Pair of Sixes (previously filmed in 1930 as Queen High), the film stars the comedians as Hobbs and Horton, co-owners of a profitable pill manufacturing concern. Forever at each other's throats, the partners are in danger of losing their business thanks to their incessant squabbling. In desperation, their attorney George Dilwig (Russell Hicks) suggests that Hobbs and Horton solve everything with a wrestling match: the loser must agree to become the valet of the winner for a period of one year -- and must also pay a hundred-dollar fine every time he refuses to do the winner's bidding. By a fluke, Horton wins the match, whereupon Hobbs is compelled to wait on him hand and foot. Humiliated, Hobbs refuses to tell his fiancee Florence (Marjorie Lord) about the arrangement and ships her off to Florida, whereupon Horton, hoping to force Hobbs to break the agreement and thus forfeit his share of the business, spreads rumors that Hobbs is fooling around with Mrs. Horton (Esther Muir), then invites Florence to a party at his mansion. Hobbs gets even by dismissing all the servants and hiring a passel of low-lifes (Patricia Wilder, Pat Flaherty et.al.) as temporary help. The feud comes to a head when crooked salesman Toler (George Meeker) tries to convince both Horton and Hobbs to invest in a questionable business scheme, leading to a nocturnal slapstick chase through the Horton estate. Never before had Wheeler and Woolsey been involved in so complicated a plotline; indeed, both comedians seem positively winded at the end of the film. Despite all that's going on, there's still time for a couple of engaging musical numbers, including the ironic opener "One Happy Family" and Bert Wheeler's re-creation of his classic "crying while eating" vaudeville routine. Opinions are divided on On Again-Off Again: Some fans consider it the worst of Wheeler and Woolsey's features, while others regard it as a welcome step up from their previous mediocrities Silly Billies and Mummy's Boys. ~ Hal Erickson, All Movie Guide
- Starring:
- Bert Wheeler, Robert Woolsey, (more)
A Day at the Races was the Marx Brothers' follow-up to their incomparable A Night at the Opera. Groucho Marx is cast as Hugo Z. Hackenbush, a veterinarian who passes himself off as a human doctor when summoned by wealthy hypochondriac Emily Upjohn (Margaret Dumont) to take over the financially strapped Standish Sanitarium. Chico Marx plays the sanitarium's general factotum, who works without pay because he has a soft spot for its owner, lovely Judy Standish (Maureen O'Sullivan). Harpo Marx portrays a jockey at the local racetrack, constantly bullied by the evil Morgan (Douglass Dumbrille), who will take over the sanitarium if Judy can't pay its debts. After several side-splitting routines--Chico selling Groucho tips on the races, Chico and Harpo rescuing Groucho from the clutches of femme fatale Esther Muir, all three Marxes conducting a lunatic "examination" of Margaret Dumont--the fate of the sanitarium rests on a Big Race involving Hi-Hat, a horse belonging to the film's nominal hero, Allan Jones. Virtually everything that worked in "Opera" is trotted out again for "Races", including a hectic slapstick finale wherein the Marxes lay waste to a public event. What is missing here is inspiration; perhaps this is due to the fact that MGM producer Irving Thalberg, whose input was so essential to the success of "Opera", died during the filming of "Races". Even so, Day at the Races made more money than any other previous Marx Brothers film--the result being that MGM, in the spirit of "they loved it once", would continue recycling Races' best bits for the studio's next three Marx vehicles. ~ Hal Erickson, All Movie Guide
- Starring:
- Marx Brothers, Groucho Marx, (more)
In MGM's three-hour-plus The Great Ziegfeld, William Powell stars as the titular theatrical impresario, whose show business empire begins when he stage-manages a tour for legendary strongman Sandow (Nat Pendleton). With nary a penny in the bank, he charms European stage star Anna Held (Luise Rainer) to headline his "Follies", and later marries the luscious Ms. Held. From 1907 onward, Ziegfeld stages annual editions of Broadway's most fabulous revue, dedicated to "Glorifying the American Girl" but also giving ample time to develop the comic talents of Fanny Brice (played by herself), Will Rogers, Eddie Cantor and many others. Eventually, Ziegfeld abandons Ms. Held in favor of other beauties, setting the stage for the "telephone scene" which won Luise Rainer the first of her Oscars. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Myrna Loy, (more)
Fritz Lang's first American film is a vigorous and perceptive indictment of mob law, starring Spencer Tracy and Sylvia Sidney. Katherine (Sidney) leaves her boyfriend, Joe Wilson (Tracy), behind in their Midwestern hometown when she takes a job in another city. Joe is a decent, hard-working soul, who wants to save up to buy a gas station and looks forward to the future when he and Katherine can get married. A year later, Joe is traveling to meet Katherine so that they can be married. Driving through a small town, Joe is stopped by a deputy sheriff waving a shotgun. Apparently there has been a kidnapping, and the fact that Joe has peanuts in his pocket circumstantially incriminates him in the crime. Joe is arrested and jailed. As Joe sits in his jail cell, the local townspeople begin to talk and whisper and spread rumors. Finally, a lynch mob forms and heads toward the jail. The mob tries to storm the jail and frustrated over their inability to penetrate the prison walls, they set the jail on fire. Joe barely manages to escape ("I could smell myself burning"), but the mob thinks that Joe has been burned to death. Behind the scenes, and with the help of his brothers, Joe tries to rig the verdict in the impending trial of the 22 vigilantes. ~ Paul Brenner, All Movie Guide
- Starring:
- Spencer Tracy, Sylvia Sidney, (more)
- 1935
In this romantic comedy, Marilyn David (Claudette Colbert) is a stenographer who has become good friends with Peter Dawes (Fred MacMurray), a newspaper reporter who takes the same subway as she does each morning. While Peter is crazy about Marilyn, she has her eye on Charles Gray (Ray Milland), a wealthy Englishman. Charles is the son of Lloyd Granville (C. Aubrey Smith), a titled British nobleman, which means Charles is rich, good looking, and minor royalty, tipping the scales in his favor. Charles proposes marriage to Marilyn, but after a sudden argument, she turns him down. Peter is ecstatic at this bit of news and publishes an article about the working girl who passed on a chance to marry into money and nobility. Marilyn is suddenly famous as "The No Girl," and is even able to turn her sudden notoriety into a new career as a nightclub performer. Marilyn's fame causes Charles to take a second look at her; he asks her to reconsider, but Marilyn wonders if she might be better off with Peter after all. The Gilded Lily was the first co-starring vehicle for Claudette Colbert and Fred MacMurray, who would go on to make seven movies together. ~ Mark Deming, All Movie Guide
- Starring:
- Claudette Colbert, Fred MacMurray, (more)
- 1935
In this drama, Dan is a horse trainer whose winning horse is disqualified when it is discovered that the animal has been drugged. The trainer is innocent, but is still suspended for one year. During that time, he investigates the incident, reveals the perpetrator, regains his good name, and winds up winning an even bigger race. ~ Sandra Brennan, All Movie Guide
