Leon Belasco Movies

Rob's mother presents Laura (Mary Tyler Moore) with a Petrie family heirloom -- a hideous-looking brooch, in the shape of the United States, studded with diamonds. Legend has it that the brooch is cursed; every time a diamond falls out, a Petrie will die. This proves to be a great source of panic for Laura when she accidentally drops the brooch down the garbage disposal -- thereby figuratively wiping out the entire Petrie clan! ~ Hal Erickson, All Movie Guide

Two bohemians come up with a get-rich-quick scheme that goes awray in this comedy scripted by Carl Reiner. Paul (Dick Van Dyke and Casey (James Garner) are two American expatriates living in Paris; Paul is an artist and Casey a writer. Both have been trying to make a career, but with little success; Paul's girlfriend Nikki (Angie Dickinson), who is still in America, believes in his work and pays his rent. But Paul has reached the end of his tether and wants to go back home; Casey is horrified at the prospect of losing a rent-free home, so he comes up with an idea to help Paul's career and make some money. Since works by dead artists tend to fetch higher price tags and command more interest than work by living painters, Paul will fake his death with Casey's help and they'll both clean up. The plan works at first, until Casey finds he's been accused of murdering Paul. Ethel Merman has a supporting role as a madam with a habit of bursting into song. ~ Mark Deming, All Movie Guide

Swallowing her pride, Mrs. Drysdale pays a visit to her neighbors, those "dreadful" Clampetts. But hers is not a mission of friendship: Mrs. D wants Jed Clampett to make a sizeable contribution to the financially strapped Beverly Hills Ballet Company. Veteran character actor Leon Belasco chews the scenery as ballet impresario Victor Gregory, while real-life ballerina Barrie Duffus more or less plays herself. "The Ballet" made its first network appearance on December 2, 1964. ~ Hal Erickson, All Movie Guide

In this classic episode, Wally Cox guest stars as Viv's cousin Harold, who has just landed a job as percussionist in a prestigious New York orchestra. Unfortunately, Harold suffers from acute stage fright, and the efforts made by Viv (Vivian Vance) and Lucy (Lucille Ball) to calm him down before his debut only make matters worse. Finally, Lucy resorts to hypnosis to allay Harold's fears--but when she is unable to awaken him from his spell, Lucy is forced to grab Harold's drumsticks and cymbals and take his place. That's Lucy Show director Jack Donohue playing the long-suffering symphony conductor. ~ Hal Erickson, All Movie Guide

This was the first film directed by dancer and choreographer Gower Champion, already experienced at directing television and theatrical productions by the early '60s. The routine romantic comedy, somewhat bogged down by the children it features, is centered on overwrought actress Janice Courtney (Debbie Reynolds). She has had it with paparazzi and publicity campaigns and escapes to the Connecticut countryside for a little R & R. At that point, a half-dozen youngsters intrude into her life after they are abandoned by their ne'er-do-well guardians, and though she is anything but enthusiastic, Janice takes them under her frayed wings. The local pastor, Rev. Jim Larkin (Cliff Robertson) has something to do with that, and ultimately, more than a little something to do with Janice's personal life. ~ Eleanor Mannikka, All Movie Guide

Cole Porter's Gay Paree musical about the introduction in Montmartre in 1896 of the notorious Can-Can dance, is brought to the screen, filtered through a Rat Pack sensibility. Shirley MacLaine stars as Simone Pistache, the perky and vivacious owner of a Parisian cafe, who, aided by her swingin' boyfriend Francois Dumais (Frank Sinatra), is trying to keep her establishment from being closed down by the Paris authorities because of Simone's insistence on treating her patrons to the Can-Can, the salacious dance outlawed by French law. Maurice Chevalier is a kindly French judge who graciously looked the other way, but another hard-nosed judge, Philippe Forrestier (Louis Jordan), turns up the heat on Simone to close her cafe. That is, until Simone turns up the heat on him, and Phillippe falls hard for Simone. ~ Paul Brenner, All Movie Guide

This week, expectant mother Lucy (Lucille Ball) has decided that her baby needs an "artistic" influence upon entering the world. To this end, Lucy takes up sculpting, and in the process is fast-talked into purchasing 50 pounds of expensive modeling clay. Hoping to stem this financial drain, Ricky (Desi Arnaz) sets about to discourage Lucy by convincing her that she has no artistic talent. One thing leads to another, and by episode's end an important art critic (Paul Harvey) has offered 500 dollars for Lucy's first "bust" -- which is actually Lucy's own head, buried under a layer of clay. ~ All Movie Guide

Ethel Merman reprised her role as a socialite turned diplomat in this screen adaptation of Irving Berlin's hit Broadway musical. Sally Adams (Merman) has made it her business to know everyone worth knowing in Washington D.C., and her penchant for parties pays off when she's appointed United States Ambassador to Lichtenburg. Once she is installed in her new position, she falls in love with suave Foreign Minister Cosmo Constantine (George Sanders), while Princess Maria (Vera-Ellen) has her head turned by Sally's press attaché, Kenneth (Donand O'Connor). Call Me Madam is a showcase for Merman's roof-raising musical comedy style, and here she gets to sing a handful of Berlin tunes, including "You're Just In Love," "Can You Use Any Money Today?" and "Hostess With The Mostes' on the Ball." Vera-Ellen's singing was dubbed by Carol Richards. ~ Mark Deming, All Movie Guide

The fraternal comedy team of George and Bert Bernard gained fame in the 1950s with their "record act," wherein they pantomimed to the popular recordings of the day (other aspiring comics who labored in this peculiar brand of humor included Jerry Lewis and Dick Van Dyke). Republic Pictures decided that the time was ripe to turn the Bernard Brothers into movie stars, and so it came to pass that Gobs and Gals were born. George and Bert play a couple of sailors stationed at a remote South Sea weather station. To keep themselves well stocked with cookies, candy and the like, the boys send out love letters to various stateside girls, enclosing photographs of their much handsomer commanding officer (Robert Hutton). Somehow this harmless subterfuge gets the Bernard boys mixed up with a nest of Soviet spies, headed by modern-day Mata Hari Sonya Dubois (Florence Marly). Some of the jokes at the expense of Stalinist communism are amusing, as is the film's zany slapstick finale. Otherwise, Gobs and Gals was proof positive that George and Bert Bernard posed no threat to Martin and Lewis. ~ Hal Erickson, All Movie Guide

There's stock footage galore in The Golden Horde, a second-feature recreation of the Arabian Nights era. Sir Guy (David Farrar) defends Christianity by lopping off heads in Samarkand. Ann Blyth is the non-distressed princess who uses strategy to save her city from invasion--and to keep Sir Guy at arm's length, at least until the fade-out. Among the Mongols, one can glimpse such veteran villains as Henry Brandon and Marvin Miller, the latter as Genghis Khan Himself. The Golden Horde was run on TV on a near-hourly basis in the 1960s thanks to its garish Technicolor photography. ~ Hal Erickson, All Movie Guide

Cuban Fireball is a vehicle for the combustible talents of Estelita Rodriguez, here cast as "herself." The plot finds Estelita arriving in Los Angeles to claim a multimillion-dollar inheritance. To fend off fortune hunters, she disguises herself as a meek little old lady. The rest of the story sustains this level of credibility. Warren Douglas co-stars as Estelita's true love, while Leon Belasco is the most prominent of the film's many antagonists. The film's 78-minute running time affords ample opportunity for Estelita Rodriguez to render four songs. Dyed-in-the-wool fans of Republic Pictures will easily recognize Cuban Fireball as a South-of-the-Border retooling of the studio's popular Judy Canova musical comedies. ~ Hal Erickson, All Movie Guide

Ann Sothern closed out her MGM contract with the Technicolor musical Nancy Goes to Rio. As Frances Elliot, Sothern is billed second to Jane Powell, who plays Nancy Barklay. A popular Broadway star, Frances heads to Rio for R&R before starting her next production. Meanwhile, unbeknownst to Frances, her daughter Nancy is hired to appear in her mother's starring vehicle. This would seem to be enough to sustain a plot, but the screenwriters contrive to have Frances mistakenly believe that Nancy is about to become an out-of-wedlock mother. In addition, both ladies vie for the romantic attentions of leading man Paul Berten (Barry Sullivan). Also appearing is Carmen Miranda, just to remind us that the film takes place in Brazil. Producer Joe Pasternak handles the material with the same tastefulness that he'd applied to his Deanna Durbin pictures at Universal: in fact, Nancy Goes to Rio is a remake of Durbin's 1940 vehicle It's a Date. ~ Hal Erickson, All Movie Guide