Armin Mueller-Stahl Movies

A U.S. historian gets the chilling opportunity of a lifetime to interview one of Western Civilization's greatest villains whom he finds alive and living under an assumed name in an aging Berlin apartment with a beautiful 40-year-old woman. For a long time, professor Arnold Webster had suspected that Adolf Hitler never died at the end of WW II and is elated (and justifiably suspicious about the possibility of a hoax) when the deposed Fuhrer invites him up for tea and a 10-day-long series of interviews. Though 103 years old and bound to a wheelchair, Hitler's mind is still clear as he recounts his amazing story, one that is punctuated by archival footage. ~ Sandra Brennan, All Movie Guide

This is an offbeat romantic comedy that's the directorial debut of TV producer Joshua Brand, co-creator of St. Elsewhere (1982-88) and Northern Exposure (1990-95). John Leguizamo stars as Sergio, a Toronto pastry shop worker who faints whenever he sees Hattie (Sadie Frost), a neighborhood girl with whom he is smitten. Hattie, however, wants to see the world and avoids all commitments. Sergio's employer, the kindly Linzer (Armin Mueller-Stahl), wants his shop burned down so that he can use the insurance money to give his wife (Joan Plowright) the lifestyle she deserves, so he offers Sergio $20,000 to torch the store. Sergio refuses but then one night the bakery is burnt to the ground. The real culprit is Garet (William Baldwin), a wealthy pyromaniac with a limp who's madly in love with Stephanie (Erika Eleniak). The slightly unhinged Garet uses the fire as his public declaration of affection. Although innocent, Sergio also claims culpability so that he can use Linzer's payoff to whisk Hattie away. To protect Sergio, however, Linzer confesses to the crime, and to prevent her husband from being jailed, Mrs. Linzer also claims responsibility. With four people confessing, local constable Sgt. Zikowski (Mike Starr) is at a loss. ~ Karl Williams, All Movie Guide

As if losing both her husband and her money isn't enough, a woman in her mid-20s also finds herself married to a 12-year-old boy (who doesn't even like her) in the comedy Holy Matrimony. Havana (Patricia Arquette) is an aspiring showgirl who is working at a sleazy carnival while she dreams of her big break. Short on cash, Havana's boyfriend Peter (Tate Donovan) comes up with a plan; while Havana flirts with her boss, Peter will swipe his keys and lift the day's take from the carnival's safe. After grabbing the cash, Havana and Peter hightail it to Canada, where Peter figures that they can hole up with his family. However, Peter didn't always lead a life of crime; he was raised in a Hutterite community, and while Peter's Uncle Wilhelm (Armin Mueller-Stahl) and younger brother Ezechiel (Joseph Gordon Levitt) are glad to see him, they don't think much of Havana, whose brassy personality convinces them that she was the one who led Peter down the wrong path. To make peace with his family, Peter marries Havana, but not long after, he dies in a car wreck. Hutterite custom demands that when a man dies, his widow is to marry his brother; the catch in this case is that Ezechiel is only 12 years old and understandably not interested in matrimony. However, Havana agrees to the marriage, largely because Ezechiel knows where Peter stashed the earnings from the robbery and Havana does not. Havana's ignorance of Hutterite traditions and lack of enthusiasm for their austere lifestyle is a matter of no small annoyance to her, but Ezechiel shrewdly uses his knowledge about Peter's hidden bankroll to persuade Havana to lead a more righteous life. Holy Matrimony was directed by Leonard Nimoy in one of his periodic breaks from acting. ~ Mark Deming, All Movie Guide

In this resonant drama, decades after the fact, Paul fondly recalls his grandfather's monomaniacal obsession with his craft of "telling" the stories of silent movies with his violin, occasionally supplementing the violin with his storytelling voice. When talkies newly appear on the scene, his grandfather (Armin Mueller-Stahl) heatedly disdains their evident lack of moviemaking craft, discussing these matters with the proprietor of the little Apollo theater, who is nervous about costs and the possibility of going out of business altogether. Meanwhile, social storms of all sorts rage in Germany around them, from hyperinflation to the political ferment which first saw Hitler appointed to government office. ~ Clarke Fountain, All Movie Guide

John G. Avildsen, director of Rocky and The Karate Kid, adapts Bryce Courtenay's compassionate novel about the coming of age of a white anti-apartheid activist during the years of World War II in South Africa. Avildsen cumbersomely grafts Courtenay's tale of fighting apartheid onto a Hollywood-style fight-for-the-championship bout. Seven-year-old P.K. (Guy Witcher) is a white South African raised on his family's farm by his Zulu nanny. When his mother takes ill, he is sent away to an Afrikaner boarding school, where he is picked on and nearly killed by the school bully during a pep rally for Hitler. P.K. survives and is sent to live with his grandfather. He befriends Doc (Armin Mueller-Stahl), a jailed German musician, and a black inmate (Morgan Freeman), who teaches P.K. how to use his fists for some quick boxing moves. At 12, P.K. (now played by Simon Fenton), witnesses black inmates being cruelly humiliated by their racist white jailers. Taking note of P.K.'s fluidity for languages, his black mentor spreads the word that P.K. is the incarnation of the mythic Rain Maker, a messianic liberator who is destined to unite all the African tribes. By the time he's 18 years old, P.K. (now played by Stephen Dorff) is becoming the Great White Hope for the black Africans, boxing his way into their hearts and minds. He joins up with an old boxing foe (Alois Moyo), who is now a township activist, and takes up the apartheid struggle. But things get confusing when P.K. falls in love with the daughter (Fay Masterson) of an apartheid leader. ~ Paul Brenner, All Movie Guide

Jim Jarmusch's deadpan comedy-of-the-night is a collection of five vignettes taking place in the enclosed space of a cab ride, each occurring simultaneously in five different cities and five different time zones -- Los Angeles, New York City, Paris, Rome, and Helsinki. The Los Angeles episode takes place at dusk, as high-powered casting agent Victoria (Gena Rowlands) gets a ride from L.A. International Airport with tomboy driver Corky (Winona Ryder), who would rather go on driving her cab than take up Victoria's offer to make her a superstar. In New York City, novice East German cabbie Helmut Grokenberger (Armin Mueller-Stahl) has difficulty working the foot pedals to his hack, and his passenger, YoYo (Giancarlo Esposito), ends up driving himself to Brooklyn, picking up the shrill-voiced Angela (Rosie Perez) along the way. In Paris, an African cab driver (Isaach De Bankolé) ejects a collection of drunken African diplomats from his cab and picks up a beautiful but surly blind girl (Béatrice Dalle). In Rome, cab driver Gino (Roberto Benigni) engages in a heartfelt monologue confessing his past sexual exploits to his passenger, a priest who is dying of a heart attack in the back seat. The film winds down in the last melancholy vignette, taking place in Helsinki, as taxi driver Mika (Matti Pellonpää) picks up three inebriated workmen who regale him with hard-luck stories. But Mika has a much harsher story of his own to tell. ~ Paul Brenner, All Movie Guide

The third of director Barry Levinson's autobiographical "Baltimore Trilogy" (the first two entries were Diner and Tin Men), Avalon covers nearly forty years in the lives of an immigrant Jewish family. Sam Krichinsky (Armin Mueller-Stahl) emigrates to Baltimore in 1914, where Sam's brothers Gabriel (Lou Jacobi), Hymie (Leo L. Fuchs), and Nathan (Israel Rubinek) are awaiting his arrival. By and by, Sam meets his future wife, Eva (Joan Plowright). With the introduction of the Krichinsky's grown son Jules (Aidan Quinn), the film ventures into culture-clash country. Unwilling to become a manual laborer like his dad, Jules opts for the life of a door-to-door salesman. Eventually, he teams with his cousin Izzy (Kevin Pollak) to open the first TV store in Baltimore. Thereafter, the disintegration of the Krichinsky family is paralleled by the rise of TV's omnipresence in the American home. Avalon's elegiac and melancholy effect is underlined by Randy Newman's soulful musical score. ~ Hal Erickson, All Movie Guide

Charming rogue that he is, Tamas Holl (Gabor Reviczy) is sitting on top of the world at the beginning of this comedy. He has gotten his way in nearly everything. He's gotten out of his marriage and is now having a semi-serious affair with one woman, a non-serious affair with another. Plus, he has managed to put some money aside by swindling his clients at the auction house he works at. When three thugs start to follow him around and harrass him in all sorts of ways (including shaving his head) he doesn't know who has put them up to it, and his life falls apart. He has cheated, lied to and betrayed so many of the people in his life, he can't begin to sort out who is the most aggrieved. His best friend? His ex-wife? His brother, whose wife he once got pregnant? Who would do such things to a loveable chap like Tamas? ~ Clarke Fountain, All Movie Guide

Jessica Lange plays an attorney whose affable Hungarian-immigrant father Armin Mueller-Stahl is arrested. He is threatened with deportation for lying about his activities during World War II; part of the charge is that Mueller-Stahl was a Nazi collaborationist, guilty of wartime atrocities. Absolutely convinced that her father is being railroaded by a revenge-seeking Hungarian communist government, Lange handles Mueller-Stahl's defense, expertly blowing huge holes in prosecuting attorney Frederic Forrest's case. But in doing her own research, Lange discovers that her father has spent a lifetime paying off a blackmailer. Why? In contrast to the fervency of his earlier Z, Costa-Gavras refuses to make things easy by proselytizing in The Music Box (nor does screenwriter Joe Esterhas indulge in his usual right-between-the-eyes fervency). Everything in the film is offered on the same calm, collected level, making the ultimate horror of the story all the more effective. ~ Hal Erickson, All Movie Guide

In this complicated police film, a police detective, who still grieves for the child he accidentally shot during a gun fight, finds distraction when a streetwalker approaches him and asks him to help her get out of the dark world in which she is hopelessly mired. Soon the cop finds himself involved with extortion, drugs and a serial killer. ~ Sandra Brennan, All Movie Guide

As the brainchild of writer-director-producer Donald Wrye, the 14 1/2 hour ABC movie event Amerika marked one of the most expensive and controversial miniseries in the history of prime time television when it bowed over the course of seven nights in February of 1987. Regarded as something of a conservative counterpoint to Nicholas Meyer's The Day After (which screened on ABC, four years prior and allegedly demonstrated leftwing bias - prompting very outspoken criticisms from Republican pundit Ben Stein), this $40 million production imagines a dystopian future set in the late 1990s. When the drama opens in May of 1997, the Russians have effectively won the Cold War by wresting control over the United States, with the backing of a U.N. Peacekeeping Force. Although the initial takeover was not annihilative or even apparently violent, the consequences are overwhelming; a puppet leader holds court in the Oval Office, the American economy has fallen to pieces with Midwesterners lining up for vegetables, and gulag prisons are scattered across the land; meanwhile, hundreds of thousands of refugees have hit the countryside and wander aimlessly. The majority of the action unfurls in a rural Nebraska community, where onetime antiwar protester and presidential candidate Devin Milford (Kris Kristofferson) has just been released from a gulag, and now discovers his family farm being whittled away by the Russians. Meanwhile, his childhood friend Peter Bradford has somehow landed a position in the government hierarchy and finds himself being drawn in more deeply. Across the land, Russian stormtroopers engage in acts of violent intimidation, such as burning farmhouses and brainwashing abductees, while the Russian occupiers systematically maneuver on the political front to bring the once-powerful republic tumbling down. The supporting cast includes Christine Lahti, Wendy Hughes, Sam Neill, Armin Mueller-Stahl and many others; the title, of course, was intended to reflect "America" as modified to a slightly more Russian spelling. ~ Nathan Southern, All Movie Guide