Armin Mueller-Stahl Movies

Charming rogue that he is, Tamas Holl (Gabor Reviczy) is sitting on top of the world at the beginning of this comedy. He has gotten his way in nearly everything. He's gotten out of his marriage and is now having a semi-serious affair with one woman, a non-serious affair with another. Plus, he has managed to put some money aside by swindling his clients at the auction house he works at. When three thugs start to follow him around and harrass him in all sorts of ways (including shaving his head) he doesn't know who has put them up to it, and his life falls apart. He has cheated, lied to and betrayed so many of the people in his life, he can't begin to sort out who is the most aggrieved. His best friend? His ex-wife? His brother, whose wife he once got pregnant? Who would do such things to a loveable chap like Tamas? ~ Clarke Fountain, All Movie Guide

As the brainchild of writer-director-producer Donald Wrye, the 14 1/2 hour ABC movie event Amerika marked one of the most expensive and controversial miniseries in the history of prime time television when it bowed over the course of seven nights in February of 1987. Regarded as something of a conservative counterpoint to Nicholas Meyer's The Day After (which screened on ABC, four years prior and allegedly demonstrated leftwing bias - prompting very outspoken criticisms from Republican pundit Ben Stein), this $40 million production imagines a dystopian future set in the late 1990s. When the drama opens in May of 1997, the Russians have effectively won the Cold War by wresting control over the United States, with the backing of a U.N. Peacekeeping Force. Although the initial takeover was not annihilative or even apparently violent, the consequences are overwhelming; a puppet leader holds court in the Oval Office, the American economy has fallen to pieces with Midwesterners lining up for vegetables, and gulag prisons are scattered across the land; meanwhile, hundreds of thousands of refugees have hit the countryside and wander aimlessly. The majority of the action unfurls in a rural Nebraska community, where onetime antiwar protester and presidential candidate Devin Milford (Kris Kristofferson) has just been released from a gulag, and now discovers his family farm being whittled away by the Russians. Meanwhile, his childhood friend Peter Bradford has somehow landed a position in the government hierarchy and finds himself being drawn in more deeply. Across the land, Russian stormtroopers engage in acts of violent intimidation, such as burning farmhouses and brainwashing abductees, while the Russian occupiers systematically maneuver on the political front to bring the once-powerful republic tumbling down. The supporting cast includes Christine Lahti, Wendy Hughes, Sam Neill, Armin Mueller-Stahl and many others; the title, of course, was intended to reflect "America" as modified to a slightly more Russian spelling. ~ Nathan Southern, All Movie Guide

Angels and Demons re-teams director Ron Howard and star Tom Hanks for the sequel to their international blockbuster adaptation of Dan Brown's novel The Da Vinci Code. Although the book Angels and Demons was written before the novel The Da Vinci Code, the movie transpires after the events of the earlier movie. Hanks stars as professor Robert Langdon, the most respected symbologist in the United States, who uses his knowledge in order to decode a symbol on the skin of a murder victim. The clues put him on the trail of an international conspiracy involving the Catholic Church. Ewan McGregor and Ayelet Zurer also star in the Sony Pictures production. ~ Perry Seibert, All Movie Guide

This West German film was first released in 1985 under the title Bittere Ernte. Armin-Mueller Stahl plays a Polish farmer living under the wartime Nazi occupation. Stahl isn't too offended at the prospect of answering to the Germans; in fact, he has profited by confiscating the property of his neighbor, a wealthy Jew. His conscience doesn't disturb him until a starving Jewish woman (Elisabeth Trissenaar) stumbles onto his property. At first Stahl shelters her, but his baser instincts surface; she is in no position to refuse when he ultimately rapes her. She even comes to fall in love with Stahl--and kills herself when another woman moves in with him. Stahl survives the war with health and wealth intact, only mildly disturbed by the misery he has caused. This Oscar-nominated film was to have been lensed in director Agnieszka Holland's native Poland; upon the imposition of martial law, production was switched to Sweden. ~ Hal Erickson, All Movie Guide

The family film Bustin' Bonaparte features youngsters getting revenge on a man attempting to do harm to the woman who cares for them. On a farm managed by a man named Otto, Otto's son Waldo and a pair of orphans attempt to break-up the relationship between Aunt Sannie, who owns the farm, and the conniving Bonaparte Blenkins (Richard E. Grant). In order to facilitate the plan, the kids utilize some the animals who live on the farm. ~ Perry Seibert, All Movie Guide

The second film in the trilogy made by director Istvan Szabo and actor Klaus Maria Brandauer -- hammocked between Mephisto and Hanussen -- Colonel Redl continues Mephisto's fascination with a man overwhelmed by history. In that film, Brandauer played an actor who tried to ignore the rise of the Third Reich, and here he's an ambitious military officer in pre-World War I Austria whose career path is set early on. In military school, he's forced to inform on a student who's the source of a practical joke; though he beats himself up for being a Judas, he soon realizes that to rise in the ranks he must overcome his peasant background and hide his homosexuality by ingratiating himself with his superiors. In time, he becomes Chief of Military Intelligence for the Austro-Hungarian empire.
Though he professes to hate politics and politicians, Redl also can't avoid them. When the leader for whom Redl is supposedly spying among the officer corps, draws up a list of who can't be exposed for traitorous activities (including Austrian nobles, Hungarians, Czechs, Serbs, Croatians, and even the usual scapegoats, Jews -- the aftershocks of the Dreyfuss affair are still rumbling), he tells Redl that he must find a double of himself, a Ukrainian. Now certain that he will be exposed, Redl surrenders to fate, quoting to his wife from Montaigne: "It's no sin to be involved. It's a sin to remain involved." Brandauer is a wonder as the self-loathing Redl, and Szabo's camera picks up every nuance on his expressive face. The film eschews music except for several party scenes, and the absence of a score is most effective in the final shots of Redl's fellow officers awaiting his fate. ~ Tom Wiener, All Movie Guide

Der Spinnennetz was released in English-speaking countries as The Spider's Web. Ulrich Muhe plays a German businessman who was born completely without scruples. This makes him an eminently suitable candidate for success in the chaotic years after World War I. The shameless man's story is contrasted with that of his polar opposite, a Jewish anarchist (Klaus Maria Brandauer). This unusually long film needs every one of its 198 minutes to do full justice to its Byzantine storyline. Director Bernhard Wicki co-adapted the screenplay from a novel by Joseph Roth. ~ Hal Erickson, All Movie Guide

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit (Jutte Hoffman) has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker (Rolf Ludwig). As she contemplates marrying him, her story is told in a series of flashbacks. ~ Clarke Fountain, All Movie Guide

In a Germany still divided between East and West, the glow of western gilt-edged security, and the pizzazz of fashion, cars, and computers create a "light trap" that lures East Germans into fantasizing about a better life. When a spy from East Germany goes through the motions of picking up his contact in Munich, he is led into her double life in an opulent villa, with an attractive and lusty daughter. As detectives and the police come in and out of the scenario, it becomes difficult to know who has been caught in the "light trap" and who might be a double agent -- or not. ~ Eleanor Mannikka, All Movie Guide

Rosa (Christine Boisson) and Elser (Michael Koenig) get off a passenger ship on the German Baltic coast, steal a car, and then try to dodge their pursuer in a long and verbose chase across Germany. The man is in search of a new utopia, but the woman seems only interested in a good time, and apparently the couple find both objectives more or less compatible. ~ Eleanor Mannikka, All Movie Guide

Based on a non-fiction bestseller of the same name by Rolf Hochhuth, Eine Liebe In Deutschland is about a tragic and forbidden love affair between Stanislaw, a Polish POW (Piotr Lysak) and Paulina (Hanna Schygulla) a fruit-and-vegetable vendor in a small town in Germany along the border with Switzerland. Their affair would have gone undetected except for the busybody women of the village, and when Stanislaw is picked up by a German stormtrooper (Armin Müller-Stahl) and brought in for a mock trial, he is given a chance to prove his racial purity and so perhaps escape execution. As for Paulina, she is ostracized by the villagers and imprisoned for consorting with someone who was not of the same high Aryan caste as herself. Depressing, yet politically relevant to Poland of the early 1980s, this film by acclaimed director Andrzej Wajda) is an effective and emotional statement on the nature of oppression. ~ Eleanor Mannikka, All Movie Guide

This West German film chronicles the trials of a group of people fleeing the invading Russian army in 1944-45 in the area of Pomerania in eastern Germany. Caught in the dead of winter, several men, women and children load themselves and their belongings onto horse-drawn wagons to start their journey to safety. At one point, the group reaches a farm where everyone in the family has committed suicide, and at another juncture they are hiding in the basement of a house when some Soviet soldiers come to the door looking for refugees. The French POWs who were in the house try to send the soldiers away, but they fail -- the soldiers discover the refugees and are about to rape the women when the Soviet officer in charge prevents that atrocity. These and other stories of a fictional group of refugees were taken from real accounts at this time. ~ Eleanor Mannikka, All Movie Guide