Leonard Mudie Movies

The starship Enterprise is diverted to Star Base 11 by a message supposedly sent by the ship's former commander, Fleet Captain Christopher Pike, and received by the ship's first officer, Mr. Spock (Leonard Nimoy). Upon arriving, however, Captain Kirk (William Shatner) discovers that Pike has been paralyzed by injuries from a space disaster and could not have sent the message, or even asked to have had one sent. Kirk tries to unravel the mystery, unwilling to believe that Spock could lie, but also troubled by Spock's longstanding loyalty to his former captain. Spock then kidnaps Pike and commandeers the Enterprise, locking the ship on a course for Talos IV, a mysterious planet that is off-limits -- on penalty of death -- to any Star Fleet vessel. Adding to the mystery is the fact that the only Earth ship ever to visit Talos IV was the Enterprise, under Pike's command with Spock as science officer, 13 years earlier. Kirk boards the Enterprise in the company of Commodore Mendez (Malachi Throne), but is unable to divert the ship's course. Spock insists upon a formal court martial for mutiny, during which he begins presenting a visual account of the Enterprise's first visit to Talos IV. The trial board sees how the ship was baited to the planet and Pike was kidnapped, taken below the surface by the inhabitants, who have the power to cast perfect illusions. An emergency signal interrupts the trial, as Star Fleet notifies Mendez that the Enterprise has been receiving images from Talos IV in violation of regulations. Kirk is relieved of his command, Mendez is ordered to do anything necessary to prevent the ship from reaching Talos IV, and Spock now faces a death sentence. ~ Bruce Eder, Rovi

The lush romanticism of director Frank Borzage (Seventh Heaven, Street Angel) is subsumed by the plodding reverence of producer Rowland V. Lee's screenplay (co-written with Howard Estabrook), based on the best-selling novel by Lloyd C. Douglas. Howard Keel stars as a stalwart Simon-Peter, the apostle of Christ called "the fisher of men" and the "Rock" upon whom the Christian Church was founded. The film, on the surface, deals with Simon-Peter's conversion from a self-sufficient fisherman to a believer in the inspirational teachings of Christianity. Simon-Peter also serves the needs of the real story: how Simon-Peter succeeds in joining together two lovers from the other side of the tracks. John Saxon is Voldi, an Arab prince who wants to follow in his father's footsteps as the chief of an Arab tribe and marry his beloved, Fara (Susan Kohner). But Fara, wants to see her father, Herod Antipas (Herbert Lom), dead for the misery he has inflicted upon her mother -- abandoning her for the lustful Herodias (Martha Hyer). When Voldi and Fara hear the teachings of Christ, they realize that their love must be put in abeyance to their Christian beliefs. ~ Paul Brenner, Rovi

Few actresses other than Joan Crawford could have successfully pulled off the melodramatic excesses of Autumn Leaves. Though a very attractive fortysomething, Crawford remains aloof from romance until she meets Cliff Robertson, a young man half her age. An ardent and persistent suitor, Robertson finally breaks down her resistence to marriage. After a few weeks of wedded bliss, Crawford is confronted by Vera Miles, who claims to be Robertson's first wife. Miles further insists that Robertson is mentally unbalanced...and his subsequent behavior seems to bear this out. What Crawford doesn't know-but the audience does-is that the real villains of the piece are Miles and her middle-aged lover, Robertson's own father (Lorne Greene). Autumn Leaves works far better on screen than it does in print, thanks to the virtuoso performances of practically everyone in the cast. And, as anyone who's listened to top-40 radio during the past four decades already knows, the film also yielded a hit title song, written by Joseph Kosma, Jacques Prevert, and Johnny Mercer and performed during the credits by Nat King Cole. ~ Hal Erickson, Rovi

Lois (Noel Neill) writes a story about the discovery of an ancient necklace with alleged magic powers. It is said that whosoever wears the necklace will be protected from all harm. Gangster boss Jake Morrell (Lawrence Ryle) decides to kidnap Lois as part of a scheme to find out if necklace is all it is cracked up to be--but Morrell has reckoned without the intervention of Lois' fellow reporter Clark Kent (George Reeves), who happens to have an alternate identity as a flying superhero. ~ Hal Erickson, Rovi

Regarded by many critics as the ultimate film noir, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars Ralph Meeker as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (Cloris Leachman), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (Paul Stewart), a turncoat scientist (Albert Dekker), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director Robert Aldrich and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, Rovi

In this adventure Bomba the Jungle boy helps a Hollywood movie star search the dark, dangerous jungle for her missing husband. As they search, they encounter a man-eating leopard. ~ Sandra Brennan, Rovi

The muscular physique of Rock Hudson is given plenty of screen exposure in the British-India actioner Bengal Brigade. Adapted from a novel by Hall Hunter, the film casts Hudson as Captain Jeffrey Claybourne of Her Majesty's Service, who is severely disciplined after defying orders. Feeling unworthy of his fiancee Vivian Morrow Arlene Dahl, the daughter of his superior officer, Claybourne breaks off the engagement until he can restore his reputation. When the duplicitous Rajah Karam Arnold Moss launches an all-out attack against the British forces in India, Claybourne finds his opportunity for redemption--as do several other "outcasts". Costarring in Bengal Brigade as an alluring native girl is Ursula Theiss, later the wife of actor Robert Taylor. ~ Hal Erickson, Rovi

Curt Siodmak's The Magnetic Monster (1953) is a truly novel science fiction film, in terms of its rather cerebral plot and low-key, quietly intense execution. As much a mystery and, in its first half, a manhunt, as it is a sci-fi-thriller, the movie pushed lots of suspense buttons for viewers in 1953 and still holds up more than a half century later. Richard Carlson (who also co-produced) plays Dr. Jeff Stewart, an agent for the Office of Scientific Investigation. Stewart and his colleague, Dr. Dan Forbes (King Donovan), begin searching for a dangerously radioactive element, which they have good reason to believe is somewhere in the Los Angeles area. They soon learn that this is no ordinary investigation -- among its other attributes, the unknown element generates enough radiation to kill, and also manifests a powerful magnetic field. The trail leads them to Dr. Howard Denker (Leonard Mudie), a rogue scientist who, working on his own, has created a new isotope of an element called serranium, which proves to be not only highly radioactive, but dangerously unstable in ways that science has never seen before. Every 11 hours, the serranium mass enters a growth cycle requiring massive amounts of energy, which it obtains by absorbing the energy from the atomic structure of any matter around it, releasing huge amounts of radiation in the process. The serranium mass doubles in size with each cycle, doubling its energy needs in the process, as well as the potential destructiveness of the next cycle. The danger lies not only in the potential for destruction in the serranium's rapidly increasing energy absorbtion, but its ever-increasing mass, which, at some point, will threaten to unbalance the Earth itself, in its rotation and orbit. Long before that, however, the resulting radiation is going to start killing large numbers of people, and the destructive force accompanying it will threaten to split the Earth's surface apart. Stewart and Forbes soon recognize that the only hope they have of stopping the process is to get ahead of it, by bombarding the serranium with enough energy to force it to divide into two relatively stable elements. The only possible source of sufficient energy is the world's largest cyclotron, which has been built by the Canadian government in Nove Scotia -- but is even it powerful enough to do the job, and can they get the deadly isotope there in time? ~ Bruce Eder, Rovi

Although Lois Lane does not appear in this episode, there is still a "damsel in distress" in the form of Kate White (Mabel Albertson), the sister of "Daily Planet" editor Perry White (John Hamilton). When Kate disappears in Haiti, reporters Clark (George Reeves), and Jimmy (Jack Larson) inaugurate a search for the missing woman. It isn't long before Jimmy himself is captured by a gang of criminals who are using local voodoo superstitions as a smokescreen for their crimes. (Incidentally, the George Hamilton in this episode is not the movie star of the same name). ~ Hal Erickson, Rovi

Jungle Girl was the 7th entry in Monogram's "Bomba the Jungle Boy" series, based on the pulp novels by Roy Rockwood. This time, Bomba (Johnny Sheffield) tries to find the long-lost remains of his parents. He discovers that the person responsible for mom and dad's deaths was evil native chieftain Martin Wilkins. Only after the chief's daughter Suzette Harbin is herself accidentally killed (not by Bomba-rest, easy kids!) does the villain give himself up to the authorities. With the exception of Johnny Sheffield and co-stars Karen Sharpe and Walter Sande, most of the acting in Jungle Girl is strictly amateur night. ~ Hal Erickson, Rovi

Sword of Monte Cristo picks up where the Dumas original leaves off. The titular sword is not only valuable in itself, but also provides clues to the whereabouts of the Count of Monte Cristo's missing fortune. The conniving chief minister of France (Berry Kroeger) will stop at nothing to gain possession of the sword. He is challenged by an officer (George Montgomery) loyal to emperor Louis Napoleon (David Bond). Aiding the officer is a beautiful countess (Paula Corday), whose true intentions are in doubt until the final scenes. Sword of Monte Cristo was produced independently by Edward Alperson and released by 20th Century-Fox. ~ Hal Erickson, Rovi

The Son of Dr. Jekyll is Edward Jekyll, played by Louis Hayward. The film's events take place long after the unpleasantness involving Dr. J's doppelganger Mr. Hyde. Young Edward hopes to prove that his father was a dedicated scientist, and not merely a mad monster. His nemesis in this endeavor is Curtis Lanyon (Alexander Knox), executor for the Jekyll estate, who hopes to drive Edward into insanity and irrational behavior so he can keep the late doctor's legacy for himself. Much to the disappointment of the audience, Eddie Jekyll never turns into Hyde, no matter how hard he and Lanyon try to re-create the original doctor's experiments. Thus, Son of Dr. Jekyll can scarcely be designated a horror film; it looks more like a period-costume Charlie Chan picture. ~ Hal Erickson, Rovi

Lorna Doone is based on the oft-filmed novel by Richard D. Blackmore. Set in 17th century Scotland during the reign of Britain's Charles II, the story concerns young Lorna (Barbara Hale), a member of a much-hated landowning family. Lorna falls in love with a humble villager (Richard Greene), who like the rest of community has suffered under the rule of the despotic Doones. The villagers revolt against their oppressors, but when it is revealed that Lorna is not a genuine Doone, she is able to marry her low-born swain. Star Barbara Hale was pregnant throughout the filming of Lorna Doone; thus it can be said that the film "co-starred" her son, future actor William Katt. ~ Hal Erickson, Rovi