Jack Mower Movies

Faced with the challenge of writing a screenplay based on the life of fabulously wealthy, fabulously successful composer Cole Porter, one Hollywood wag came up with a potential story angle: "How does the S.O.B. make his second million dollars?" By the time the Porter biopic Night and Day was released, the three-person scriptwriting team still hadn't come up with a compelling storyline, though the film had the decided advantages of star Cary Grant and all that great Porter music. Roughly covering the years 1912 to 1946, the story begins during Porter's undergraduate days at Yale University, where he participated in amateur theatricals under the tutelage of waspish professor Monty Woolley (who plays himself). Though Porter's inherited wealth could have kept him out of WWI, he insists upon signing up as an ambulance driver. While serving in France, he meets nurse Linda Lee (Alexis Smith), who will later become his wife. Focusing his attentions on Broadway and the London stage in the postwar years, Porter pens an unbroken string of hit songs, including "Just One of Those Things," "You're the Top," "I Get a Kick Out of You," "Begin the Beguine," and the title number. The composition of this last-named song is one of the film's giddy highlights, as Porter, inspired by the "drip drip drip" of an outsized rainstorm, runs to the piano and cries "I think I've got it!" The film's dramatic conflict arises when Porter is crippled for life in a polo accident. Refusing to have his legs amputated, he makes an inspiring comeback, even prompting a WWI amputee to remark upon his courage! Corny and unreliable as biography, Night and Day is redeemed by the guest appearances of musical luminaries Mary Martin (doing a spirited if disappointingly demure version of her striptease number "My Heart Belongs to Daddy") and Ginny Simms, the latter cast as an ersatz Ethel Merman named Carole Hill. Jane Wyman, seen as Porter's pre-nuptial sweetheart Gracie Harris, also gets to sing and dance, and quite well indeed. Beset with production problems, not least of which was the ongoing animosity between star Grant and director Michael Curtiz, Night and Day managed to finish filming on schedule, and proved to be an audience favorite -- except for those "in the know" Broadwayites who were bemused over the fact that Cole Porter's well-known homosexuality was necessarily weaned from the screenplay. ~ Hal Erickson, All Movie Guide

War hero Dennis Morgan becomes the object of a publicity stunt staged by magazine publisher Sidney Greenstreet. The corpulent print mogul announces that Morgan has won a Christmas dinner, to be prepared by the magazine's housekeeping expert Barbara Stanwyck in her own Connecticut home. The catch: Not only does Stanwyck not have a home in Connecticut, but she's never been in a kitchen in her life! She also doesn't have a husband (as her articles claim), so Stanwyck's erstwhile beau Reginald Gardiner is pressed into service as the hubby. As for the cooking, that will be handled by master chef S. Z. "Cuddles" Sakall. This solves everything, right? No way, Jose. Long dismissed as a lesser film farce, Christmas in Connecticut has its own irresistible charm, and has in recent years become a perennial Christmas TV attraction. ~ Hal Erickson, All Movie Guide

In his final epic Western, Errol Flynn plays cattleman Clay Hardin, who, on a trek south of the border, has discovered that San Antonio saloon proprietor Roy Stuart (Paul Kelly) is actually a cattle rustler of major proportions. Determined to bring Stuart to justice, Clay runs into difficulties when he mistakes feted chanteuse Jeanne Starr (Alexis Smith) for being on the saloon owner's payroll. Meanwhile, Stuart's French-accented partner, and enemy, Legare (Victor Francen), uses the taut situation to benefit himself. Then Clay's longtime friend, Charlie Bell (John Litel), is brutally slain and Jeanne's manager, Sacha Bozic (S.Z. Sakall) is forced to skip town, Bozic, unbeknownst to Clay, having witnessed the murder. The real killer is eventually forced to confess and San Antonio erupts in a climactic gun battle that culminates in a shootout at the historic Alamo. With Hungarian actor Sakall providing some much-needed comedy relief, Alexis Smith, Doodles Weaver, and a chorus perform a few songs, including: Ray Heindorf, M.K. Jerome, and Ted Koehler's "Some Sunday Morning"; "Put Your Little Foot Right Out," by Larry Spier; and Jack Scholl and Charles Kisco's "Somewhere in Monterey." According to some reports, both Raoul Walsh and Robert Florey directed a few additional scenes. ~ Hans J. Wollstein, All Movie Guide

The wartime housing shortage in Washington DC is the basis for this comedy. Several attractive young ladies rent a single DC apartment, causing no end of complications to their various professional and private lives. Also moving in (due to a misunderstanding) is a young newlywed (Jane Wyman), whose flustered husband (Jack Carson) is denied access to the apartment. The funniest of the female roommates is a visiting Russian sniper, played con brio by Eve Arden. The Doughgirls is based on the popular Broadway play by Joseph A. Fields (with uncredited assistance by George S. Kaufman). Three Stooges fans are advised to keep an eye out for Curly Joe DeRita as an unhappy schlemiel who can't find a place to sleep. ~ Hal Erickson, All Movie Guide

In this mystery, a detective and his secretary go on vacation and end up solving a murder. ~ Sandra Brennan, All Movie Guide

Practically everybody on the Warner Bros. lot shows up in the wartime morale-boosting musical extravaganza Thank Your Lucky Stars. Believe it or not, this one has a wisp of a plot. A pair of enterprising producers, played by S.Z. Sakall and Edward Everett Horton, want to hire singer Dinah Shore for their upcoming Cavalcade of Stars. Unfortunately, this means they must deal with Shore's boss, radio comedian Eddie Cantor. The egotistical Cantor insists upon joining the show himself, driving everyone crazy with his take-charge attitude. Meanwhile, singer Dennis Morgan, hoodwinked by a crooked agent into thinking he's signed a contract with Cantor, shows up backstage at Sakall and Horton's rehearsal, only to be given the boot. While all this is going on, aspiring actress Joan Leslie has befriended a bus driver named Joe Simpson--who happens to be a dead ringer for Eddie Cantor (and why not? Ol' "Banjo Eyes" plays both parts). Turns out that Joe is another showbiz wannabe, but he has been denied a break because he looks too much like Cantor. You see what's comin' now, right, folks? Morgan and Leslie will get their big breaks when Joe Simpson impersonates Eddie Cantor, who's been kidnapped by Indians (bet you didn't see that one coming!) All of this expository nonsense is merely an excuse to show off Warners' talent roster in a series of engaging specialty numbers: John Garfield talk-sings Blues in the Night, Jack Carson and Alan Hale do a buck-and-wing, a jitterbug number is performed by Ida Lupino, Olivia de Havilland and George Tobias, Hattie McDaniel and Willie Best strut their stuff in Ice Cold Katie, and so on. Highlights include Errol Flynn's That's What You Jolly Well Get, an English music hall-style sendup of Flynn's movie heroics, and Bette Davis' peerless (and endearingly off-key) rendition of They're Either too Young or Too Old. As a bonus, Humphrey Bogart shows up long enough to be browbeaten and intimidated by S.Z. Sakall ("Gee, I hope none of my movie fans see this!" moans Bogart as the soundtrack plays a mocking rendition of Who's Afraid of the Big Bad Wolf?) Subtle and sophisticated it isn't, but Thank Your Lucky Stars is so entertaining that you'll forget all about its multitude of flaws. ~ Hal Erickson, All Movie Guide

A Warner Bros. attempt to ape the success of the Universal horror films, The Mysterious Doctor is a moody little piece centering around a series of decapitations. These outrages are being committed in a cloistered English village, and the perpetrator is supposedly a legendary headless ghost. For a while, suspicion falls upon the village idiot (Matt Willis), but the true culprit is mad doctor John Loder, who is using the "ghost" legend to cover up his Nazi activities. Eleanor Parker, a recent Warners contractee, is around to scream and look terrified. Mysterious Doctor wraps everything up in 57 minutes. ~ Hal Erickson, All Movie Guide

An expansion of, and improvement upon, Lillian Hellman's stage play of the same name, Watch on the Rhine stars Paul Lukas, recreating his Broadway role of tireless anti-fascist crusader Kurt Muller. As the clouds of war gather in Europe in the late 1930s, Muller arrives in Washington DC, accompanied by his American wife Sara (top-billed Bette Davis) and their children Joshua (Donald Buka), Bodo (Eric Roberts) and Babette (Janis Wilson). The Mullers stay at the home of Sarah's wealthy mother Fanny Fannelly (Lucille Watson), who lives in her own world of society get-togethers and can't be bothered with politics. Also staying with Fanny is Rumanian aristocrat Teck de Branovis (George Coulouris) and his American wife Marthe (Geraldine Fitzgerald). To protect his family, Muller keeps his "underground" activities a secret from Fanny and her guests, but de Branovis is suspicious of the mild-mannered visitor. It turns out that de Branovis is actually a Nazi sympathizer, willing to betray Muller for a price. Using blackmail as one of his weapons, de Branovis threatens to destroy all that Muller has been fighting for. To prevent this, Muller kills de Branovis in cold blood. Now technically a murderer, Muller bids his family a reluctant goodbye, heading back to Europe to continue his vital work. If ever there was a justifiable homicide in a motion picture, it was the killing of the odious de Branovis in Watch on the Rhine. Still, the Hollywood production code dictated that a murderer must always pay for his crimes, thus a coda is added, alluding to Muller's death-providing a golden opportunity for a nifty smiling-through-the-tears curtain speech by Bette Davis. Scripted by Lillian Hellman's lover Dashiel Hammett, Watch on the Rhine earned several Academy Award nominations, as well as a "best actor" Oscar for Paul Lukas. ~ Hal Erickson, All Movie Guide

A lively espionage drama that reunited the stars and director of the previous year's The Maltese Falcon, Across the Pacific was originally envisioned as the story of a Japanese invasion of Hawaii. Real-life events of December of 1941, however, precluded such a scenario and the location was changed to the Panama Canal. For reasons known only to Warner Bros., the title was retained despite the fact that none of the action takes place in the Pacific. Humphrey Bogart plays Rick Leland, a disgraced ex-army man, who, after being turned down by the Canadian military, jumps a Japanese steamer bound for the Panama Canal Zone. Also onboard are Alberta Marlow (Mary Astor), a small-town girl claiming to be en route to Los Angeles; Dr. Lorenz (Sydney Greenstreet), a corpulent sociologist with a suspiciously friendly regard for all things Japanese; and Joe Totsuiko (Victor Sen Yung), a happy-go-lucky second generation Japanese-American on his way to visit the old country. But no one is exactly who he or she claims to be and the voyage from Halifax via New York City to Panama becomes a matter of life and death for the passengers in general, and for the future of the United States in particular. Director John Huston was forced to leave the film three weeks into the four-week shooting schedule when summoned to report to the Department of Special Services. According to Huston, he purposefully placed Humphrey Bogart's character in a highly precarious situation and left it up to his replacement, Vincent Sherman, to come up with the solution -- which Sherman did in an especially fiery climax. ~ Hans J. Wollstein, All Movie Guide

In this wartime drama, a doctor discovers that one of his patients isn't as crazy as he thought, with dangerous consequences for the whole world. Dr. Michael Lewis (John Garfield) is an intern at a hospital where a woman named Jane (Nancy Coleman) is admitted. Jane was injured in a car wreck, and she tells Michael a remarkable story. She claims that she is actually an espionage agent with top-secret information that could help the Allied war effort; the accident occurred while she was trying to escape from Axis spies who will do anything to get her documents. Michael, who is supposed to keep an eye on Jane, thinks she must be delusional, and when psychiatrist Dr. Ingersol (Raymond Massey) arrives with Jane's father, Mr. Goodwin (Moroni Olsen), he signs Jane out in their custody. However, Michael soon discovers that Mr. Goodwin isn't Jane's father at all; he and Ingersol are actually the Nazi spies Jane was fleeing in the accident, and someone must rescue her before it's too late, both for Jane and the Allied war effort. Dangerously They Live was scripted by Marion Parsonnet from her novel, Remember Tomorrow. ~ Mark Deming, All Movie Guide

It takes a while for the viewer to catch on, but the 1942 quickie Spy Ship is a remake of the 1934 crime melodrama Fog Over Frisco. The main difference is that the film's principal murder victim, the sister of the heroine, is transformed from a dizzy socialite to an out-and-out villainess. The story is re-set during the months before America's entry into WW2. Famed aviatrix Pamela Mitchell (Irene Manning), a devout and outspoken isolationist, is secretly in the employ of the German government. Her younger sister Sue (Maris Wrixon) worries about the company Pamela keeps, and expresses these concerns to hotshot reporter Ward Prescott (Craig Stevens). When Pamela is killed by her Nazi confreres to keep her from revealing all to the world, Sue finds herself among the suspects. It all comes to an end on the spy ship of the title, where a kidnapped Sue is rescued in the nick of time by Ward and practically every cop in New York. ~ Hal Erickson, All Movie Guide

Murder in the Big House was a remake of the 1936 Warner Bros. programmer Jailbreak. In his first starring role, Van Johnson plays reporter Bert Bell, who wonders how it came to be that death-row inmate Dapper Dan Mallory (Michael Ames) was "accidentally" killed just before his appointment with the electric chair. Digging a little deeper, Bell discovers that Dapper Dan was planning to make a big revelation just before his execution, one which would expose the corrupt political machine for which he worked. With the help of heroine Gladys Wayne (Faye Emerson) and perenially drunken columnist Scoop Connor (George Meeker), Bell contrives to have himself thrown in jail to solve the mystery. Though the film passed unnoticed when first released, Murder in the Big House raked in a pile of cash when it was reissued as Born to Trouble in 1945, by which time Van Johnson had become the hottest male star in the movies. ~ Hal Erickson, All Movie Guide

After two previous film versions of Dashiell Hammett's detective classic The Maltese Falcon, Warner Bros. finally got it right in 1941--or, rather, John Huston, a long-established screenwriter making his directorial debut, got it right, simply by adhering as closely as possible to the original. Taking over from a recalcitrant George Raft, Humphrey Bogart achieved true stardom as Sam Spade, a hard-boiled San Francisco private eye who can be as unscrupulous as the next guy but also adheres to his own personal code of honor. Into the offices of the Spade & Archer detective agency sweeps a Miss Wonderly (Mary Astor), who offers a large retainer to Sam and his partner Miles Archer (Jerome Cowan) if they'll protect her from someone named Floyd Thursby. The detectives believe neither Miss Wonderly nor her story, but they believe her money. Since Archer saw her first, he takes the case -- and later that evening he is shot to death, as is the mysterious Thursby. Miss Wonderly's real name turns out to be Brigid O'Shaughnessey, and, as the story continues, Sam is also introduced to the effeminate Joel Cairo (Peter Lorre) and the fat, erudite Kasper Gutman (Sydney Greenstreet, in his film debut). It turns out that Brigid, Cairo and Gutman are all international scoundrels, all involved in the search for a foot-high, jewel-encrusted statuette in the shape of a falcon. Though both Cairo and Gutman offer Spade small fortunes to find the "black bird," they are obviously willing to commit mayhem and murder towards that goal: Gutman, for example, drugs Spade and allows his "gunsel" Wilmer (Elisha Cook Jr.) to kick and beat the unconscious detective. This classic film noir detective yarn gets better with each viewing, which is more than can be said for the first two Maltese Falcons and the ill-advised 1975 "sequel" The Black Bird. ~ Hal Erickson, All Movie Guide