Arnold Moss Movies

Ben's longtime unofficial ward Davy (Lou Antonio), a Ute Indian, tries to rejoin the tribe that had exiled him years earlier. Davey's re-entry into the culture of his ancestors is complicated when he falls in love with Bright Moon (Cherie Latimer), the daughter of Chief Lone Spear (Arnold Moss), and the intended bride of White Wolf (Ned Romero). The resultant inter-tribal bitterness and dissension enables a group of bigoted white men to sabotage a crucial treaty negotiation. Written by William Douglas Lansford and Richard Wendley, "In Defense of Honor" was originally slated to air on March 31, 1968, but was moved to April 28 due to coverage of President Johnson's refusal to run for another term. ~ Hal Erickson, All Movie Guide

Career bank robber Peter Churchman Stephen Boyd plans to retire from his life of crime and live the good life in this uninspired crime thriller. He is blackmailed by Angela Tresler Giovanna Ralli into pulling off one last heist of some precious jewels located in the bank in Pamplona, Spain. Peter and three accomplices must steal the jewels during the annual running of the bulls. The festival atmosphere will hopefully allow them to pull off the crime, but the bank is located directly across the street from the local police station. ~ Dan Pavlides, All Movie Guide

Ideal and reality clash in this humorous tale of the heist that could have been. As scheming career cat burglar Harry Dean (Michael Cane) prepares to steal a priceless statue from the world's richest man, he seeks out the assistance of Eurasian showgirl Suzy Chang Shirley Maclaine). Though the likeable rogue's plan seems foolproof as he conveys the details to his partner Ram (Robert C. Carmel), the execution proves a detailed study in Murphy's Law. Constantly reinventing the plan as his originally ideal spirals ever more out of control, it seems as if Harry's heist is destined to fail. ~ Jason Buchanan, All Movie Guide

Publisher Victor Hartman (Arnold Moss) receives a series of tape recordings, ostensibly of the latest mystery novel written by Warren Barrow (James Mason). As Hartman listens to the tapes, the action of the novel is acted out for the benefit of the audience. The plot concerns a mystery writer in love with a married woman (played by Angie Dickinson) -- and as that plot thickens, Hartman begins to wonder if the story is merely fiction or a real-life murder scheme hatched by the diabolically clever Mr. Barrow. Whodunit specialists Richard Levinson and William Link adapted this episode from Henry Bingham's novel Murder Plan Six. ~ Hal Erickson, All Movie Guide

A locked-in-the-fifties science fiction film, The 27th Day begins with five different people from five different countries suddenly disappearing from view. They have been gently abducted by the agent (Arnold Moss) of a faraway dying planet, who gives each of the five earthlings a "killing capsule" that will destroy everything on Earth and allow the residents of the alien planet to re-colonize the planet--but which will be ineffective if not used after 27 days. In typical Cold War fashion, the representatives of the "good" countries (including Gene Barry) refuse to utilize the capsules, while the Soviets, (personified by Azemat Janti and Stefan Schnabel) intend to deploy the capsules for their own nefarious purposes. Their perfidy only results in the utter decimation of the USSR. ~ Hal Erickson, All Movie Guide

Phil Karlson, well-regarded by film buffs for his tough, no-nonsense crime dramas, directed this adventure story shot partially on location in the Caribbean. Mike Cormack (John Payne) was once a District Attorney, until his fiancée, Janet Martin (Mary Murphy), left him to marry another man. Depressed, Mike began drinking heavily, and eventually his alcoholism cost him his job. Trying to pull himself back up after hitting bottom, Mike gets a job as a bouncer at a casino in Las Vegas. Barzland (Francis L. Sullivan), a handicapped criminal, approaches Mike with an unusual offer. Barzland will pay Mike $5,000 if he can locate a ruby that went missing following the disappearance of a plane in the West Indies. Mike discovers that the reason he was picked for this job is that the pilot of the plane, Eduardo (Paul Picerni), is the man Janet chose to marry, and Barzland and his men believe that she might have clues as to the ruby's whereabouts that Mike could uncover. However, when Mike arrives to meet with Janet, he discovers that Eduardo is now in jail, and Janet begins to snare Mike in a web of lies and deceit. Hell's Island was rereleased in 1962 under the title South Sea Fury. ~ Mark Deming, All Movie Guide

Bob Hope tries to capture the comic magic of his 1946 costume farce Monsieur Beaucaire with the splashy Technicolor romp Casanova's Big Night (filmed in 1952, released in 1954). Set in 18th century Venice, the film casts Hope as Pippo, the humble tailor of notorious ladies' man Casanova (an unbilled Vincent Price). When Casanova skips town without paying his debts, the local tradesman's guild, led by Casanova's butler Lucio (Basil Rathbone), conspire to pass off one of their number as the great lover and arrange a profitable marriage. Selected to impersonate Casanova is the hapless Pippo, who soon afterward is hired by the imperious Duchess of Castelbello (Hope Emerson) to test the fidelity of the duchess' future daughter-in-law Elena (Audrey Dalton). Along the way, Pippo is given lessons in etiquette and swordsmanship by both Lucio and tradeswoman Francesca (Joan Fontaine). Eventually, Pippo finds himself up to his neck in court intrigue, courtesy of the scheming Doge of Venice (Arnold Moss). Further complications include a couple of hilarious swashbuckling scenes, an interlude in a dungeon with addlepated prisoner Emo (Lon Chaney), and the obligatory disguise scene. The Pirandellian ending of Casanova's Big Night was later imitated by such films as The Maltese Bippy (1969) and Wayne's World (1992). Bob Hope is in fine form, the production is sumptuous and the supporting cast superb, but somehow there's a little something missing in Casanova's Big Night. ~ Hal Erickson, All Movie Guide

"Her Salome Will Steal Your Breath Away" was the classic advertising slogan attached to this opulent Rita Hayworth epic -- a slogan which became laughable whenever a radio announcer would mispronounce Salome as "salami." Using the very sketchy Biblical story of the death of John the Baptist as its springboard, Salome depicts its title character, the stepdaughter of King Herod, as a victim of circumstance rather than a wanton temptress. Banished from Rome because of an unfortunate romance with the nephew of Caesar, Salome (Rita Hayworth) declares that all men are her enemies, but her resolve weakens when she falls in love with Claudius (Stewart Granger), the military commander of Galilee. Meanwhile, Salome's wicked mother, Herodias (Judith Anderson), plots the demise of John the Baptist (Alan Badel), who currently enjoys the protection of the superstitious Herod (Charles Laughton). At this point, the story departs radically from Scripture. Salome is no longer coerced by Herodias to demand the head of John the Baptist; instead, Herodias, on her own, promises Herod that Salome will perform the "Dance of the Seven Veils" for him -- but only if he beheads John first (Salome has been misinformed that the dance will save John from the headsman's sword). Somehow, scriptwriter Jesse Lasky Jr. even manages to concoct a happy ending for poor Salome, which is a lot more than Oscar Wilde or Richard Strauss were able to do. Considered an artistic flop in 1953, Salome seems somewhat better today, if only because of that powerhouse cast. ~ Hal Erickson, All Movie Guide

Produced by Darryl F. Zanuck and directed by Elia Kazan, this film follows the life of Mexican revolutionary leader Emiliano Zapata (Marlon Brando) from his peasant upbringing, through his rise to power in the early 1900s, to his death. The film presents an interesting but fictionalized picture of Zapata. Zapata, the child of tenant-farmers, was joined by Pancho Villa in his rebellion against tyrannical President Porfirio Diaz. The film romanticizes Zapata and in doing so unfortunately distorts the true nature of the wars he waged. Zapata fought, not to conquer Mexico but to free the land for the peasants of Morelos and other southern provinces. The Oscar-nominated screenplay by John Steinbeck ignores some historical details in order to focus on the corruptive influence of power. Marlon Brando won an Academy Award nomination for his work, as did Anthony Quinn, who took home the Best Supporting Actor Oscar for his headstrong, hard-fighting, hard-drinking, intensely romantic character who does not hesitate to die for love. The film also features a beautiful score by Alex North, who also received an Academy Award nomination. ~ Linda Rasmussen, All Movie Guide

Bob Hope is up to his famous nose in danger in this espionage comedy. Second-rate burlesque comic Peanuts White (Hope) is approached by federal agents who think that he's international spy Eric Augustine, to whom Peanuts bears a striking resemblance. When they realize that Peanuts and Eric are two different people, the FBI persuades him to travel to Africa posing as Eric and fetch a batch of microfilm that could prove vital to national security. With reluctance, Peanuts flies to Tangiers and arranges a rendezvous with Lily Dalbray (Hedy Lamarr), Eric's beautiful girlfriend and an agent of shifting alliances herself. However, Lily's superior Karl Brubaker (Francis L. Sullivan) wants the microfilm, and he will stop at nothing to get it. As Peanuts tries to rescue the microfilm, make time with Lily, and avoid Karl, things become even more confused when Eric escapes from hiding and re-enters the picture. Both Bob Hope and Hedy Lamarr contribute songs to the soundtrack, though unlike Bob, Hedy's vocals were dubbed in by a studio vocalist. ~ Mark Deming, All Movie Guide

In keeping with the postwar trend of on-location shooting, Quebec was actually lensed in Canada, rather than on some Hollywood back lot or other. Set in 1837, the film recounts a skirmish between French and English factions over whether or not Quebec would remain a province, or split off into its own country. Heading the separatist movement is Lafleur (Corinne Calvet). John Barrymore Jr. co-stars as Mark Douglas, a loyal Canadian who discovers that Lafleur is his long-lost mother. Quebec winds up with a well-staged military assault on Lafleur's fortress. Billed eighth in the cast is former silent-screen star Patsy Ruth Miller, making her first screen appearance since 1931. ~ Hal Erickson, All Movie Guide

As far removed from a "typical" MGM picture as it was possible to get back in 1949, Border Incident is a gritty, realistic crime melodrama. The story concerns the efforts by both the Mexican and American governments to stop the smuggling of Mexican migrant workers across the border. Representing Mexico is special agent Pablo Rodriguez (Ricardo Montalban), while Jack Bearnes (George Murphy) works on behalf of the US. Screenwriter John C. Higgins and producer/director Anthony Mann refuse to pull any punches, as witness the surprising mid-film murder of one of the major characters. Highlights include a harrowing episode involving a plowing machine and a climactic shootout in a quicksand swamp. The uniformly well-chosen supporting cast includes Howard da Silva, Arnold Moss, Alfonso Bedoya and Charles McGraw, "film noir" veterans all. ~ Hal Erickson, All Movie Guide

Perhaps it's just as well that Columbia elected to film Prosper Merimee's Carmen without Georges Bizet's music: after all, Rita Hayworth and Glenn Ford weren't exactly Leontyne Price and Robert Merrill. The Loves of Carmen is a reasonably faithful rehash of Merimee's story of the tempestuous gypsy cigarette-factory worker Carmen (Hayworth) and the devastating effect she has on the men in her life. Assigned to arrest Carmen after a street brawl, handsome military officer Don Jose (Ford) falls in love with her instead, renouncing his virginal sweetheart and falling in with Carmen's smuggler cronies. So smitten is Don Jose that he doesn't realize until it's too late that the amoral Carmen is foredoomed to destroy herself and her lovers. Highlights include a knife duel between Don Jose and Carmen's common-law husband Garcia (Victor Jory) and the fatal final confrontation stemming from Carmen's flirtation with bullfighter Lucas (John Baragrey). Dazzling Technicolor photography is the principal asset of this entertaining but uneven star vehicle. ~ Hal Erickson, All Movie Guide