Gastone Moschin Movies

Filmed from a child's viewpoint, this gripping drama follows the exploits of a doctor, his wife and their three children after they flee Rome in war-torn 1943 to find safety on their grandfather's farm in Lazio. Shortly after their arrival, the children, ages five-to-seven and largely clueless about the war and their parents' fear, settle down to making new friends with the local kids and attending the local school. But as time passes, the war encroaches upon the children's lives in small ways and they come to discover a surprising secret about the much-loved grandfather. ~ Sandra Brennan, Rovi

In an irreverent send up of politicians and feminists and others, director and co-writer Lina Wertmuller has a Minister of the Interior locked inside his impermeable luxury car with only his broken computer to keep him company. Unfortunately, this accident happens at the villa of a conservative party deputy (Ugo Tognazzi) whose wildly eccentric wife Maria Teresa (Piera Degli Espositi) is in a panic about hiding her lover (Enzo Jannacci) in the basement -- he is an escaped terrorist. While the authorities arrive to make one futile effort after another to get the Minister out of his car, the Minister's assistant deadpans his way through the household chaos, and the granny is busy smoking pot. Out of the entire crew, the conservative deputy is limned with sympathy and the flighty, witless feminist is not -- a state of affairs bound to raise the shackles of some viewers. ~ Eleanor Mannikka, Rovi

Libyan leader Moummar Quaddafi financed this desert epic about a Libyan hero who helped his nation fend off an Italian invasion in 1929. Anthony Quinn stars as Omar Mukhtar, who organizes Libyan forces to hold off the encroaching Italian troops under General Rodolfo Graziana (Oliver Reed), who are trying to gain a foothold on Libyan soil under direct orders from the Italian dictator Mussolini (Rod Steiger). With the persistence of Mukhtar, the Libyans, battling the tanks and guns of the Italian army with their Bedouin troops on horseback, managed to hold off y the Italians for twenty years, until Mukhtar was finally captured and executed. ~ Paul Brenner, Rovi

In this Italian film, a private eye searches in Vienna for the clues to solve a case. ~ Iotis Erlewine, Rovi

Social classes and different cultures collide as three disparate men try to court a wealthy young woman (Romy Schneider) in this French drama. One of them, an impoverished aristocrat marries her for her money. Though he is terribly cynical, he does, in some strange way, love her. She is also loved by a super-straight-arrow industrialist. The third lover is a fugitive Greek communist who has been trying to escape Johannes Metaxas' secret police. He and the protagonist are having an affair. Soon after the woman bears him a daughter, the communist is killed. WW II erupts and the woman vanishes. Years pass and the daughter grows up. She heads for Greece to learn more about her parents. There the woman's husband and the capitalist meet again and discuss their shared past. The cinematography of this sweeping romance, based on a novel by Pierre Drieu La Rochelle, is particularly beautiful. ~ Sandra Brennan, Rovi

Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, Rovi

In this Italian film, the Communist Party rises above the abuses observed in Russia during the '30s. A dedicated party member is arrested for working with a man whose theories are suspect. She is sent to Siberia, but her faith is such that she waits out the end of the Stalinistic abuse of communism. After World War II she is deported but manages to rejoin her husband. Nonetheless, she is aware that the gulags are growing more crowded than ever before. ~ Clarke Fountain, Rovi

This Italian feature caters to a self-congratulatory stereotype of male virility which many an Italian male might fantasize as being true for himself. Paolo is from the lower ranks of the Sicilian nobility, and he shares his grandfather's penchant for beautiful women. Indeed, he proved his readiness for bedroom sports at age 10, when he beat his grandfather to the bed of a lovely young new house servant. As a grownup, Paolo (Giancarlo Giannini) now lives in Rome and cuts a wide swath through the female population of that town. Though the depiction of his succession of conquests is repetitive, one of the film's highlights is the great beauty of the numerous women he has encounters with. ~ Clarke Fountain, Rovi

Turn-of-the-century Naples is the setting for this show-business comedy about a theatrical nobody who starts a popular dance craze based on the Can-Can. This film continues lead actress Monica Vitti's successful transition from doing critically acclaimed (but not awfully profitable) dramas to popular comedy. Her acting makes up for her minimal singing and dancing skills, and the film is assisted by a strong supporting cast, first-class production values and upbeat music. This film is also notable for its efforts to accurately show Neapolitan life of the period. ~ Clarke Fountain, Rovi