Hugh Morton Movies

This is an uneven modern remake of A Yank at Oxford (1938) from writer-director Robert Boris, the man behind such diverse earlier productions as Some Kind of Hero (1981) and Doctor Detroit (1983). Rob Lowe stars as Nick Di Angelo, an American hustler and parking attendant in Las Vegas who falls in love at first sight with a beautiful, classy British woman, Lady Victoria (Amanda Pays). He follows her back to England and learns that she is a student at the prestigious Oxford University. Intent on wooing the object of his affection despite their obviously different locations in the social strata, Nick manages to finagle his way into an admission at the school by paying a computer hacker for some illegal tampering. With his arrogant manner and self-centered worldview, Nick quickly offends nearly everyone he encounters, except fellow American expatriate Rona (Ally Sheedy), who becomes his only friend. Nick also secures a spot on the rowing team, an experience that builds his character. A typical example of the mid-'80s "Rat Pack" film, Oxford Blues featured a soundtrack with several forgettable rock songs written expressly for the movie, interjected at intervals into the narrative through music video-style sequences. ~ Karl Williams, All Movie Guide

Jackie Collins wrote the best-selling novel The Stud. Her sister Joan Collins starred in the 1978 film version of The Stud. The producer on the film was Joan Collins' then-husband Ron Kass. Need we say more? Well, there is a plot, involving the insatiable Joan's sexual hold over a handsome nightclub manager Oliver Tobias. And there was a sequel, also written by Jackie and starring Joan, titled The Bitch. Need we say more now? ~ Hal Erickson, All Movie Guide

The Darwin Adventure stars Nicholas Clay as 19th century British naturalist Charles Darwin. The film covers the whole of Darwin's life, with emphasis on his volatile evolutionary theories. The "adventure" of the title is Darwin's 1831 fact-finding voyage on the good ship Beagle, in search of nature's secrets in the darker corners of South America. The story ends in Darwin's declining years, during which time many of his theories have been adopted and refined by younger, more broad-minded naturalists. The Darwin Adventure plays like a Cliff's Notes version of the subject's life, packing far too much into its 91 minute running time to be properly digested by the average filmgoer. ~ Hal Erickson, All Movie Guide

Nigel Kneale's Quatermass TV series spawned a brief film series produced over an eleven-year period; 1967's Quatermass and the Pit, released in the US as Five Million Years to Earth, was the third and (until 1979's Quatermass Conclusion) last. As in previous chapters in the Kneale saga, the film begins with a baffling scientific discovery. This time it's a bunch of prehistoric skulls, discovered during a subway excavation in the heart of London. Sequestered in a lab, the skulls start to emanate a bizarre force over the populace, resulting in death and destruction. Professor Quatermass (Andrew Keir) concludes that the skulls are the residue of an extraterrestrial invading army -- a theory which (as usual) is scoffed at by the authorities until it's almost too late. Blessed with superb special effects and an expertly sustained tension level, Quatermass and the Pit is easily the best of the short-lived "Quatermass" series. ~ Hal Erickson, All Movie Guide

Cathy is informed that she is of royal blood -- and in fact is next in line for the British throne. Unfortunately, her only chance of assuming her proper place in life is if an impending military coup is successful. It is up to Steed to prevent that coup. . .but can he rely upon Cathy's cooperation this time out? Written by Eric Paice, "Esprit de Corps" was initially telecast in England on March 14, 1964; American viewers didn't get to see this episode until it was cablecast on April 5, 1991. ~ Hal Erickson, All Movie Guide

In this comedy, a young man stands to inherit a vast fortune, but first he must spend a small fortune in two months. ~ Sandra Brennan, All Movie Guide

Ian Carmichael plays the "white sheep" in a family of successful thieves. Everyone in the clan has made a healthy career out of crime except poor Ian, so he decides to redeem himself with a single spectacular caper. Somehow this involves a passel of Arabs and an unctuous TV news team, all of whom converge in a slapstick free-for-all. Jailed, Carmichael realizes that he's doomed to honesty, and vows to pursue the straight and narrow with leading lady Belinda Lee. Though a British film, The Big Money seems geared exclusively for American audiences with its garish Technicolor, hyperactive musical score and sledgehammer humor. Made in 1956, the film wasn't widely shown in the US until it was released to television in 1962. ~ Hal Erickson, All Movie Guide

In this British comedy, based on a popular radio series, the Lyons family goes on a Parisian holiday. The father attempts to buy tickets through a beautiful, enigmatic woman. When the children see them talking, they immediately assume the worst. When they see her again in Paris, merry mayhem ensues. ~ Sandra Brennan, All Movie Guide

An 18-month-old baby disappears in London. The parents, US embassy worker David Knight and his wife Julia Arnall, are panic-stricken. Detective David Farrar tries to locate the child, but clues are scarce. At the last possible moment, Farrar rescues the infant from a grueling fate and collars the kidnappers. This nail-biting film is filled to capacity with many of Britain's top supporting players, including Thora Hird, Everley Gregg, Joan Sims, Shirley Anne Field, Joan Hickson, Dandy Nichols, Mona Washbourne, Barbara Winsor and George Woodbridge. Released in the US by Republic, under the title Tears for Simon. ~ Hal Erickson, All Movie Guide

Three disparate male travellers quietly amuse themselves by fantasizing about the same beautiful blonde in this interesting, episodic comedy. A French bus driver sees her first and promptly imagines that she is a seductive photographer's model. In his fantasy, the two end up having a passionate affair on the French Riviera. In the next episode, a Yankee Army officer sees her on the ferry across the Channel and imagines that she is a cabaret chanteuse from Berlin. In the final episode, a British fellow sees her on the boat and imagines that she is a film star who needs his help to get away from the pesky press. Unfortunately, for the three, she proves to be a different sort of woman all together. ~ Sandra Brennan, All Movie Guide

Director Hugo Fregonese and writer George Oppenheimer do the unthinkable: they manage to transform Giovanni Boccaccio's bawdy -- and downright raunchy -- medieval tales of martial discontent and infidelity into harmless white-bread treacle. Louis Jourdan plays Boccaccio in a framing story set in a villa in the Florentine hills. With a widowed woman and her sex-starved female wards hungrily hunched over listening to his every word, Boccaccio spins three tales of illicit romance involving a trio of medieval husbands and wives. All three tales feature Jourdan as the romantic male lead and Joan Fontaine -- spruced up in a collection of bright costumes -- as the misunderstood and mistreated women of the tales. The first story concerns the bored housewife, of a middle-aged husband, who willingly jumps into the arms of a roustabout. The second tale tells the story of a husband who is highly suspicious of his wife's fidelity and the wife's circumspect way of proving her virtue to her husband. The third story is an ineffectual lark about a wife who fools her indifferent husband into demonstrating his proper marital role. Boccaccio had to wait for Pier Pasolini in order to get the spirit of his Decameron right. ~ Paul Brenner, All Movie Guide