Neyle Morrow Movies

Kelly (Constance Towers), a prostitute who wants to transform her life, beats up her pimp, takes the 75 dollars he owes her, and leaves town. Winding up in the small town of Grantville, she turns a trick with Griff (Anthony Eisley), who is actually the sheriff. After paying her for sex, Griff tells Kelly that Grantville is a clean town and orders her out, though he refers her to a brothel in a neighboring city. Instead, Kelly makes a final break with her past and becomes a nurse's aide at the local children's hospital. In that capacity, she meets Grant (Michael Dante), who is a benefactor of the hospital, a descendant of the town's founder -- and Griff's best friend. As Grant and Kelly fall in love, Griff viciously accuses Kelly of using her hospital job to hide ongoing illicit activities. When Kelly tells Grant about her past, he seems to accept her without reservation and proposes marriage; however, Kelly soon learns the perverse truth about her fiancée and takes matters into her own hands. Samuel Fuller's raw film noir exposes the hypocrisy of a supposedly proper society. Beneath the veneer of respectability lies an exploitive abuse of power, no different from that of any pimp. ~ Steve Press, Rovi

Cliff Robertson plays Tolly Devlin, an embittered ex-convict who has spent a lifetime tracking down the men who murdered his father. Desirous of handling matters on his own, Devlin pretends to be loyal to both the Mob and the Government, playing one against the other in hopes of flushing out the killers. He learns that the three surviving assassins are employed by a supposedly charitable "cover" operation known as National Projects. To get what he wants, Devlin ingratiates himself with mob boss (and outwardly solid citizen) Conners (Robert Emhardt). What Robertson didn't count on was falling in love with "Cuddles" (Dolores Dorn), which leads to his own downfall -- but not before justice is served. Producer/director/writer Fuller based Underworld USA on a series of "exposé" articles in The Saturday Evening Post; the film's release fortuitously occurred shortly after that infamous mob convention in Appalachin, New York. ~ Hal Erickson, Rovi

Director Samuel Fuller skillfully intercuts footage of the German death camps with scenes from this thought-provoking drama about a forbidden, post-war love affair. David (James Best) is a G.I. stationed in Germany with the American Military Government. He falls in love with Helga (Susan Cummings), a young German woman, and she reciprocates his feelings. But their romance is not condoned by either culture and made all the more difficult because a troublesome gang of neo-Nazis is on the rampage, killing, stealing, and helping war criminals evade capture. Helga's younger brother is a member of the gang who suddenly breaks down when he attends the Nuremburg trials and sees footage on the death camps. That changes his mind and he is ready to help the American military, and maybe the relationship between his sister and David as well. ~ Eleanor Mannikka, Rovi

Writer-director Samuel Fuller applies his kino-fist to this raw-boned war drama -- one of the first American films to deal with Vietnam. The film concerns the battle between the Vietnamese and the Chinese, through the efforts of a small band of soldiers to locate and destroy a hidden communist arms depot. Gene Barry stars as Sgt. Johnny Brock, the cynical leader of the patrol, who is an American Korean War veteran. Leading the expedition to find the munitions dump is the half-Asian Lucky Legs (Angie Dickinson), Brock's ex-wife. One of Brock's less-endearing qualities is his rabid racism -- he can't accept the fact that their five-year-old son is completely Oriental in appearance. The other members of the patrol are also haunted by past memories -- Goldie (Nat "King" Cole) is a veteran of Korea and World war II who hates war and wants to see peace at all costs; Corporal Pigalle (George Givot) is an ex-French gendarme who doesn't like taking orders; and Private Andreades (Gerald Milton), is a hard-nosed Greek expatriate. When the patrol arrives at the compound, they are greeted by Major Cham (Lee Van Cleef), the communist commander who immediately falls in love with Lucky Legs -- complicating the situation immensely. ~ Paul Brenner, Rovi

Another "pocket" adventure film from 20th Century-Fox's Regal Films subsidiary, Under Fire is set during WW2. Four American soldiers are charged with desertion and murder. Their counsel (Rex Reason) tries to get to the bottom of his clients' motivations. It turns out that the actual culprits were Germans dressed as American GIs. Why, then, won't the accused men tell this to the judge? Surprisingly, the answer lies in the old adage "Love of money is the root of all evil." Billed second in Under Fire is Henry Morgan--not the comedian of the same name, but instead the character actor better known as Harry Morgan. ~ Hal Erickson, Rovi

In this production from Benedict Bogeaus and RKO Radio, Robert Ryan stars as a fugitive from justice who hides out in the Far Eastern teak plantation managed by Barbara Stanwyck. As the two fall in love, Stanwyck comes to believe in Ryan's innocence. Upon the arrival of doggedly determined security officer David Farrar, Ryan and Stanwyck escape into the treacherous Burmese jungles. Like many of Bogeaus's productions of the 1950s, Escape to Burma was directed by Allan Dwan. ~ Hal Erickson, Rovi

Hell and High Water brings an intriguing Cold War slant to a standard submarine melodrama. Richard Widmark plays a soldier-of-fortune sub commander who agrees to sell his services to noted atomic scientist Victor Francen and his assistant (and daughter) Bella Darvi. Francen intends to prove that the Communists intend to launch a nuclear attack on Korea from an Arctic island, then blame the attack on the United States. Widmark frankly doesn't give a fig about politics, but he is won over by the sincerity of Francen and his idealistic cohorts, and by the beauty of Ms. Darvi. Before the Reds' evil intentions can be thwarted, however, Widmark must face down a Communist Chinese submarine loaded with highly volatile atomic weaponry. The special effects are very impressive, especially for a mid-1950s 20th Century-Fox production. ~ Hal Erickson, Rovi

The title of this Gene Autry opus is almost as long as the film itself. This time, Autry plays a circuit judge who presides over a murder case in a mining town. The accused, Ed Wheeler (Kirk Riley), has confessed to the killing, and is undeniably guilty, but Autry considers this to be a case of justifiable homicide. The catch: How can Autry exonerate Wheeler without violating his own vow to uphold the law at all costs? The answer is a technicality, so cleverly handled that it can't be repeated here without giving the whole game away. On hand, as ever, are Autry's comic sidekick Smiley Burnette and favorite leading lady Gail ("Annie Oakley") Davis. ~ Hal Erickson, Rovi

It's always a pleasure to see ace western director Leslie Selander in action, and Riders of Vengeance is no exception. Originally released as The Raiders, this Universal programmer stars Richard Conte as a miner who leads an expedition of his compatriots to the California Gold Rush. Crooked Morris Ankrum sets about to cheat Conte and his friends out of their claims. The good guys stage a counteroffensive with the help of Mexican miner Richard Martin. Viveca Lindfors once more brings intelligence and charm to a two-dimensional role. Watch for future Gunsmoke star Dennis Weaver as "Logan". ~ Hal Erickson, Rovi

Through an incredible series of circumstances, the Bowery Boys sign up for a hitch in the Navy. While clumsily going about the shipboard duties, Slip (Leo Gorcey), Sach (Huntz Hall) and the rest of the gang search high and low for a couple of crooks disguised in sailor suits who've stolen a large sum of money intended for charity. They don't find the bad guys right away, but dimwitted Sach manages to replace the money through a lucky gambling streak. Finally collaring the villains, the Bowery Boys head to Navy headquarters for a reward--only to end up accidentally signing for another hitch at sea. Silly though it sounds, Let's Go Navy is one of the most believable Bowery Boys comedies, as well as one of the funniest. Contributing to the general hilarity is prune-faced Allen Jenkins as the Boys' chief petty officer. ~ Hal Erickson, Rovi

Writer and director Samuel Fuller enjoyed his first box-office and critical success with this hard-boiled but human tale of men at war, informed by his own experiences in the armed forces. Zack (Gene Evans) is a gruff U.S. Army sergeant who is the lone survivor of an attack on his outfit in North Korea. Rescued by a friendly Korean orphan he dubs Short Round (William Chun), Zack tries to make his way back to friendly territory with the boy as his guide. Zack crosses paths with Thompson (James Edwards), an African-American medic who like Zack narrowly escaped death after an enemy attack, and as they make their way through the jungle they encounter a platoon led by Lt. Driscoll (Steve Brodie), a humorless by-the-books type who has no use for Zack. Zack, Thompson and Driscoll's men -- among them Japanese-American "Buddhahead" Tanaka (Richard Loo), former conscientious objector Bronte (Robert Hutton) and nervous grunt Baldie (Richard Monahan) -- make their way to an abandoned Buddhist temple to set up an observation post, but they soon run afoul of the enemy. Shot in a mere ten days, with the battle scenes staged in Los Angeles' Griffith Park, The Steel Helmet captured the tension and gritty circumstances of war with commendable accuracy and Evans delivered a superb performance in his first starring role as Zack. The film proved controversial in some quarters due to scenes in which Fuller's characters discuss racism against Asians and Blacks in the United States, though the film manages to be resolutely patriotic at the same time. ~ Mark Deming, Rovi

In On the Isle of Samoa, beefcake star Jon Hall plays Kenneth Crandall, an unsavory gambler who absconds with his partner's money in a stolen plane. He crashes on an unchartered island, where he comes across a tribe of English-speaking natives, benevolently overseen by selfless missionary Peter Appleton (Raymond Greenleaf). The hard-bitten Crandall comes around to Appleton's way of thinking after a near-cataclysmic volcanic eruption, realizing at long last that money isn't everything. It helps, of course, that native girl Moana (Susan Cabot) has fallen in love with Crandall in the meantime. ~ Hal Erickson, Rovi