Jeff Morrow Movies

Blood Legacy was also released as Legacy of Blood (as was a like-titled, though dissimilar, 1978 film). Looking older than dirt, John Carradine plays a crotchety millionaire who wills his fortune to his estranged children. There is, of course, a proviso. The kids, all grown up and none too savory, must spend a week in Carradine's estate. Naturally, this leads to a lot of petty spitefulness...which in turn leads to murder. Jeff Morrow and Faith Domergue, who in happier times co-starred in This Island Earth, show up as two of the heirs, as do 1950s favorites Merry Anders and Dick Davalos (James Dean's brother in East of Eden). Rudolfo Acosta is top-billed as a local sheriff who must contend with seven days' worth of carnage. ~ Hal Erickson, All Movie Guide

In this mystery a Yankee gambler travels to Puerto Rico to see his brother. He soon discovers that his brother has been murdered for his involvement with a stolen diamond. The surviving brother begins to investigate the death, but is hindered by police detectives. The hero eventually finds the murderers, retrieves the diamond, and hands the whole thing over to the police. ~ Sandra Brennan, All Movie Guide

Producer Alex Chase (Jeff Morrow) hopes to persuade Broadway star Mona White (played by a young Ellen Burstyn, then billed as Ellen McRae) to headline his new musical by allowing her to preview the score. Instead, Mona angrily accuses Alex of stealing the music from her composer husband Damion White (David Hedison). The real song thief is two-bit tunesmith Phil Schuyler (James Forrest), who ends up electrocuted in his bathtub on Halloween night. Though Damion White was identified fleeing the scene of the crime, Perry Mason (Raymond Burr) intends to prove that White is innocent by pointing out the heavy traffic in costumed trick-or-treaters--any one of whom could have been the real murderer. This episode was originally scheduled to air on October 25, 1962. ~ Hal Erickson, All Movie Guide

Jeff Morrow guest-stars as legendary Apache chief Cochise, who despite his avowed peaceful stance has sworn vengeance against Cavalry captain Moss Johnson (DeForrest Kelley). While Johnson takes refuge at the Ponderosa, Ben Cartwright, surrounded by a batallion of Cochise's deadliest warriors, is determined to learn the true story behind the Apache leader's vendetta. Fueling the crisis is a seriously injured Adam, and Johnson's ever-increasing hysteria. Written by Elliot Arnold, "The Honor of Cochise" first aired October 8, 1961. ~ Hal Erickson, All Movie Guide

This Biblical epic stars Elana Eden as Ruth, who serves in the temple where the High Priestess (Viveca Lindfors) leads the worship of the Pagan idols of the people of Moab. When Ruth falls in love with Mahlon (Tom Tryon), a Hebrew, she must come to terms with his spiritual beliefs, but in time she embraces his faith and converts to Judaism when they marry. Ruth travels with Mahlon and his mother Naomi (Peggy Wood) to their homeland of Bethlehem. Ruth suffers hardship and religious persecution, and when Mahlon dies, Ruth's faith is severely tested. But her belief in God survives this trial by fire, and in time Ruth finds a new love with Boaz (Stuart Whitman). ~ Mark Deming, All Movie Guide

In this thriller, a newspaper columnist is killed and another reporter looks into it. He is shocked when his investigation implicates his own wife. Unable to believe this, he begins a more thorough search to reveal the true killer. ~ Sandra Brennan, All Movie Guide

A alien satellite enters close orbit around the Earth and releases a projectile that takes over the body and mind of Dr. Hubbell Eliot (John Emery), the director of Lab Central, America's top astrophysics research facility. Even as Elliot is falling victim to the invaders, Lab Central scientist Dr. Leslie Gaskell (Jeff Morrow) and his colleagues, Vera Hunter (Barbara Lawrence) and Dr. Arnie Culver (George O'Hanlon), have begun tracking the object -- not certain what it is -- and determine that it is going to hit the Earth in less than 24 hours. An attempt to destroy it with nuclear warheads fails, and the vehicle comes down off the coast of Mexico. While Eliot tries to resist the invaders' control and is hospitalized in a state of collapse, Gaskell, Vera, and Culver fly to the site of the landing, where the submerged craft emits a powerful energy pulse that spreads across the surface of the ocean and toward the beach. When it clears, there stands on the beach a huge metallic object -- a towering robot, inadvertently christened "Kronos" by Gaskell, in a relative moment of whimsy. Hundreds of feet tall and possessing immense power, Kronos proceeds to rampage across the countryside, destroying everything in its path as it seeks out and absorbs all sources of electrical and atomic energy. Back at Lab Central, Eliot temporarily breaks free of the aliens' control, long enough to tell Gaskell of the robot's purpose and mission -- Kronos is a accumulator, sent to Earth by a race whose own planet is depleted of energy, and it will continue to grow stronger unless someone can find a way of reversing the process; worse yet, if Kronos isn't destroyed, other accumulators will be sent to drain the Earth of all its energy. The robot advances relentlessly, growing in destructive power as it moves up the coast, and not even a hydrogen bomb can slow it down. Finally, as it heads toward an H-bomb depository and prepares to destroy the city of Los Angeles in its path, Gaskell devises a possible method of stopping Kronos, based on an untested, untried scientific theory. ~ Bruce Eder, All Movie Guide

This Dean Martin-Jerry Lewis romp is liberally based on the 1936 Bing Crosby film Rhythm on the Range. Set around 1910, the film stars Lewis as the pampered son of female tycoon Agnes Moorehead. Yearning to return to the Wild West where his father was a famed peacekeeper, Lewis purchases a prize bull, destined for the ranch inherited by rodeo star Dean Martin. It so happens that Martin and Lewis' late fathers were "pardners", so Martin takes it upon himself to protect Lewis from the various and sundry tough hombres in the region. Through a series of bizarre plot convolutions, Lewis gains a reputation as a rootin' tootin' gunslinger, and in his hubris he decides to round up a gang of outlaws headed by Jeff Morrow. As a result, he nearly gets himself blown to smitherines, but Martin shows up in the nick of time to rescue Lewis and help him capture the bad guys. Lori Nelson and Jackie Loughery supply the film's peripheral romantic angle. Pardners ends with Dean Martin and Jerry Lewis turning to the camera and promising that they'll keep on making pictures for their faithful fans; ironically, the team was breaking up even while the cameras were turning. ~ Hal Erickson, All Movie Guide

Cashing in on the popularity of TV's Davy Crockett and the jukebox favorite "Yellow Rose of Texas", Allied Artists came up with the CinemaScope biopic The First Texan. The title character is Sam Houston, played with rugged assuredness by Joel McCrea. The film begins when Houston leaves Tennessee for Texas, where at first he keeps to himself and avoids politics. As events overwhelm him, however, Houston evolves into the territory's most conspicuous patriot. His efforts to thwart Mexican general Santa Ana's efforts to recapture Texas for Mexico culminate in the battle of the Alamo, which is recreated in brisk, economical fashion. Somewhat perversely, Davy Crockett is reduced to a bit part in The First Texan. ~ Hal Erickson, All Movie Guide

For reasons that defy logic, the excellent This Island Earth was held up for ridicule as an allegedly bad movie in the film version of TV's Mystery Science Theater. If not the best science-fiction film of the 1950s, Earth is certainly one of the most intelligent and elaborate. The story begins when the image of Exeter (Jeff Morrow), a huge-domed scientific genius from the planet Metaluna, appears on an experimental 3D television screen. Exeter invites several noted scientists from around the world to work on a top-secret project at Exeter's earthly mansion. Among those accepting the invitation are Cal Meacham (Rex Reason) and his ex-fiancee Ruth Adams (Faith Domergue). Soon, Cal and Ruth learn Exeter's true motives; to use the Earth's atomic knowhow in building a defense shield to protect Metaluna against the enemy planet Zahgon. Eventually, Exeter boards his high-tech flying saucer and whisks Cal and Ruth off to his dying planet, where, among other perils, they are menaced by a hideous mutant. Based on a novel by Raymond F. Jones, This Island Earth is one of those rare 1950s speculative films that holds up as well today as it did when first released, despite the comparative quaintness of the special effects and high-tech paraphernalia. Incidentally, the climactic Metalunan scenes were directed by Universal's resident sci-fi specialist, Jack Arnold. ~ Hal Erickson, All Movie Guide

City in Flames is a potted TV remake of the 1937 feature film In Old Chicago. Kevin McCarthy and Jeff Morrow stars as the 19th century O'Leary brothers; one is a notorious Chi-town gambler, while the other is a pious reformer. When not battling over ideologies, the O'Learys are at each other's throats over the affections of a beautiful stage actress (Anne Jeffreys). After Mrs. O'Leary's (Lurene Tuttle) cow knocks over the fabled lantern, we are treated to generous stock footage from In Old Chicago's climactic conflagration. Also starring Roland Winters, the 60-minute City in Flames was first seen March 6, 1957, as an episode of the TV anthology The 20th Century-Fox Hour. ~ Hal Erickson, All Movie Guide

Siege of Red River stars Van Johnson as a Confederate officer, who "appropriates" a shipment of gatling guns from the Northern troops in the waning days of the Civil War. Posing as a medicine show entrepreneur, Johnson smuggles the guns through enemy lines in his wagon. Renegade rebel Richard Boone steals the guns in order to sell them to the Indians. Surrendering himself to Union troops, Johnson sets after Boone with Yankee reinforcements in tow before the Indians can get their hands on the weapons. After Boone is killed, a northern nurse (Joanne Dru) pleads eloquently for the Yanks to be easy on Johnson; he is allowed to escape, but not before promising to marry the nurse at war's end. ~ Hal Erickson, All Movie Guide