Sammy "Sunshine" Morrison Movies

Amateur fighter and all-around bully Muggs McGinniss (Leo Gorcey) tries to cheat in a pool game with hustler Harry Wycoff (Gabriel Dell). He is thwarted by his own friend Danny Lyons (Bobby Jordan), who has some strong ideas about right and wrong and wants to keep his friend honest. Muggs has to knock Wycoff down with his fists to avoid paying off, and promises to get even with Danny and criticizing him as a coward, without the "killer instinct" it takes to win, in boxing or anything else, as far as Muggs is concerned. In revenge for his pummeling, Wycoff, who works for a local bookmaker, arranges to have Muggs kidnapped ahead of the amateur boxing match in which he's supposed to fight. Danny goes into the ring in his place and wins, but Muggs is convinced that Danny arranged the kidnapping. They clash over and over throughout the movie, in an amateur dance contest and as rivals for a job at a local garage, and over Danny's wish to marry Muggs' sister, and then Muggs finds out that he was all wrong -- that Danny had nothing to do with thekidnapping. But by then he's jealous of Danny, and continues riding him mercilessly, and Danny can't fight back because he's promised his mother never to fight in the street like a common hooligan. Muggs gets even more fierce in his resentment when Danny joins the army showing himself to be more of a man than Muggs and becoming a hero to the neighborhood in the bargain. Finally, Danny realizes that if Muggs is ever to grow up, someone is going to have to stand up to him. The two agree to settle their differences with their fists. ~ Bruce Eder, Rovi

Even non-fans of the East Side Kids will get a goodly share of laughs out of the 1943 series entry Clancy Street Boys. The story commences when Muggs McGinnis (Leo Gorcey) learns that his wealthy Uncle Pete (Noah Beery Sr.) is coming to town for a visit. The problem: Muggs' mom (Martha Wentworth) has claimed that she has seven children so that big-hearted Pete will continue sending much-needed money to her fatherless family. To avoid disillusioning Pete, Muggs' pals are enlisted to pose as his siblings, with Glimpy (Huntz Hall) posing as sister Annabelle (it is explained that Scruno, the black member of Muggs' gang, was "adopted"). Uncle Pete and his pretty daughter Judy (Amelita Ward) are taken in by the ruse until local crook George Mooney (Rick Vallin) spills the beans. But all is forgiven when Muggs, Glimpy and company rescue Pete from kidnappers. Best bit: About to go into a huddle, the East Side Kids turn "en masse" towards the camera, politely tip their hats and say "Excuse us!" ~ Hal Erickson, Rovi

In This Our Life is not a "for the ages" classic of the Golden Age of Cinema, but as a highly effective and entertaining melodrama, it more than fits the bill. Howard Koch's screenplay is a trifle predictable, but it's well structured and provides the requisite juicy roles for its pair of female stars. It also provides a number of little surprises -- a sympathetic and (for the time) non-stereotypical portrayal of a black character and two characters living not only in sin but adulterously so -- that give it some distinction. The script's main drawback is its initial lack of focus; it doesn't seem to quite know exactly what its story is and where the real conflict will lie. Ultimately, this doesn't really matter, for John Huston knows where it's going, and he shepherds the story along very efficiently, throwing in a little social commentary here, heightening the atmosphere there, tossing in a hint of the unsavory elsewhere. Although he doesn't really know what to do with the male actors (save for Charles Coburn and Frank Craven, each of whom is just right in entirely different ways), he handles the women in exactly the right way, including Billie Burke as the coddling, neurotic mother. It's Bette Davis, of course, who gets the showiest role, and she sinks her teeth into it and plays it for all it's worth. It's a great Davis performance, but she's still outdone by Olivia de Havilland, whose quiet, understated work anchors the film and ultimately makes the greater impression. It's terribly fine film acting, and immensely satisfying. ~ Craig Butler, Rovi

Short of funds to buy baseball uniforms, the East Side Kids are forced to go to work for their crooked ex-pal Hank (Gabriel Dell). When Hank's fugitive mentor Butch Brocalli (Max Rosenbloom) shows up to make trouble, gang member Danny (Bobby Jordan) is instrumental in Butch's arrest, earning a big reward in the process. Danny intends to suprise his pals by buying the uniforms himself, but Mugs (Leo Gorcey) wrongly assumes Danny wants to hoard all the money for himself. Mugs and the rest of the gang force Danny to turn over the dough, whereupon they buy a beat-up car. But when Danny is seriously injured by the escaping Brocalli, the kids offer to sell the car to pay for an operation. Kindly brain surgeon Dr. Ornsby (Walter Woolf King) sizes up the situation and straightens things out to the satisfaction of everyone. The East Side Kids are at their most contentious and least appealing in this second-rate entry, while Maxie Rosenbloom, usually a comic actor, is sorely miscast as the villain. ~ Hal Erickson, Rovi

In their first of two Monogram spook comedies, the East Side Kids and Bela Lugosi square off in yet another haunted house. On their way to summer camp, the malapropism dependant East Siders are warned of a "monster killer" loose in the area, and, sure enough, almost immediately encounter Nardo (Lugosi) and his weird little helper Luigi (Angelo Rossitto). Nardo does very little to repudiate the Kids' impression of him as a vampire (the Kids say "vulture" lest Monogram should get in trouble with Universal, who held the rights to Dracula), but is he really the monster killer? Perhaps Doctor Von Grosch (Dennis Moore) knows, the famed mystery writer and "monster hunter" having arrived like clockwork at the creepy Billings mansion with camp nurse Linda Mason (Dorothy Short) in tow. Although Peewee (David Gorcey) is at one point feared to have become the victim of the "vulture," the smart aleck turns up safe and sound, and Muggs (Leo Gorcey) and the Kids decide to trap the killer. And so they do, ably assisted by young attorney Jeff Dixon (Dave O'Brien), who, for reasons not immediately clear, has a vested interest in the well being of the East Side Kids. O'Brien and leading lady Dorothy Short were married in real life. ~ Hans J. Wollstein, Rovi

Mugs McGinniss (Leo Gorcey), top dog of the East Side Kids, takes a job at an airplane plant. Here he grows suspicious of Dr. Nagel (George Pembroke), operator of a flying ambulance service. Mugs becomes convinced that Nagel is using his plane to smuggle aviation secrets to a gang of enemy agents, but he can't prove his allegations. With the help of his East Side pals Danny (Bobby Jordan), Scruno ("Sunshine Sammy" Morrison), Peewee (David Gorcey) and Louie (Bobby Stone), Mugs gets the goods on the duplicitous Doc-but nearly gets killed in the process. A not-bad combination of comedy and melodrama, Flying Wild offers the viewers a more intelligent group of "East Side Kids" than they're accustomed to. Even so, this is the film in which Leo Gorcey introduces the comic malapropisms for which he became famous. ~ Hal Erickson, Rovi

Despite the ridicule of the rest of the East Side Kids, Mugs Maloney (Leo Gorcey) aspires to be a jockey. He gets his chance with the help of elderly stablehand Ben (Clarence Muse), the owner of a thoroughbred race horse. Ben agrees to train Mugs on the condition that the rest of the gang raise enough money to enter his horse in a Big Race. Alas, Mugs turns out to be a terrible jockey, but this doesn't dissuade a wealthy horseman from offering to race the thoroughbred with a different boy in the saddle. Resentful of being passed over, Mugs does everything he can to sabotage the rival jockey, but in the end he relents and allows the other boy to ride the horse to victory. Beautifully directed by Joseph H. Lewis (especially in the racing scenes), That Gang of Mine is a superior "East Side Kids" romp, marred only by the unecessary racist badinage between black actors Clarence Muse and Sunshine Sammy Morrison. ~ Hal Erickson, Rovi

In their second Monogram caper, Knuckles (Dave O'Brien) and the East Side Kids (Bobby Jordan, Leo Gorcey, Sunshine Sammy Morrison, et al.) are on their way to camp in the Adirondacks when they offer a lift to Judge Parker (Forrest Taylor) and his ward Louise (Inna Gest), who are having car trouble. Much to the boys' derision, the judge is the very same who wrongly convicted Knuckles in the previous film. And if that isn't enough, the learned jurist's secluded mansion proves to be in the haunted house category complete with sliding panels, hidden passageways, and a deranged housekeeper (Minerva Urecal). When the judge is found murdered and his ward missing, henchmen Giles (Denny Moore) and Simp (Vince Barnett) naturally accuse Knuckles, who has a motive but no alibi. In their bumbling search for the judge's missing ward, the boys stumble across a prowling detective (Alden Chase), however, and the real culprit is soon unmasked to be none other than -- well, suffice it to say, the killer is the least likely candidate, the East Side Kids, Louise, and Knuckles not included. ~ Hans J. Wollstein, Rovi

14-year-old boys are far more sophisticated now than they were during the 1910s and 1920s, so this picture, based on the Booth Tarkington stories, may sound a bit puerile. The moviegoers of its day, however, were able to relate back to their own childhoods, especially with the capable direction of Marhsall Neilan and the charm of young Wesley Barry as the title character. Penrod is a typical boy (at least for the 1920s) who likes to read Wild West stories and play with his friends. Along with his pals, he organizes the "American Boy's Protective Society," which wins the derision of the townsfolk. But when the boys capture a band of notorious robbers, they become local heroes. Penrod also wins pretty little Clara Horton (who, at 19, wasn't quite "little" enough for the part) from his rival. Included in the stellar cast is the exceptionally talented youngster, Frederick "Sunshine Sammy" Morrison, who was borrowed from the Hal Roach Studios especially for this film. ~ Janiss Garza, Rovi