Wayne Morris Movies

A Kiss in the Dark opens with a shot of Jane Wyman in a two-piece bathing suit. Alas, the dictates of cinematic construction demand that some sort of plot must follow this promising beginning. Wyman plays model Polly Haines, one of several mildly eccentric tenants in an apartment building owned by neurotic concert pianist Eric Phillips (David Niven). Requiring absolute peace and quiet, Eric intends to evict his tenants and thereby have the building all to himself. Soon, however, he is won over by the apartment dwellers, who in their own various ways are as high-strung as the musician. He also falls in love with Polly, just as expected. The supporting cast of Kiss in the Dark is peopled by such expert farceurs as Victor Moore, Broderick Crawford, Wayne Morris, Joseph Buloff, and Curt Bois. Making her final screen appearance is Maria Ouspenskaya as the building's resident "earth mother." ~ Hal Erickson, All Movie Guide

An Angel from Texas was the fourth of five film versions of the venerable George S. Kaufman stage farce The Butter and Egg Man. The plot remains basically the same, with a wealthy but incredibly naïve young sprout coming to the rescue of a near-bankrupt Broadway musical. This time around, Eddie Albert stars as bumptuous Texan Mr. Colman, who uses his mother's life savings to finance the New York stage debut of his hometown sweetheart Lydia (Rosemary Lane). Fast-talking producers McClure (Wayne Morris) and Allen (Ronald Reagan) persuade Colman to invest his money in their upcoming production, a turgid drama that has all the earmarks of a quick failure. But through a series of wacky complications, many of them engineered by Allen's level-headed wife Marge (played by Reagan's real-life spouse Jane Wyman) the show is transformed into a Hellzapoppin-style surprise hit. Amusingly, reviewers in 1940 referred to Ronald Reagan's comedy style as "conservative"! ~ Hal Erickson, All Movie Guide

Rather than play famous outlaw Cole Younger in this film, Warner Bros. contract star Humphrey Bogart chose suspension. Ronald Reagan was considered, and so were James Cagney, Edward G. Robinson, and George Raft, but, happily, the role eventually went to the more age-appropriate Dennis Morgan, a former band singer. Like MGM's Billy the Kid, also from 1941, Bad Men of Missouri emerged as a complete whitewash of the title outlaws. Returning from fighting on the Confederate side in the Civil War, the Younger brothers -- Cole (Morgan), Bob (Wayne Morris), and Jim (Arthur Kennedy) -- find their money no longer viable currency and their homestead about to be usurped by carpetbagger William Merrick (Victor Jory). Standing up to Merrick and his chief henchman, Greg Bilson (Howard DaSilva), old Hank Younger (Russell Simpson) is shot dead, and, in frustration, the sons take up train and bank robbing, eventually joining the even more notorious James brothers, Jesse (Alan Baxter) and Frank. Of course, the celluloid Youngers steal only from the rich to give to the displaced poor. When they are finally caught in Minnesota, the citizenry of Missouri, viewing the Youngers as local heroes, take up a petition for their immediate release. Despite the many historical inaccuracies, Bad Men of Missouri makes for exciting, fast-paced Western entertainment; quite the opposite, in fact, of MGM's staid, overly glamorous depiction of Billy the Kid. Filmed at Sonora, CA, and cast with veterans such as Erville Alderson, Sam McDaniel (who replaced Willie Best in the role of the Younger's devoted servant), and a very funny Walter Catlett, the film premiered in Harrisonville, MO, the birthplace of the Younger brothers and the town where the elder Younger had once been elected mayor. Jane Wyman appears as the nominal heroine, the upstanding girlfriend of Jim Younger, and the film marked the screen debut of Faye Emerson as Cole Younger's ill-fated fiancée. ~ Hans J. Wollstein, All Movie Guide

This comedy is the sequel of Brother Rat. The film begins with the three original protagonists after their graduation from the Virginia Military Institute. One of them has just applied for a job as the academy's baseball coach and the others come to assist him. Mayhem ensues; especially after the two well-meaning friends steal the would-be coach's baby and put it aboard a plane headed for Peru. The babe finally comes back and the ensuing publicity gets the coach his dream job. Meanwhile, the other two finally get the girls of their dreams. ~ Sandra Brennan, All Movie Guide

Based on the true story of Pan American Airlines, China Clipper was released only a year after the first transpacific flight in history. Pat O'Brien stars as Dave Logan, a man completely obsessed with starting the first commerical airline across the Pacific ocean. Engineer Dad Brunn (Henry B. Walthall) designs the airplane, while Dave teams up with business partner Tom Collins (Ross Alexander) to start up his company. Dave's wife, Jean (Beverley Roberts) has her doubts about the airline business, but loves her husband. Dave hires Hap Stuart (Humphrey Bogart) as the pilot to make his first flight to the Caribbean, where he ends up helping out the local people during a hurricane. Things start to go really wrong for Dave when Jean wants to leave him, his Dad gets ill, and his planes are subject to all kinds of tests. This was the last film appearance of Birth of a Nation star Henry B. Walthall, who had reportedly collapsed on the set right during production. ~ Andrea LeVasseur, All Movie Guide

Just as she had in High Sierra (1941), Ida Lupino enjoys a brief moment of bliss with a man on the run in this highly emotional drama from Warner Bros. She plays Libby, a mountain girl nearly deprived of speech due to her rather hostile environment in general and repressive home life in particular. A true innocent, she falls head-over-heels in love with Barry Burnett (Dane Clark), a member of a prison chain gang building a road through the wilderness. One of those convenient storms endemic to this kind of narrative allows Barry and Libby to escape into the hills but their blissful existence proves of short duration. Deep Valley was filmed on location at Big Sur and Big Bear, CA. ~ Hans J. Wollstein, All Movie Guide

Throughout most of the running time of Universal's Double Alibi, it looks as though ostensible hero Stephen Wayne (Wayne Morris) really is guilty of three murders. Even so, girl reporter Sue Carey (Margaret Lindsay) falls in love with Wayne, despite the fact that she also thinks he's guilty. This causes no end of discomfort for city editor Walter Gifford (William Gargan), who is in love with Sue himself, and police captain Orr (James Burke), who has a vested interest in seeing Wayne delivered to the executioner. By film's end, of course, Sue has helped to prove Wayne's innocence, through the simple expedient of stumbling upon the identity of the real killer. With so much going on, it's surprising that Double Alibi could squeeze in the traditional comedy relief of Roscoe Karns, cast once more as a wisecacking photojournalist. ~ Hal Erickson, All Movie Guide

This 55-minute remake of the 75-minute Warner Bros. crime drama Special Agent retains a surprising amount of the original's plotline. Wayne Morris plays crusading journalist Jim Carter, who hopes to get the goods on crime boss Greg Morella (Gilbert Roland), the owner of a posh gambling ship anchored just outside the 12-mile limit. Trouble is, every time a witness is lined up for the federal district attorney (John Litel), said witness is either bought off or killed off, thanks to a stool pigeon in the DA's office. Eventually, Carter must rely upon the eyewitness testimony of Laurie Ogden (Jane Wyman), Morella's bookkeeper. To prevent this, Morella has Laurie kidnapped and hidden away on his ship, but Carter comes to the rescue. The film's central gimmick, a roulette wheel with a concealed camera, evidently caught the fancy of director George Amy, since this particular prop is given more close-ups than the two stars. ~ Hal Erickson, All Movie Guide

In this drama, a press agent loses his job and becomes a Hollywood radio columnist. He is angry about having to change careers and ends up launching a smear campaign upon the actor who got him fired. He begins by announcing that the star's brother is a gangster. This causes the star to be blackballed. The columnist's wife begs him to stop, telling him that she will leave him if he doesn't. He does and peace is restored. ~ Sandra Brennan, All Movie Guide

John Lawrence (Ronald Reagan) is a returning GI. Mary McKinley (Patricia Neal in her film debut) is the girl he left behind. But their reunion will have to wait: John has returned with cockney war bride Lilly Herbish (Virginia Field) in tow. It seems that John married Lilly as a favor to get her into the U.S., intending to divorce her so that she can wed her true love, John's old pal Fred Taylor (Jack Carson). Alas, Taylor has gotten married himself in the interim--and now John is stuck with Lillie. Somewhat cleaned up from Norman Krasna stage original, John Loves Mary is otherwise faithful to its source, right down to the all-smiles curtain call at the end. ~ Hal Erickson, All Movie Guide

Fight manager Nick Donati (Edward G. Robinson) has just lost his best fighter to crooked promoter Turkey Morgan (Humphrey Bogart). During a party at Donati's apartment, a bellhop (Wayne Morris) kayos Morgan's boxer, who has insulted the honor of Donati's girlfriend, Louise "Fluff" Phillips (Bette Davis). Sensing a good thing when he sees it, Donati takes the bellhop under his wing, promoting the erstwhile pugilist as Kid Galahad. Morris is shipped to Donati's farm for training, where he falls in love with Donati's sheltered kid sister, Marie (Jane Bryan). Angered at this, Donati sets up Kid Galahad for a fall, ordering him to take a dive in an upcoming bout and betting his bankroll on Morgan's boy. Kid Galahad takes a terrific beating until, at the urging of Fluff and Marie, he abruptly changes his ring strategy. When Galahad wins, Morgan, feeling he's been double-crossed by Donati, shoots the latter. Morgan manages to fatally wound Morgan before expiring himself; as he breathes his last, he gives his belated blessing to Galahad and Marie's romance. To avoid confusion with Elvis Presley's 1962 remake of Kid Galahad, the earlier film was retitled The Battling Bellhop for TV. ~ Hal Erickson, All Movie Guide

Ladies Must Live was based on George M. Cohan's play The Hometowners, prievious filmed in 1928. Wayne Morris plays the bumpkinish Lake, who tries to prevent his millionaire pal George (George Reeves) from marrying gold-digging nightclub thrush Pat (Rosemary Lane). As it turns out, however, Pat isn't as mercenary as she seems. In fact, it is through the auspices of Pat's inventor father Halliday (Ferris Taylor) that Lake ends up in the millionaire class himself. This outdated farce served only to keep several of Warner Bros.' young contract players busy. ~ Hal Erickson, All Movie Guide

This jungle adventure is the final entry in the "Bomba the Jungle Boy" series. This time Bomba (played by 24-year-old Johnny Sheffield who felt he was getting a tad old for the role) must slaughter a destructive herd of rogue elephants. He is heartsick at the prospect and so devises an ingenious compromise. ~ Sandra Brennan, All Movie Guide