Wayne Morris Movies

As originally conceived by detective novelist Frederick Nebel, hotshot girl reporter Torchy Blaine was a male news-hound named Kennedy. For the purpose of Warner Bros.' Smart Blonde, the character's name and gender was changed -- thereby inaugurating one of the most popular and enjoyable movie series of the 1930s. Glenda Farrell, she of the mile-a-minute mouth, was an inspired choice for Torchy Blaine, while burly Barton MacLane was equally well cast as Torchy's boyfriend-nemesis, police lieutenant Steve McBride. In this first series entry, the only one actually based on a Nebel story, Torchy and Steve join forces to solve -- what else? -- a baffling murder case. McBride thinks that crook-gone-straight Tom Carney (Craig Reynolds) is the guilty party, but Torchy determines that the killing was the handiwork of one of Tom's old underworld cronies. It takes a second murder for McBride to admit that Torchy is right as usual. ~ Hal Erickson, All Movie Guide

Based on the true story of Pan American Airlines, China Clipper was released only a year after the first transpacific flight in history. Pat O'Brien stars as Dave Logan, a man completely obsessed with starting the first commerical airline across the Pacific ocean. Engineer Dad Brunn (Henry B. Walthall) designs the airplane, while Dave teams up with business partner Tom Collins (Ross Alexander) to start up his company. Dave's wife, Jean (Beverley Roberts) has her doubts about the airline business, but loves her husband. Dave hires Hap Stuart (Humphrey Bogart) as the pilot to make his first flight to the Caribbean, where he ends up helping out the local people during a hurricane. Things start to go really wrong for Dave when Jean wants to leave him, his Dad gets ill, and his planes are subject to all kinds of tests. This was the last film appearance of Birth of a Nation star Henry B. Walthall, who had reportedly collapsed on the set right during production. ~ Andrea LeVasseur, All Movie Guide

A cast of Warner Bros. B-movie players struggles valiantly with a leaden script in this medical drama about foster brothers Steven (Donald Woods) and Jerry Brace (Gordon Oliver) following in their physician father's footsteps. But when Jerry, the natural son, loses two patients on account of drunkenness, he cowardly blames Steven, who is subsequently barred from practicing medicine. Dr. Brace Sr. (Joseph King) suffers a fractured skull in a struggle with Jerry, but the latter is once again too drunk to operate. To the rescue comes the disgraced Steven who not only saves the life of his foster-father but also regains the love of pretty Paula Nordland (Jean Muir). Once a Doctor was an unofficial remake of Alias the Doctor, a 1934 melodrama featuring Richard Barthelmess and Marian Marsh. ~ Hans J. Wollstein, All Movie Guide

Fight manager Nick Donati (Edward G. Robinson) has just lost his best fighter to crooked promoter Turkey Morgan (Humphrey Bogart). During a party at Donati's apartment, a bellhop (Wayne Morris) kayos Morgan's boxer, who has insulted the honor of Donati's girlfriend, Louise "Fluff" Phillips (Bette Davis). Sensing a good thing when he sees it, Donati takes the bellhop under his wing, promoting the erstwhile pugilist as Kid Galahad. Morris is shipped to Donati's farm for training, where he falls in love with Donati's sheltered kid sister, Marie (Jane Bryan). Angered at this, Donati sets up Kid Galahad for a fall, ordering him to take a dive in an upcoming bout and betting his bankroll on Morgan's boy. Kid Galahad takes a terrific beating until, at the urging of Fluff and Marie, he abruptly changes his ring strategy. When Galahad wins, Morgan, feeling he's been double-crossed by Donati, shoots the latter. Morgan manages to fatally wound Morgan before expiring himself; as he breathes his last, he gives his belated blessing to Galahad and Marie's romance. To avoid confusion with Elvis Presley's 1962 remake of Kid Galahad, the earlier film was retitled The Battling Bellhop for TV. ~ Hal Erickson, All Movie Guide

In response to Republic's Gene Autry westerns of the late 1930s, Warner Bros. created its own singing cowboy, Dick Foran, for a brief series of second features. Land Beyond the Law wisely puts the priority on action rather than singing. Foran rides into a lawless territory, champions the cause of the oppressed homesteaders, and does battle with the baddies. The finale is an excellently staged gun battle, handled with virtuosity by B. Reeves Eason, whose second-unit work on Warners' historical spectacles (Charge of the Light Brigade et. al.) had made him a valuable studio commodity. Land Beyond the Law also features Wayne Morris, Warners' next major western star. ~ Hal Erickson, All Movie Guide

This third film version of Peter B. Kyne's Valley of the Giants benefits from the breahtaking Technicolor location photography of Sol Polito. Hero Bill Cardigan (Wayne Morris) is a lifetime resident of California's Tall Timber country. When evil land-despoiler Howard Fallon (Charles Bickford) arrives with a team of lumberjacks to strip the territory of its trees, Cardigan tries to stop them, only to discover that Fallon has the law on his side. Eventually, Cardigan finds an unexpected ally in the form of golden-hearted saloon girl Lee Roberts (Claire Trevor), who enables the forces of Good to triumph in the final reel. Stock footage from Valley of the Giants would be seen for years afterward in Warner Bros.' lesser outdoor dramas and two-reelers. The film was remade in 1952 as The Big Trees, with the emphasis shifted so that the Charles Bickford character, now played by Kirk Douglas, ultimately emerges as the hero! ~ Hal Erickson, All Movie Guide

In this comedy drama, a Yale tennis star endeavors to be a good sport at every turn. He finds a girl and together they elope. One day, while he is off on a business trip, she resumes a old fling. When he finds out, the tennis player discovers he is a sore loser, but not nearly as sore as the woman's lover after he finishes beating him up. When he is finished with him, he then goes to his cheating wife and gives her a good spanking. ~ Sandra Brennan, All Movie Guide

Banking on the popularity of the Warner Bros.' boxing saga Kid Galahad (37), the studio rushed into production with another, similarly titled prizefight picture. In Kid from Kokomo, Wayne Morris once more plays a small-town rube who's good with his fists. The "kid" becomes convinced that a drunken harridan (May Robson) is his mother, and invites her to move in with him. Since the old lady is a kleptomaniac, it doesn't take long for the law to breathe down Morris' neck. Pat O'Brien hangs around as Morris' manager, while Joan Blondell and Jane Wyman supply the feminine interest. ~ Hal Erickson, All Movie Guide

A barely disguised rip-off of 20th Century-Fox's all-female Tail Spin (39), Warner Bros.' Flight Angels is an inexpensive "tribute" to airline stewardesses. Among the angels of the title are haughty Virginia Bruce and hoydenish Jane Wyman, who in one scene actually come to blows over their long-simmering rivalry. Dennis Morgan, Wayne Morris and Ralph Bellamy are among the men who do the "real" work above the clouds. The climax involves a pilot who loses his sight, compelling the stewardess on board to perform "above and beyond " etc. Keep an eye out for Flight Angels bit players Jan Clayton, later Tommy Rettig's mother on the TV series Lassie; and DeWolfe Hopper Jr., who changed his name to William Hopper and played Paul Drake on Perry Mason. ~ Hal Erickson, All Movie Guide

An Angel from Texas was the fourth of five film versions of the venerable George S. Kaufman stage farce The Butter and Egg Man. The plot remains basically the same, with a wealthy but incredibly naïve young sprout coming to the rescue of a near-bankrupt Broadway musical. This time around, Eddie Albert stars as bumptuous Texan Mr. Colman, who uses his mother's life savings to finance the New York stage debut of his hometown sweetheart Lydia (Rosemary Lane). Fast-talking producers McClure (Wayne Morris) and Allen (Ronald Reagan) persuade Colman to invest his money in their upcoming production, a turgid drama that has all the earmarks of a quick failure. But through a series of wacky complications, many of them engineered by Allen's level-headed wife Marge (played by Reagan's real-life spouse Jane Wyman) the show is transformed into a Hellzapoppin-style surprise hit. Amusingly, reviewers in 1940 referred to Ronald Reagan's comedy style as "conservative"! ~ Hal Erickson, All Movie Guide

This comedy is the sequel of Brother Rat. The film begins with the three original protagonists after their graduation from the Virginia Military Institute. One of them has just applied for a job as the academy's baseball coach and the others come to assist him. Mayhem ensues; especially after the two well-meaning friends steal the would-be coach's baby and put it aboard a plane headed for Peru. The babe finally comes back and the ensuing publicity gets the coach his dream job. Meanwhile, the other two finally get the girls of their dreams. ~ Sandra Brennan, All Movie Guide

Rather than play famous outlaw Cole Younger in this film, Warner Bros. contract star Humphrey Bogart chose suspension. Ronald Reagan was considered, and so were James Cagney, Edward G. Robinson, and George Raft, but, happily, the role eventually went to the more age-appropriate Dennis Morgan, a former band singer. Like MGM's Billy the Kid, also from 1941, Bad Men of Missouri emerged as a complete whitewash of the title outlaws. Returning from fighting on the Confederate side in the Civil War, the Younger brothers -- Cole (Morgan), Bob (Wayne Morris), and Jim (Arthur Kennedy) -- find their money no longer viable currency and their homestead about to be usurped by carpetbagger William Merrick (Victor Jory). Standing up to Merrick and his chief henchman, Greg Bilson (Howard DaSilva), old Hank Younger (Russell Simpson) is shot dead, and, in frustration, the sons take up train and bank robbing, eventually joining the even more notorious James brothers, Jesse (Alan Baxter) and Frank. Of course, the celluloid Youngers steal only from the rich to give to the displaced poor. When they are finally caught in Minnesota, the citizenry of Missouri, viewing the Youngers as local heroes, take up a petition for their immediate release. Despite the many historical inaccuracies, Bad Men of Missouri makes for exciting, fast-paced Western entertainment; quite the opposite, in fact, of MGM's staid, overly glamorous depiction of Billy the Kid. Filmed at Sonora, CA, and cast with veterans such as Erville Alderson, Sam McDaniel (who replaced Willie Best in the role of the Younger's devoted servant), and a very funny Walter Catlett, the film premiered in Harrisonville, MO, the birthplace of the Younger brothers and the town where the elder Younger had once been elected mayor. Jane Wyman appears as the nominal heroine, the upstanding girlfriend of Jim Younger, and the film marked the screen debut of Faye Emerson as Cole Younger's ill-fated fiancée. ~ Hans J. Wollstein, All Movie Guide