Judy Morris Movies

Fran (Judy Morris) is a 29-year-old university researcher whose biological clock begins to tick so loudly that no alarm is needed to wake her up -- if she does not find a suitable romantic partner soon, how in the world can she have any kind of a life at all? So she embarks on a series of false starts, one after the other, that seem to leave her worse for the wear. Her first long affair with a married man -- hardly a reasonable choice given her aspirations -- has been brought to a quick termination by the man's wife. Her next unfortunate liaison is with her boss, who has no intention of making any commitments. Another of her ill-advised suitors tries to rape her. As she goes from bad to worse, she ends up considering a plodding farmer willing to offer both marriage and commitment -- just what she wants, but not with him. The story only confirms the adage that after the age of 30 or so, all good men are always somewhere else. Fran is left to consider her options -- reset the clock or unplug it. ~ Eleanor Mannikka, All Movie Guide

In a muddled story that seems to have a few missing pieces floating about, Niel (Paul Williams) protests the Vietnam War as a student at the university, as does his girlfriend Patricia (Judy Morris). The war itself separates both of them for an indeterminate period of time -- he inexplicably volunteers to go fight in 'Nam and is wounded, while she volunteers for the Viet Cong and is thrown in jail back home for that activity. Later, both end up married and living a comfortable life in Melbourne. Two of their seriously screwed-up friends have their own traumas to handle or mishandle, and no one seems to get along very well as a consequence. The plot holes in the story are a challenge to try and fill, even with the best imagination.
~ Eleanor Mannikka, All Movie Guide

A jaded filmmaker returns to Australia in search of self. ~ Kristie Hassen, All Movie Guide

Sometimes it just gets to be too much for a man. One day, successful mining engineer Martin Brown packs it in, leaving behind his wife and family and heading for a rural idyll in the hinterlands. Despite his best efforts to escape from the hurly-burly of competitive life, he must fend off the efforts of his greedy former boss to acquire the lush horse-farming estate he has wound up on. Curiously, his abandoned wife doesn't put up much of a fuss over his absence but seems most concerned about his rejection of the prevailing culture's values. ~ Clarke Fountain, All Movie Guide

In this Australian drama, a man serves his six-year prison sentence for participating in a robbery and then tries to return home after his release. His former crime partners are waiting for him and angrily beat him up because he doesn't know where the loot from their last robbery is hidden. The hitchhiking ex-con is picked up by a mentally unstable model driving a 1938 sedan. Once they arrive, he learns that his mother has killed herself and that his girl friend has mysteriously disappeared. After that he and the model set out to find her. ~ Sandra Brennan, All Movie Guide

"Luigi" (David Rappaport) is a Cockney immigrant to Australia, whose job as maitre d' in a high-toned Italian restaurant requires that he take on an ethnic monniker and phony accent. Over time, he has become the confidante of a trio of his customer, yuppie women, all of them friends with each other, who have just lost substantial amounts of money during a sudden drop in the stock market in 1987. Each of them is propelled by this into a series of humorous adventures, including a "rebirthing" session, and an attempted murder (using tainted jam), which they recount to Luigi and to each other over the course of the film. ~ Clarke Fountain, All Movie Guide

Filmmaker Mark Hartley explores Australia's hidden genre in this documentary that casually casts aside "official" film history to celebrate the demented genius of director Brian Trenchard-Smith, and the exciting wave of little-known but supremely entertaining films that entertained adventurous Australian filmgoers throughout the 1970s and '80s. Every film student worth his or her weight in celluloid has seen Breaker Morant and Picnic at Hanging Rock, but what about the lesser-known gems that didn't make the film-school textbooks? In his forward to Tim Lucas' book Mario Bava: All the Colors of the Dark, director Martin Scorsese states, "We have to keep resisting the idea of official film history, a stately procession of 'important works' that leaves some of the most exciting films and filmmakers tucked away in the shadows." In this documentary, director Hartley explores the films forgotten by "official film history" with the comprehensive eye of a true film buff. As a child watching such films as Snapshot and The Man from Hong Kong, Hartley immediately recognized how wildly disparate they were in tone and execution from the films that comprised Australia's traditional film library. Appearing like American genre films that just happened to be shot in Australia and cast with Australian actors, these so-called "Ozploitation" flicks flourished in the wake of relaxed censorship laws down under. Yet despite constant chatter about the "new wave" of Australian cinema, financially successful films like The Man from Hong Kong and Patrick that were popular both at home and abroad were never mentioned, sneeringly dismissed as "genre" films rather than Australian films. Perhaps in the wake of such successful Australian films as Wolf Creek and Undead -- and looking ahead to such films as the slasher shocker Storm Warning and the eagerly anticipated remake of Long Weekend -- curious filmgoers are finally prepared to discover what they've been missing all these years. ~ Jason Buchanan, All Movie Guide

Before he directed the cult classic Highlander (1986), music video creator Russell Mulcahy adapted this stylish, tongue-in-cheek horror film from the novel by Peter Brennan. Gregory Harrison stars as Carl Winters, a grief-stricken American husband who has come to a remote corner of Australia to seek answers in the death of his wife, a TV journalist who was investigating a story on kangaroo poaching. Carl meets Jake Cullen (Bill Kerr), a man obsessed with hunting down what he says is an enormous razorback boar that consumed his grandson. Although he was acquitted, most of the locals believe that Jake murdered the boy himself and invented the crazy story about a giant pig. Jake tells Carl that he believes the razorback is also responsible for his wife's death. At first skeptical, Carl becomes a believer when he encounters the beast. He and Jake track it to a dog food processing plant, where the owners are illegally butchering kangaroos for industrial use. The factory operators are also feeding the dog food to the gigantic razorback, increasing its size and carnivorous appetite. Joined by farmer Sarah Cameron (Arkie Whiteley), Carl and Jake set out to kill the powerful mutant. ~ Karl Williams, All Movie Guide

In this human drama, five passengers are held in isolation on a remote island in New Zealand to find out if any are carrying the cholera bacteria. They rebel and escape, unintentionally heading into the mountains. Among them are Eric (Tom Brennan) an American businessman, Keith (Roy Billing) a New Zealander, and Thomas (Ctibor Turba) a man from central Europe. After several days, the group is rescued by the somewhat introverted Victor (Nigel Davenport) a geologist studying volcanoes, a photographer, and a woman writer who is doing a book on Victor. The drama heads into a series of potential eruptions once it is revealed that Eric is in the weapons business, and Turba is a hired assassin with Eric as his target. Turba's animosity grows as he is cheated out of his intended victim and he is goaded beyond endurance by another member of the group. The various actors in this drama manage to evoke a range of depth in their characters that indicate there are several kinds of "strata" involved in this story. ~ Eleanor Mannikka, All Movie Guide

This comedy, based on Barry Oakley's popular novel Salute to the Great McCarthy chronicles the adventurous and amorous exploits of an Australian country boy. The whole mess begins when the strapping lad is kidnapped and taken to Melbourne to play Australian Rules Football. The perpetrator and owner of the team is Colonel Humphries who also gives the young man a job in his insurance company. There the lad has great fun making love to a series of women--including the colonel's daughter. ~ Sandra Brennan, All Movie Guide

In this Australian entry into the early 1980s sub-genre of films dealing with families rejecting contemporary society for a life of freedom and non-conformity (Mosquito Coast, Lost in America), an Australian family tries to leave the suburbs and start afresh in the country. Connie (Judy Morris) and Lex (Barry Otto) are a happily married couple with a young son. They decide to leave the hustle and bustle of the city and purchase a farm two hours away from the city's noise. The problem is that Connie and Otto are not independently wealthy, and, until their farm becomes self-sufficient, one of them has to keep commuting into town to work. One solution to their dilemma is to hire a live-in baby-sitter. Connie hires Geraldine (Victoria Longley) and then their troubles really begin. ~ Paul Brenner, All Movie Guide

This easygoing drama offers a look back at the early days of the Australian movie business, and it was based on the real-life adventures of pioneering Aussie exhibitor Lyle Penn. Maurice "Pop" Pym (John Meillon) loves motion pictures, and he wants to open a cinema of his own. But shortly after the turn of the century, financial support for such a venture is hard to come by, so Pop does the next best thing; with his young son and a piano player in tow, Pop carts his collection of silent films and a portable projection system from one small town to another across the continent, showing his pictures wherever and whenever he can. However, Pop quickly learns that he already has a rival; Mr. Palmer (Rod Taylor) has decided to go into the movie business as well, and with deeper pockets, he's able to afford better equipment than Pop's shoestring budget can provide. Ironically, Rod Taylor plays a character who was born in Texas but emigrated to Australia; Taylor was in fact born in Australia and became a film star when he moved to the U.S. ~ Mark Deming, All Movie Guide