Adrian Morris Movies

Maintaining Republic Pictures' early-1940s predilection for corny, antiquated titles, Rags to Riches made its national debut in the late summer of 1941. Despite its Horatio Algerish cognomen, the film is a fur-hijacking melodrama, with nary a genuine "rag" in sight. Taking a break from his usual screen villainy, Alan Baxter plays honest cabdriver Jimmy Rogers, who is falsely imprisoned for his supposed complicity in a recent fur robbery. With the help of his aspiring-singer sweetheart Carol (Mary Carlisle), Rogers clears himself and exposes the suave mastermind behind the theft. Anyone who can't figure out the culprit's identity has probably never seen any film made between 1940 and 1945. ~ Hal Erickson, All Movie Guide

In this remake of the classic prison story 20,000 Years in Sing-Sing, John Garfield plays Tommy Gordon, a jewel thief who has been sent up the river for a minimum of 25 years. Tommy isn't especially worried about prison, as he's convinced his well-connected friends will help him get out before long. But Tommy learns the hard way his friends aren't as helpful as he imagined, and he regrets causing so much trouble for reform-minded warden Walter Long (Pat O'Brien), who he comes to regard as a friend and ally. Tommy's girlfriend, Kay Manners (Ann Sheridan), is desperate to get him out of prison and enlists the help of shifty lawyer Ed Crowley (Jerome Cowan); however, when Crowley tries to extract a payment from Kay that has nothing to do with money, she puts up a fight and ends up seriously hurt. Long shows his sympathetic side by granting Tommy a pass to visit Kay, but when he arrives at her home, he discovers Crowley has also arrived to see her. A scuffle ensues, and Kay shoots Crowley. Rather than see her go to jail, Tommy takes the blame, but soon goes on the lam, betraying Long's trust. ~ Mark Deming, All Movie Guide

Despite the title, the Cisco Kid (Cesar Romero) doesn't feel too lucky at the beginning of this film. It seems that someone else has been committing crimes while passing himself off as Cisco. The scheme was cooked up by a corrupt judge (Willard Robertson), who hopes to drive the settlers off the land and buy it up himself, all the while placing the blame for the reign of terror on the Kid's shoulders. But with the help of his paunchy pal Gordito (Chris-Pin Martin), our hero puts an end to the skullduggery. As a bonus, he finds time for romance in the arms of gorgeous widow Mrs. Lawrence (Evelyn Venable). Mary Beth Hughes has one of her better earlier roles as a brassy dance-hall doxie. ~ Hal Erickson, All Movie Guide

This Technicolor sequel to 1939's Jesse James does without the services of the earlier film's star Tyrone Power, who after all was shot dead by that "dirty little coward" Bob Ford (John Carradine). Repeating his portrayal of western outlaw Frank James, Henry Fonda is promoted to top billing here. As depicted by scenarist Sam Hellman, Frank has retired from his life of crime to become a peaceful farmer, though he has never given up his search for the treacherous Ford. The killer and his cohorts are eventually rounded up, but are pardoned due to political intervention. That's when Frank slaps on six-guns once more to seek his own form of justice. Featured in the cast is Henry Hull as a top-of-his-lungs crusading newspaperman and Jackie Cooper as a headstrong young sprout who pays the ultimate price for his bullheadedness. Making her screen debut is Gene Tierney, in the role of an Eastern reporter who wants to tell Frank's true story to the world. ~ Hal Erickson, All Movie Guide

This barely-disguised portrait of singer Fanny Brice led to Brice's lawsuit against 20th Century Fox for defamation of character, a case which was settled out of court. Alice Faye plays Rose Sargent, a New York singer of the 1920s who falls for handsome, cocky wheeler-dealer Bart Clinton (Tyrone Power in a role patterned on Brice's troubled real-life paramour Nicky Arnstein). Rose's new romance is much to the dismay of her pal and former partner Ted Cotter (Al Jolson), who doesn't trust the slick, smooth-talking Bart. Eventually, Rose and Bart marry, but as the entertainment careers of Rose and Ted take off, Bart's tendency to get over his head in get-rich-quick schemes evolves into a bona fide criminal career. Rose finally makes the big time, becoming a popular star with the Ziegfeld Follies, and Bart skips town in order to preserve her reputation. However, Bart is nabbed by the authorities and sentenced to five years in jail. Despite the public scandal, Rose and Bart's devotion remained undiminished. Songs include the classics "California, Here I Come", "Toot Toot Tootsie Goodbye", "I'm Just Wild About Harry" and the perhaps unwise inclusion of "Funny Lady" Brice's signature song, "My Man". ~ Karl Williams, All Movie Guide

District attorney Walter Pidgeon pursues the conviction of criminals so diligently that word has gone out in the state prison to "get" Pidgeon at the first opportunity. The DA has several enemies on the outside as well, one of whom frames him on a bribery charge. Pidgeon is sentenced to the prison where he has sent so many miscreants in the past. Dodging attempts on his own life, Pidgeon makes several valuable convict friends and manages to clear himself during a climactic jailbreak. 6,000 Enemies runs only 61 minutes--an average of about 100 enemies per minute. ~ Hal Erickson, All Movie Guide

If I Were King is a delightful costume adventure tale set in 14th century France, during the reign of Louis XI, and inspired by the legend of the rebel poet François Villon, whose exploits were filmed earlier as The Beloved Rogue (1927) with John Barrymore, and later transformed into the musical The Vagabond King on Broadway and onscreen. The movie opens with Paris surrounded by the forces of the Duke of Burgundy, whose armies have laid siege to the city in hopes of starving out King Louis XI (Basil Rathbone, in a riveting performance), a wily, cruel monarch who distrusts all around him -- mostly, however, Burgundy has succeeded in forcing Louis to hunker down and in starving the common people of Paris, whose well-being their king can't be bothered about.

The one man in Paris with the courage to raise a hand to ease the suffering is François Villon (Ronald Colman), a gifted poet and glib orator who understands the common people far better than Louis. We first meet him leading a raid on the king's storehouse for sorely needed food and wine. Pursued by the king's guards, he accidentally crosses paths with Louis himself -- trying to uncover a nest of traitors -- at a tavern, and is captured. Louis would normally have Villon put to death without a second thought, but the rebel poet has done him the service of killing a treasonous officer, and has also piqued the king's interest with his notion of inspiring loyalty rather than fear in his subjects. The king also wishes to show Villon that it isn't always easy, even with all of the power of the crown on one's side, to rule a kingdom, or even the capitol city of a kingdom. Louis appoints Villon to the post of Constable of France, in command of all military and police authorities, and nominally in charge of the army, and leaves it to him to do his job -- with the provision that, at the end of a week in so powerful a position, Villon will, indeed, hang. Villon does a very good job of dispensing justice in a way that makes his followers love the king, and even turns one traitor into a loyalist. He is less successful at getting the titled nobility on his side, or the generals to rally their armies for the task at hand, breaking the siege, and is further distracted from his task by his romantic entanglements, with Ellen Drew as the girl of the streets who loves Villon and Frances Dee as the lady-in-waiting to the queen who has stolen his heart.

Director Frank Lloyd uses the same sure hand that propelled his Oscar-nominated Mutiny on the Bounty (1935) to weave together the telling of this lusty and witty tale (from a clever screenplay by Preston Sturges, who added his own translations of Villon's poetry to the original script); but the real interest for most viewers will reside with the sparks that fly from the performances of Colman and Rathbone as the two equally matched antagonists, each toying with the other's perceived weaknesses (especially their vanity) while, in his way, secretly admiring elements of the other's character. In the end, Sturges' script cleverly interweaves their common interests, Villon realizing that he must save Paris in order to keep from losing his head. ~ Bruce Eder, All Movie Guide

In this mystery programmer, a prizefighter dies in the midst of a match, but evidence suggests that it was a dose of poison that killed him rather than the violence of the bout. Mr. Moto (Peter Lorre), a detective who also teaches sleuthing to others, is called in to find out who killed the boxer and why. Assisting Mr. Moto is Lee Chan (Keye Luke), the "number one son" from the Charlie Chan series. Mr. Moto's Gamble began as Charlie Chan at Ringside, but after Warner Oland became seriously ill during filming, it was rewritten for the screen's other well-known Asian detective in order to make use of the footage that had already been shot. ~ Mark Deming, All Movie Guide

In the tradition of such earlier Universal serials as Flash Gordon and Jungle Jim, the 12-chapter Radio Patrol was based on a popular comic strip, this one created by Eddie Sullivan and Charlie Schmidt. Grant Withers heads the cast as "radio cop" Pat O'Hara, at present the protector of young Pinky Adams (Mickey Rentschler). Pinky's father, the inventor of a new bulletproof steel, has been murdered, and the villains intend to kidnap the boy and force him to reveal his dad's secret formula. With the help of Molly Selkirk (Katherine Hughes), Pat prevents the bad guys from getting their slimy hands on Pinky. He also proves that the mastermind behind the crooks is the highly respected owner of a huge steel factory. Featured prominently in the cast is the talented German shepherd Silver Wolf, here cast as "Irish." ~ Hal Erickson, All Movie Guide

Paramount spent a record one million dollars on its 1937 Mae West vehicle Every Day's a Holiday. La West portrays a turn-of-century confidence trickster who poses as a famous French chanteuse to avoid arrest. In this guise, she manages to expose crooked police chief Lloyd Nolan and smooths the path for reform mayoral candidate Edmund Lowe. A strong cast of supporting comedians, including Charles Winninger, Charles Butterworth and Walter Catlett, match Mae quip for quip. Elaborately produced and snappily directed by Eddie Sutherland, Every Day's a Holiday should have been the hit that Mae West needed to save her flagging film career. Unfortunately, her vogue had passed, plus she was under fire from America's bluenoses because of her previous "racy" vehicles and her recent "lewd and lascivious" appearance on Edgar Bergen's radio show. (When heard today, West's "Adam and Eve" sketch seems harmless enough, but remember the formidability of the Bible Belt back in 1938.) As a result, Every Day's a Holiday lost every penny it cost and then some -- and effectively ended Mae West's relationship with Paramount, the studio she had single-handedly rescued from bankruptcy with She Done Him Wrong back in 1933. ~ Hal Erickson, All Movie Guide

Actual footage of the 1936 Rose Bowl game is cleverly (if not seamlessly) integrated into the action of this sports-oriented comedy. Longtime chums Paddy O'Reilly (Tom Brown) and Dutch Schultz (Benny Baker) may be heroes of the high-school gridiron, but they're persona non grata with the girls, thanks to campus lothario Ossie Merrill (Larry "Buster" Crabbe). Managing to get on the college football team in time for the Rose Bowl competition, Paddy and Dutch finally win out over Ossie by scoring the winning touchdown. Of interest in the cast as one of the campus cuties is curvaceous Priscilla Lawson, who'd previously starred as Princess Aura opposite Buster Crabbe in the Universal serial Flash Gordon. Also on hand is William Frawley, as-what else? -- a college football coach. ~ Hal Erickson, All Movie Guide

Ann Sothern essays the title role in My American Wife. The story opens in Smelter City, Arizona, where the richest man in town is grizzled old Indian fighter Lafe Cantillon (Fred Stone). Lafe's social-climbing sister-in-law (Billie Burke) insists that her daughter Mary wed a titled European, Count Ferdinand (Francis Lederer). Much to Lafe's delight, Mary isn't assimilated into Continental high society; instead, she instructs Count Ferdinand in the virtues of good, old-fashioned American democracy. And, of, course, the Count and Lafe become great chums when the "furriner" proves that he can ride a bucking bronco with the best of 'em. ~ Hal Erickson, All Movie Guide