Karen Morley Movies

Willowy leading lady Karen Morley received most of her acting training at Pasadena Playhouse. Signed to an MGM contract in 1931, she distinguished herself in a series of offbeat roles, notably the defiant heroine in Mask of Fu Manchu (1932), the title character's foredoomed predecessor in Mata Hari (1932), and the mistress of the President of the United States in Gabriel Over the White House (1933). On loan to Howard Hughes, she was seen as gangster Paul Muni's "high-class" paramour in Scarface (1931); and at RKO, she was the much-despised blackmailer (and well-deserved murder victim) in The Phantom of Crestwood (1933). Too mannered and aloof to become an audience favorite, she nonetheless worked steadily on-stage and onscreen well into the late '40s. Her film career came to a sudden halt in 1951 when she invoked the Fifth Amendment before the House Un-American Activities Committee. Blacklisted from Hollywood, she unsuccessfully attempted to start a career in politics, then completely retired, refusing numerous entreaties to resume her film work once the blacklist had relaxed in the 1960s. Formerly married to director Charles Vidor, Karen Morley was later the wife of fellow blacklistee Lloyd Gough. ~ Hal Erickson, All Movie Guide
1935  
 
In this drama, a mild-mannered bookkeeper has trouble asserting himself in both his personal and professional life. His boss is a real tightwad and the poor clerk is basically working for nothing. To show his gal that he isn't a total wimp, he finally screws up his courage and asks for a well-deserved raise. At first things don't turn out as well as he had hoped. Fortunately, his future is assured when he learns that some land he owns is worth a fortune. ~ Sandra Brennan, All Movie Guide

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Starring:
Edward Everett HortonKaren Morley, (more)
1932  
 
"Are you listening?" was the catchphrase of early-1930s radio personality Tony Wons. Though Wons does not appear in the 1932 MGM programmer Are You Listening?, the film is concerned with the burgeoning broadcast industry. William Haines plays a wise-cracking radio writer who is tricked into confessing on the air that he murdered his wife. Whenever an actor normally associated with comedy roles plays a murderer (either actual or implied) in a film, it's usually a sign that his studio contract has come to an end. Such was the case of Are You Listening?, which proved to be William Haines' swan song at MGM, where he'd been employed since 1925. Perhaps as a going-away present, J.P. McEvoy's script contrives to give Haines three leading ladies: Madge Evans, Anita Page and Karen Morley (nobody outside the industry knew that Haines was in fact a homosexual, and MGM was determined to keep it that way). ~ Hal Erickson, All Movie Guide

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Starring:
William HainesMadge Evans, (more)
1932  
 
John Barrymore plays a burglar and his brother Lionel Barrymore is the detective trying to catch him in this cleverly cast drama. An upscale thief who works under the name of Arsene Lupin is making the rounds of the homes of the wealthy and privileged, and Detective Guerchard (Lionel Barrymore) is determined to track him down. What he doesn't know is that the suave and sophisticated Duke of Charmerace (John Barrymore) is actually the man behind the robberies. Will Guerchard find out the thief's true identity before he can execute a daring theft from the Louvre Museum? Karen Morely co-stars as Sonia, the Duke's love interest. ~ Mark Deming, All Movie Guide

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Starring:
John BarrymoreLionel Barrymore, (more)
1936  
 
This lavishly appointed Sam Goldwyn soap opera is set in Ireland during "the troubles." Irish rebel leader Dennis Reardon (Brian Aherne) falls in love with Lady Helen Drummond (Merle Oberon), the aristocratic daughter of British diplomat Lord Athleigh (Henry Stephenson). Reardon's underground associates, not so romantically inclined, assume that their leader has sold out to the enemy, when in fact he is working tirelessly for an honorable and equitable end to the hostilities. His best friend O'Rourke (Jerome Cowan) is given the job of assassinating Reardon, leading to a tragic climax more suited to an Italian opera than an Irish political meller. Beloved Enemy was very loosely based on the exploits of Irish patriot Michael Collins, who of course was the subject of the far more accurate 1996 biopic starring Liam Neeson and Julia Roberts. ~ Hal Erickson, All Movie Guide

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Starring:
Merle OberonBrian Aherne, (more)
1935  
 
Like many 1930s Warner Bros. films, Black Fury drew its inspiration from the headlines. The story is adapted from a true-life incident from 1929, wherein a striking Pennsylvania coal miner was beaten to death by three company detectives; this served as the focus for Henry R. Irving's stage play Bohunk as well as Judge M. A. Musmanno's story Jan Volkanik, both of which were woven into Black Fury's screenplay. Using a Polish accent so thick one can cut it with scissors, Paul Muni plays an illiterate miner, happy in his job and his company-town surroundings until his girl Karen Morley deserts him for policeman William Gargan. A disconsolate, drunken Muni stumbles into a labor meeting, where his loud, unthinking outbursts win him the leadership of the new miner's union. When the company locks out the strikers and brings in scabs, the angry miners hold the thick-headed Muni responsible. Fellow miner John Qualen, Muni's best friend, is then killed by a gang of rampaging hired goons. Vowing to "feex" the situation, Muni kidnaps head goon Barton MacLaine and takes him into the bowels of the mine with several sticks of dynamite in tow. Muni threatens to blow himself, MacLaine, and the mine to smithereens unless management comes to terms with the union. Thanks to overwhelming public support, the owners capitulate, and Muni is the hero of the hour. Though it seemed uncompromising in 1935, Black Fury obviously pulls its punches when seen today; for example, it is suggested that the mine owners are guiltless regarding violence against the strikers, laying blame on the hired detectives, who are shown to be in the employ of a crook who plays both sides against the other. Even allowing for this, Black Fury is one of the most powerful of Warners' "social conscience" films. Although the Academy gave Muni a Best Supporting Actor nod for this film, the AMPAS database indicates that it wasn't an "official nomination" - he was a write-in candidate, and came in second. ~ Hal Erickson, All Movie Guide

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Starring:
Paul MuniKaren Morley, (more)
1931  
 
A man who unthinkingly sullied the honor of a virtuous girl now must deal with his own ethical downfall in this drama. Willi Kasder (Ramon Novarro) is a lieutenant in the Austrian Army who one night picks up an innocent young woman named Laura Taub (Helen Chandler). Willi shares several drinks with the naive Laura and takes advantage of her; the next morning, she discovers to her horror that he left money for her and has no intention of seeing her again. Emotionally shattered, Laura soon becomes the mistress of Herr Schnabel (Jean Hersholt), a wealthy but corrupt gentleman with a taste for gambling. Willi begins gaming with Schnabel and soon falls deeply in debt; eventually Schabel gives Willi two options: pay the money you owe or kill yourself. Willi tries to find a way out of his dilemma while also hoping to free Laura from the corrupt lifestyle into which he led her. ~ Mark Deming, All Movie Guide

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Starring:
Ramon NovarroHelen Chandler, (more)
1936  
 
In this action film, a courageous test pilot works with experimental aircraft for the US Armed Forces. When an important airplane manufacturer dies, his daughter is left to run the company. The company seems to be producing dangerous prototypes; many test pilots die during test runs. The woman decides that she will have no more blood on her hands; she decides to close the company. The pilot changes her mind when he successfully flies one of the prototypes. ~ Sandra Brennan, All Movie Guide

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Starring:
Richard DixKaren Morley, (more)
1933  
 
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Based on the Broadway hit by George S. Kaufman and Edna Ferber, Dinner at Eight is a near-flawless comedy/drama with an all-star cast at the peak of their talents. Social butterfly Mrs. Oliver Jordan (Billie Burke) arranges a dinner party that will benefit the busines of her husband (Lionel Barrymore). Among the invited are a crooked executive (Wallace Beery), who is in the process of ruining Jordan; his wife (Jean Harlow), who is carrying on an affair with a doctor (Edmund Lowe); a fading matinee idol (John Barrymore), who has squandered his fortune on liquor and is romantically involved with the Jordan daughter (Madge Evans); and a venerable stage actress (Marie Dressler), who since losing all her money has become a "professional guest." Nothing goes as planned, due to various suicides, double-crosses, compromises, fatal illness, and servant problems. But dinner is served precisely at eight. The script by Herman Mankiewicz, Frances Marion, and Donald Ogden Stewart is a virtual enclyopedia of witty lines and scenes, right down to the unforgettable closing gag. ~ Hal Erickson, All Movie Guide

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Starring:
Marie DresslerJohn Barrymore, (more)
1932  
 
Flesh was one of the few big-studio films to deal with the subject of professional wrestling--at least until Hulk Hogan came along in the 1980s. Wallace Beery stars as a thickheaded waiter in a German beer garden who uses his muscles to clear out rowdy patrons. Beery channels his strength into a wrestling career, grappling his way up to the championship. His wife Karen Morley enjoys the creature comforts of Beery's success, but her heart belongs to her ex-lover Ricardo Cortez, and soon Karen is stepping out on her husband. Beery finds out and exacts a terrible revenge on Cortez--just minutes after Karen wises up and realizes she loves Beery after all. John Ford directed Flesh in a heavy Germanic fashion reminiscent of the Emil Jannings "cuckolded husband" melodramas of the 1920s. ~ Hal Erickson, All Movie Guide

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Starring:
Wallace BeeryKaren Morley, (more)
1947  
 
A man down on his luck runs afoul of a beautiful but dangerous woman in this superior low-budget film noir. Mike Lambert (Glenn Ford), while trained as a mining engineer, has fallen on hard times and is driving a truck when his rig breaks down in a small town. He soon meets the seductive Paula Craig (Janis Carter) at a cafe and is quickly drawn into her web of larceny. Paula encourages her lover, Stephen Price (Barry Sullivan), to rob the bank that he manages, then kills Stephen and takes the ill-gotten money. Paula confesses the killing to Mike and begs him to run away with her, claiming she murdered Price in a fit of passion while she was drunk. Mike considers her offer until he learns that his close friend Jeff Cunningham (Edgar Buchanan) has been accused of killing Stephen -- and that Paula intends to pin the robbery that Stephen committed on Mike. Femme Fatale Janis Carter originally studied to be a classical musician before her career as an actress took off, while Edgar Buchanan's big break would come 16 years down the road, when he was cast as "Uncle Joe" on the television series Petticoat Junction. ~ Mark Deming, All Movie Guide

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Starring:
Glenn FordJanis Carter, (more)
1933  
 
In 1933, at the height of the bleakness and desperation of the Depression, MGM released this genuine curiosity piece -- directed by comedy (!) director Gregory La Cava -- concerning a Warren G. Harding-like partisan hand-shaker President of the United States who, after seeing a vision, revokes the Constitution, becomes a reigning dictator, and solves all of the nation's problems. Walter Huston plays Judson Hammond, recently elected President of the United States, who treats his elected office as a joke and acts as a dispenser of Party favors. But after an automobile accident, he sees the Archangel Gabriel, who inspires him to declare himself dictator. His first line of business after his conversion is to fire his Cabinet. This leads to impeachment proceedings, but Hammond enters the Senate chamber and takes over the Congress. He then tackles unemployment by meeting with John Bronson (David Landau), the leader of masses of marching unemployed men. When gangster Nick Diamond (Henry C. Gordon) and his goons assassinate Bronson, Hammond uses his brown-shirted storm troopers to blast their way into Diamond's headquarters and blow him away. The President then intimidates the leaders of countries that owe money to the United States to pay their debts then forces them to disarm and pledge world peace. Hammond rapidly becomes the most popular fascist President in United States history. ~ Paul Brenner, All Movie Guide

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Starring:
Walter HustonKaren Morley, (more)
1931  
 
In her final starring role, silent screen diva Mae Murray plays Dolly, a young gold digger who manages to trap a rich widower, Dick (Edward Martindel). Although the couple seems happy enough, Dick's alcoholic brother, Joe (Lowell Sherman), becomes suspicious of the girl's motives and suspicion gives way to certainty when he spots Dolly embracing one Louis DeSalta (Leyland Hodgson), supposedly a stranger. Leaving the booze behind, Joe sets a trap for Dolly and DeSalta, who are made to confess. High Stakes was directed by its star, Lowell Sherman, who also cast the entertainingly over-the-top Murray in the comedy Bachelor Apartment (1931). ~ Hans J. Wollstein, All Movie Guide

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1931  
 
Not every Greta Garbo film is an imperishable classic; this was seldom truer than in the case of her repetitious 1931 vehicle Inspiration. A modernized adaptation of Alphonse Daudet's Sappho, the film casts Garbo as Yvonne, a Parisian belle with "a history." When her past returns to haunt her, she decides to walk out on her sweetheart Andre (Robert Montgomery), even though she still loves him. Eventually she returns to Andre, but this time he leaves her. Worried that Yvonne will take drastic action over his defection, Andre returns, whereupon Yvonne breaks up the romance a third time, "all for the best." Had there been a fourth breakup, the audience probably would have walked out. No matter: Garbo illuminates every scene she's in, and that's all anyone could possibly ask for. ~ Hal Erickson, All Movie Guide

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Starring:
Greta GarboRobert Montgomery, (more)
1945  
 
A bit "artier" than most Republic melodramas, Jealousy was directed by Gustav Machaty, the Czech expatriate famous for the 1933 exercise in erotica Extase. Nils Asther plays failed novelist Peter Urban, who is married to gorgeous Janet Urban (Jane Randolph). While trying to replenish the family coffers by working as a cab driver, Janet meets and befriends handsome physician David Brent (John Loder). Shortly afterward, a murder occurs, which is made to look like a suicide. Without tipping off too much of the plot, it's worth noting that Brent's associate is the bewitching Dr. Monica Anderson (Karen Morley) , and that such mysterious types as Hugo Haas and Mauritz Hugo are also in the picture. Jealousy was based on a story by Dalton Trumbo. ~ Hal Erickson, All Movie Guide

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Starring:
John LoderJane Randolph, (more)
1938  
 
The blue grass of Kentucky was seen in three-strip Technicolor for the first time in this rambling racetrack drama. Sally Goodwin (Loretta Young) falls in love with Jack Dillon (Richard Greene), but the arrangement is complicated by a decades-old feud. Sally's uncle Peter (Walter Brennan, who won his second Academy Award for this appearance) has hated Jack's family ever since sides were chosen up in the Civil War. Jack secretly trains Peter's horse for the Kentucky Derby, causing the old man to nearly withdraw from the event out of pique. All is forgiven when the horse wins, but Brennan dies of the excitement, and his eulogy is read by a member of the family with whom he'd been feuding for nearly 70 years. ~ Hal Erickson, All Movie Guide

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Starring:
Loretta YoungRichard Greene, (more)
1973  
 
When a call girl wearing a stolen diamond ring turns up murdered, Kojak (Telly Savalas) begins following the fragmentary clues, the path eventually leading to a gang of upstate bank burglars. At the same time, the gang is preparing a spectacular robbery in Kojak's former jurisdiction--and have set up plenty of diversions to keep the cops from nipping at their heels. This episode features a rare TV appearance by former film star Karen Morley, whose career was all but destroyed by the Hollywood Blacklist. ~ Hal Erickson, All Movie Guide

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1951  
 
It took nerve for director Joseph Losey to attempt a remake of Fritz Lang's classic chiller M, but by and large Losey was up to the challenge. David Wayne steps into the old Peter Lorre role as the compulsive child-murderer who is tracked down and then placed on trial by the criminal underworld. Whereas the original was set in Berlin, the remake takes place in Los Angeles. Syndicate chieftain Marshall (Martin Gabel) organizes his fellow crooks in order to bring "M" to justice, thereby keeping the police off their own backs. Found guilty by his "peers" and sentenced to death, "M" makes an impassioned plea for his life, explaining that he is unable to stop himself from committing his unspeakable crimes. Filmed just before Joseph Losey was banned from Hollywood in the wake of the communist witch-hunt, M features such fellow blacklist victims as Howard da Silva, Luther Adler and Karen Morley. ~ Hal Erickson, All Movie Guide

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Starring:
David WayneLuther Adler, (more)
1932  
 
Man About Town owns the distinction of being the first espionage film ever set in contemporary America. Warner Baxter stars as Stephen Morrow, an embryonic James Bond who doubles as a gambler and secret agent. The scion of a wealthy Washington family, Morrow is ordered by the government to set up a gambling establishment, the better to attract possible enemy spies. The plot segues into a romantic triangle, with Budapest native Helena (Karen Morley) coming between Morrow and his old friend, British ambassador Bob Ashley (Conway Tearle). One thing leads to another, and by film's end Helena has murdered a slimy blackmailer-spy to protect the reputation of her younger sister (an outtake of this scene exists, with Karen Morley dropping character when her prop gun fails to work). One hopes that the original Denison Clift novel wasn't as confusing as this film. ~ Hal Erickson, All Movie Guide

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Starring:
Warner BaxterKaren Morley, (more)
1932  
 
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"So much for Carlotta" muses the head of German Espionage (Lewis Stone), shortly after secret agent Karen Morley is put to death. Morley's successor is exotic dancer Mata Hari (Greta Garbo), an enigmatic woman of Javanese-Dutch ancestry who seldom thinks twice about luring some poor swain to his doom. Assigned to intercept allied war messages, Mata Hari romances garrolous-general Lionel Barrymore. She falls in love for the first and only time in her life when she meets dazzlingly handsome lieutenant Ramon Novarro. Barrymore finds out about the affair and threatens to expose both Mata and Novarro as spies, whereupon Ms. Hari shoots Barrymore dead. She arranges for Novarro to leave the country lest he be implicated in the murder. He is subsequently blinded in an airplane crash, setting the stage for Garbo's now-famous "Let me be your eyes" scene. Mata Hari is tried and sentenced to death, but is permitted a few final precious moments with Novarro, allowing him to go on believing that he is in a military hospital rather than a prison cell, and that his beloved is dying of a mysterious ailment rather than facing a firing squad. The debate still rages among film buffs as to whether Greta Garbo does her own dancing in Mata Hari, or whether that's her double in the long shots. There is no question, however, that the condemned prisoner in the first reel who refuses to betray Mata to his captors is none other than Mischa Auer. ~ Hal Erickson, All Movie Guide

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Starring:
Greta GarboRamon Novarro, (more)
1931  
 
In this romantic comedy-drama, a wealthy San Francisco businessman becomes the guardian of a sexy young Polynesian woman. At first, he sees her as in the way, but he falls in love with her and moves back to her home island with her, adopting the ways of the natives. ~ Steve Huey, All Movie Guide

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Starring:
Leslie HowardConchita Montenegro, (more)
1937  
 
A Mississippi flood saves the life of a petty crook who is about to be lynched for a murder he did not commit. After he escapes, he flees to a nearby plantation where he and a woman (claiming to be his wife) are taken in and treated with great kindness. They are happy until the killer that framed the crook shows up. Things look bleak until once again, the Mighty Mississippi roars in to save the day. ~ Sandra Brennan, All Movie Guide

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Starring:
Grant RichardsKaren Morley, (more)
1934  
 
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Unable to secure Hollywood-studio backing for his Depression-era agrarian drama Our Daily Bread, director King Vidor financed the picture himself, with the eleventh-hour assistance of Charles Chaplin. Intended as a sequel to Vidor's silent classic The Crowd (1928) the film casts Tom Keene and Karen Morley as John and Mary, the roles originated in the earlier film by James Murray and Eleanor Boardman. Unable to make ends meet in the Big City, John and Mary assume control of an abandoned farm, even though they know nothing about tilling the soil. Generous to a fault, the couple opens their property to other disenfranchised Depression victims, and before long they've formed a utopian communal cooperative, with everyone pitching together for the common good. Beyond such traditional obstacles as inadequate funding, failed crops and drought, John is deflected from his purpose by sluttish blonde vamp Sally (Barbara Pepper), but he pulls himself together in time to supervise construction of a huge irrigation ditch -- a project which consumes the film's final two reels, and which turns out to be one of the finest and most thrilling sequences that Vidor (or anyone) ever put on film. The acting by Tom Keene and Barbara Pepper is atrocious, but John Qualen saves the show as a dedicated Swedish farmer, especially when he loudly rejects the notion that communal farming is a "Red" idea (this didn't stop the anti-New Deal press from labelling the film as "Pinko" back in 1934 -- and never mind that the communist press considered the film "capitalist propaganda"!) The optimistic finale, distinguished by its Eisentein-like "rhythmic" editing, fortunately lingers in the memory far longer than the film's dramatic and structural defects. Our Daily Bread is also enhanced by Alfred Newman's stirring musical score, later borrowed by Darryl F. Zanuck for his production of Les Miserables (1935). ~ Hal Erickson, All Movie Guide

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Starring:
Karen MorleyTom Keene, (more)
1931  
 
In this comedy, a female mayoral candidate promises to rid the town of gangsters. She joined the race in the first place when her daughter got involved with a young mobster who has been framed for a murder. With her manager's assistance, the candidate rallies all the women in town and gets them to stop taking care of their husbands unless the men vote for her. It works like a charm and the woman is elected. ~ Sandra Brennan, All Movie Guide

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Starring:
Marie DresslerPolly Moran, (more)
1940  
NR  
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Long before 19th-century novelist Jane Austen became a hot property in Hollywood, MGM produced this opulent and entertaining adaptation of one of Austen's best-known novels. The elegant and slyly satirical comedy of manners gets under way when socially conscious Mrs. Bennet (Mary Boland), with the begrudging assistance of her husband (Edmund Gwenn), begins seeking out suitable (and suitably wealthy) husbands for her five daughters: Elizabeth (Greer Garson), Jane (Maureen O'Sullivan), Lydia (Ann Rutherford), Kitty (Heather Angel), and Mary (Marsha Hunt). One of the least likely matrimonial prospects is Mr. Darcy (Laurence Olivier), a rich, handsome, but cynical and boorish young man. Naturally, Elizabeth Bennet, the strongest-willed of the Bennet girls, is immediately fascinated by him, and she sets out to land him -- but only on her own terms, and only after she has exacted a bit of genteel revenge for his calculated indifference to her. Though Austen's novel was set in 1813, the year of its publication, the film version takes place in 1835, reportedly so as to take advantage of the more attractive costume designs of that period. Not surprisingly, a few changes had to be made to mollify the Hollywood censors (eager to find offense in the most innocent of material): the most notable is the character of Mr. Collins (Melville Cooper), transformed from the book's hypocritical clergyman to the film's standard-issue opportunist. ~ Hal Erickson, All Movie Guide

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Starring:
Greer GarsonLaurence Olivier, (more)
1949  
 
Samson and Delilah is Cecil B. DeMille's characteristically expansive retelling of the events found in the Old Testament passages of Judges 13-16. Victor Mature plays Samson, the superstrong young Danite. Samson aspires to marry Philistine noblewoman Semadar (Angela Lansbury), but she is killed when her people attack Samson as a blood enemy. Seeking revenge, Semadar's younger sister Delilah (Hedy Lamarr) woos Samson in hopes of discovering the secret of his strength, thus enabling her to destroy him. When she learns that his source of his virility is his long hair, Delilah plies Samson with drink, then does gives him the Old Testament equivalent of a buzzcut while he snores away. She delivers the helpless Samson to the Philistines, ordering that he be put to work as a slave. Blinded and humiliated by his enemies, Samson is a sorry shell of his former self. Ultimately, Samson's hair grows back, thus setting the stage for the rousing climax wherein Samson literally brings down the house upon the wayward Philistines. Hedy Lamarr is pretty hopeless as Delilah, but Victor Mature is surprisingly good as Samson, even when mouthing such idiotic lines as "That's all right. It's only a young lion". Even better is George Sanders as The Saran of Gaza, who wisely opts to underplay his florid villainy. The spectacular climax to Samson and Delilah allows us to forget such dubious highlights as Samson's struggle with a distressing phony lion and the tedious cat-and-mouse romantic scenes. ~ Hal Erickson, All Movie Guide

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Starring:
Hedy LamarrVictor Mature, (more)

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