Alberto Morin Movies

The Wings of Eagles is filmmaker John Ford's paean to his frequent collaborator--and, it is rumored, drinking buddy--Cmdr. Frank "Spig" Wead. John Wayne stars as Wead, a reckless WW1 Naval aviator who (it says here) was instrumental in advancing the cause of American "air power". In private life, Wead becomes estranged from his wife Minnie (Maureen O'Hara) after the death of their baby. Drinking heavily, Wead tumbles down the stairs of his home, and as a result he is apparently paralyzed for life. With the help of happy-go-lucky Navy mechanic Carson (Dan Dailey), Wead is able to regain minimal use of his legs, but it seems clear that his Naval career is over. Fortunately, he manages to find work as a prolific Hollywood screenwriter, and after the attack of Pearl Harbor he is called back to active duty to oversee the construction of "jeep carriers". Not one of John Ford's more coherent films--in fact, it's downright sloppy at times--The Wings of Eagles nonetheless contains several highlights, not least of which are the "I'm gonna move that toe" scene with John Wayne and Dan Dailey, and Ward Bond's inside-joke performance as irreverent film director "John Dodge". ~ Hal Erickson, All Movie Guide

Pillars of the Sky is the lyrical title bestowed upon this cinemadaptation of Will Henry's novel Frontier Fury. Jeff Chandler stars as Sgt. Emmett Bell, whose job it is to put down an Indian uprising. Since converting to Christanity, the local tribe has done its best to keep the peace. But Chief Kamiakan (Michael Ansara), understandably angered over an impending government plan to build a road through his territory, intends to break that peace, despite the strenuously pacifistic efforts of missionary Joseph Holden (Ward Bond). A subplot involves a romantic triangle between Bell, Calla Gaxton (Dorothy Malone), and Calla's husband Tom (Keith Andes), Bell's superior officer. Magnificently photographed in Technicolor, Pillars of the Sky is a better-than-average Universal oater. ~ Hal Erickson, All Movie Guide

My Sister Eileen is a Technicolor, musicalized remake of the 1942 comedy of the same name. It is not, however, the film version of the 1949 Broadway musical Wonderful Town, which was also based on the 1942 film. Adapted from the short stories of Ruth McKinney, the film stars Betty Garrett as aspiring writer Ruth Sherwood, and Janet Leigh as her gorgeous sister Eileen. Moving from Ohio to New York, the girls take up residence in a basement apartment, which seems to be a gathering place for every eccentric character in the Big Apple. Ruth tries to get her stories published, but handsome editor Bob Baker (Jack Lemmon) doesn't buy anything until Ruth stops trafficking in fiction and begins writing about her own experiences. Most of those experiences are predicated on the misadventures of would-be actress Eileen, who has an uncanny knack for attracting strange men--not to mention a whole heap of trouble. Dancer/choreographers Bob Fosse and Tommy Rall costar as a timid soda jerk and wise-guy reporter, respectively, but their "roles" are merely excuses for a steady stream of flashy musical numbers, penned by Jule Styne and Leo Robin. Even Jack Lemmon gets to sing in this sprightly film, which compares quite favorably to all the My Sister Eileen adaptations which went before and were still to come. ~ Hal Erickson, All Movie Guide

Esther Williams' long association with MGM came to an abrupt end with Jupiter's Darling, which even she will admit was her silliest film. Based on Robert Sherwood's satirical play The Road to Rome, the film cast as Williams as Amytis, fiancee of vacillating Roman statesman Fabius Maximus (George Sanders). When it appears as though the forces of Hannibal (Howard Keel) will conquer Rome, Amytis takes it upon herself to halt the invasion. In the process, she and Hannibal embark upon a tempestuous romance, much to the consternation of the barbarian general's aide-de-camp Mago (William Demarest) and the bemusement of Hannibal's official chronicler Horatio (Richard Haydn). A subplot concerns the romance between Varius (Gower Champion), who tends Hannibal's fabled elephants, and spunky slave girl Meta (Marge Champion). Somewhere along the line Williams performs a water ballet with "living statues", and Varius and Meta come up with a herd of pink elephants. The Burton Lane-Harold Adamson songs are as forgettable as the film itself. Curiously, Jupiter's Darling opened to good reviews, but the film was killed by word of mouth. ~ Hal Erickson, All Movie Guide

Adapted by playwright John Patrick from a novel by famed globetrotter/filmmaker John H. Secondari, Three Coins in the Fountain offers the splendors of Rome in Technicolor, CinemaScope and Stereophonic Sounds. For all its lovely picture-postcard images, the film is at base a reworking of 20th Century-Fox' favorite plotline: three pretty girls on the prowl for husbands. The three lovelies, who toss their coins in the Trevi fountain and wish for romance, include Dorothy McGuire, Jean Peters and Maggie McNamara. Before the film is over, secretary McGuire has wooed her boss, Clifton Webb, Peters has won the heart of a co-worker Italian translator Rossano Brazzi (despite being fired, in the process, for having an office romance); and McNamara finds happiness with prince Louis Jourdan. Three Coins in the Fountain won two Academy Awards: "Best Color Cinematography" (Milton Krasner), and "Best Song" (written by Sammy Cahn and Jimmy Van Heusen, and sung in the pre-credits sequence by an uncredited Frank Sinatra). The film was remade in 1965 as The Pleasure Seekers, and also served as the basis for a never-sold TV pilot starring Yvonne Craig, Cynthia Pepper and Joanna Moore. ~ Hal Erickson, All Movie Guide

Ricky (Desi Arnaz) is staging a French-themed musical revue at the Tropicana club. Hoping to appear in the revue, Lucy (Lucille Ball) and Ethel (Vivian Vance) hire waiter Robert DuBois (Alberto Morin) to give them French language lessons -- and in exchange, DuBois will be allowed to sing "Louise" at Ricky's club. While Ricky is delighted to include DuBois in the act, he expressly forbids Lucy to participate in the revue -- which of course means that not only will Lucy show up at the Tropicana, but she will also steal the show. ~ All Movie Guide

This remake of John Ford's The Black Watch (29) stars Tyrone Power as British army captain stationed in India in 1857. Shunned by his fellow officers because he is a half caste, Power defies the social structure of the era by falling in love with the daughter (Terry Moore) of his superior officer. Power proves his loyalty to the Crown by quelling an uprising, led by his Indian boyhood friend (Guy Rolfe). The actors do their best, but the storyline is trite and stilted when dwelling on matters of honor and romance. King of the Khyber Rifles works best as an action picture--and in this respect it is immensely superior to the earlier John Ford film, which almost plays like a comedy when seen today. ~ Hal Erickson, All Movie Guide

This anthology film tells three stories of love involving the passengers of an ocean liner at sea. In the first, "The Jealous Lover," James Mason plays Charles Coudray, a well-known ballet director. When someone asks Coudray why he staged his masterpiece, "Astarte," only once, he tells the story of Paula Woodward (Moira Shearer), a superb dancer he found practicing in his theater. He was awestruck by her technique and her beauty, but he discovered that she had a secret -- due to a cardiac condition, she has been forbidden to dance too strenuously, as it could tax her heart and eventually kill her. Charles urges Paula to perform for him, so he may use her movements to choreograph his next great work; she agrees, but the exertion proves too much for her and she dies. He arranges for the work she inspired to be performed only once, in hopes that she will somehow see it from on high. In the second segment, "Mademoiselle," Tommy (Ricky Nelson) is a 12-year-old boy travelling with his French governess and tutor (Leslie Caron); she's tired of spending her days watching over a child, and he'd like to get away from Teacher for a while. Mrs. Pennicott (Ethel Barrymore), a older woman who happens to be a witch, hears Tommy wishing he could be a grown-up, and she grants his request: suddenly Tommy is a grown man (played by Farley Granger), but only for the next four hours. The Governess meets the mysterious stranger Tommy has become, and soon they fall in love. In the final segment, "Equilibrium," Kirk Douglas plays Pierre Narval, a high-wire artist who retired from performing after his partner died while performing a trapeze act, an accident Pierre blames on himself. He begins to reconsider his decision when he saves the life of Nina (Pier Angeli), a woman who attempted to drown herself; her husband died in a Nazi concentration camp during World War II, and she feels she is to blame for his death. Their shared fatalism equals fearlessness in Pierre's eyes, and he teaches Nina the art of the trapeze; however, when he begins to fall in love with her, he's no longer so certain that he wants her to risk her life. "The Jealous Lover" and "Equilibrium" were directed by Gottfried Reinhardt, while "Mademoiselle" was directed by Vincente Minnelli. ~ Mark Deming, All Movie Guide

Twenty-one-year-old Anne Francis carries off the title-character duties in 20th Century-Fox's Lydia Bailey with class and finesse. Set in Haiti during the Napoleonic era, the film concerns aristocratic landholder Lydia Bailey and her more-than-professional relationship with American attorney Albion Hamlin (Dale Robertson). The idealistic Hamlin becomes involved in the Haitian uprising against the French, aligning himself with rebel leader--and former slave--King Dick (William Marshall). At first, Lydia sides with the French, but she eventually realizes that Hamlin's way is the right way. Based on a novel by Kenneth Roberts, Lydia Bailey was slated for TV presentation on NBC's Saturday Night at the Movies in 1963, but was pulled from the schedule because of a subplot involving miscegenation. ~ Hal Erickson, All Movie Guide

Set in the years following the Civil War, Horizons West stars Robert Ryan as Dan Hammond, one of three Texans who decide to return home after the cessation of hostilities. While his brother Neal (Rock Hudson) and his friend Tiny (James Arness) decide to become ranchers, Dan opts for a more adventurous life out West. Through means both fair and foul (mostly foul), he builds up a veritable empire, defending his turf with legions of hired gunmen. Eventually, the honest Neal is forced to face down his brother Dan, whose megalomania has reached dictatorial dimensions. Julie Adams, still billed as "Julia," plays a self-reliant widow who sets her cap for Dan, who in an earlier scene had gunned down the woman's husband (Raymond Burr)--a characteristically ironic grace-note from director Budd Boetticher. ~ Hal Erickson, All Movie Guide

MGM's Ricardo Montalban and Cyd Charisse were loaned to Universal for the Technicolor period piece Mark of the Renegade. Set in 19th-century California, the film stars Montalban as Marcos, in league with a band of pirates. Marcos falls into the hands of Don Pedro Garcia (Gilbert Roland), a despot who hopes to become dictator of California. Planning to force the cooperation of benevolent politico Jose De Vasquez (Antonio Moreno), Garcia orders Marcos to court De Vasquez' comely daughter Anita (Cyd Charisse). It soon develops that Marcos is not the criminal he appears to be, and that he is dedicated to the vanquishing of the evil Garcia. Somehow, Mark of the Renegade finds an excuse for Cyd Charisse to perform a bewitching dance number. ~ Hal Erickson, All Movie Guide

Bob Hope is up to his famous nose in danger in this espionage comedy. Second-rate burlesque comic Peanuts White (Hope) is approached by federal agents who think that he's international spy Eric Augustine, to whom Peanuts bears a striking resemblance. When they realize that Peanuts and Eric are two different people, the FBI persuades him to travel to Africa posing as Eric and fetch a batch of microfilm that could prove vital to national security. With reluctance, Peanuts flies to Tangiers and arranges a rendezvous with Lily Dalbray (Hedy Lamarr), Eric's beautiful girlfriend and an agent of shifting alliances herself. However, Lily's superior Karl Brubaker (Francis L. Sullivan) wants the microfilm, and he will stop at nothing to get it. As Peanuts tries to rescue the microfilm, make time with Lily, and avoid Karl, things become even more confused when Eric escapes from hiding and re-enters the picture. Both Bob Hope and Hedy Lamarr contribute songs to the soundtrack, though unlike Bob, Hedy's vocals were dubbed in by a studio vocalist. ~ Mark Deming, All Movie Guide

John Wayne stars as Lt. Col. Kirby Yorke, whose devotion to duty has cost him his marriage to his beloved Kathleen (Maureen O'Hara). Yorke gets word that his son, Jeff (Claude Jarman Jr.) -- whom he hasn't seen in 15 years -- has been dropped as a cadet from West Point, and that he lied about his age to enlist in the cavalry, in an effort to redeem himself. By chance, the boy is then assigned to his father's post. Once more, as a function of his duty as a cavalry officer, Yorke must sacrifice his love of family -- he cannot show any preferential treatment to the boy, or exhibit any sign of love and affection. But Jeff is too strong to be injured by his father's actions, and already enough of a man that he is befriended by two older recruits, troopers Tyree (Ben Johnson) and Boone (Harry Carey Jr.), who watch out for him while taking him in as a virtual equal. Yorke's resolve is further tested when his estranged wife, Kathleen, arrives at the post, the better to look after her son -- and possibly to buy back the boy's enlistment, which Yorke, as commanding officer in a remote post with a critical shortage of men, can't and won't permit. After an attack by the Apaches, Yorke orders the post's women and children to be moved to safety, and Jeff is assigned as part of the troop conducting the caravan, despite his wish to participate in the planned action against the Apaches. The caravan is attacked, and the wagon with the children is taken by the Apaches to their encampment in a deserted village across the Rio Grande in Mexico. Yorke has been given permission by General Sheridan (J. Carrol Naish) to take his men into Mexico in pursuit of the Apaches, but the punitive expedition is now a rescue mission, as the Indians' night-time vengeance dance is the prelude to certain slaughter of the children at daybreak. As part of the mission, it's up to Tyree, the slyest man in the troop, to infiltrate the enemy camp, and he chooses Jeff and Boone as the two men he wants with him on this dangerous mission. ~ Bruce Eder, All Movie Guide