Philippe Morier-Genoud Movies

During the Nazi occupation of France during World War II, the nation's movie studios continued to operate; some filmmakers and technicians simply went along with what their new leaders demanded in hopes keeping themselves and their families safe, while others sought to subvert the messages of their captors through their work. Safe Conduct, directed by Bertrand Tavernier, is a fact-based period drama which examines two men working for a Parisian film company during 1942 and 1943, as well as their friends, family, and loved ones. Jean Devaivre (played by Jacques Gamblin) is an assistant director for Continental Pictures, a studio which has recently been taken over by the Germans and is headed by Dr. Greven (Christian Berkel), a self-styled aficionado of French filmmaking. With a wife (Marie Desgranges) and a newborn son to support, Devaivre feels he has little choice but to continue with his work, though as he rises from assisting to becoming a full fledged director thanks to the efforts of Maurice Tourneur (Philippe Morier-Genoud), he struggles to work his own views into his pictures as much as he can. Screenwriter Jean Aurenche (Denis Podalydes), a man who lives for wine, women and song (not necessarily in that order), refuses to work for Greven, and as he bounces between his many lovers - actress Suzanne Raymond (Charlotte Kady), no-nonsense streetwalker Olga (Marie Gillain), and soft-hearted Reine (Maria Pitarresi), a struggles to find a way to make a living with his words. Both Devaivre and Aurenche were real-life figures in the French film industry during the occupation, as were many of Safe Conduct's supporting characters; the real life Aurenche went on to write the screenplay for Bertrand Travernier's first feature film. ~ Mark Deming, All Movie Guide

Based on an award-winning play by Jean-Noel Fenwick, this fact-based drama offers a lively account of the lives and professional struggles of Noble prize-winning research scientists Pierre and Marie Curie. The two meet at the Paris School of Physics & Chemistry in a frosty laboratory. There Pierre (Charles Berling) and fellow researcher Gustave Bemont (Christian Charmetant) are busy with their work when the brash Marie Sklodowska bursts in to join them. She has been assigned there at the request of the school director Rodolphe Schutz (Phillipe Noiret), a man determined to have his school win the coveted Science Academy palmes, the highest honor in the French scientific community. Though she apparently speaks no French, Sklodowska proves her brilliance from the start. When not busy in the lab, Sklodowska and Pierre are busy in the boudoir indulging in another kind of experimentation that leads to love and ultimately marriage. This complicates matters for it is not easy to juggle the rigors of science, antagonistic colleagues, national pride and the demands of a family. Science aficionados in the audience may get a tickle from the cameo appearances by two Nobel laureate physicists, Pierre-Gilles de Gennes and Georges Charpak who show up as delivery men coming to unload a huge truckload of radium-bearing rocks. ~ Sandra Brennan, All Movie Guide

Using a minimalist setting, this slice-of-life film depicts the routine life of 20-year old Raoul. The unambitious fellow is supposed to be doing research for his thesis "The Color White in Painting." When not avoiding his work, Raoul can be found ogling women. Though he occasionally follows them, he is too shy to speak to them. Raoul wants to be kissed. He does manage a half-hearted sexual fling with Isabelle who gives him more than he bargained for. ~ Sandra Brennan, All Movie Guide

As a young man, Gerard was in a relationship with Marianne, a woman he called the love of his life, someone he would love even beyond the veils of death. However, somehow he drifted out of his relationship with her, though they were occasionally in touch with one another. Many relationships later, he is now married and has children by a wonderfully solid and nurturing woman (whom he is not faithful to). When he hears of the death of his first love, it causes him to reevaluate his relationships, and he realizes that Marianne was indeed the one great love of his life. Only his own lack of a real center caused him to lose that precious relationship. ~ Clarke Fountain, All Movie Guide

Gaspard Manesse plays Julien, an 11-year-old Catholic boarding-school resident during the Nazi occupation of France. He is witness to the courage of his instructors, who defy the German's anti-Semitic policies and quietly enroll Jewish children into the school under assumed names. Manesse befriends Jean (Raphael Fejto), one of these "instant Catholics." The refugee children are betrayed by a hostile ex-employee of the school, forcing Julien once more to be a bystander to history as Jean and the teachers are arrested. For this return to the French film industry after several years in the US, Louis Malle purged himself of his own bitter memories of life under the thumbs of the Nazis. ~ Hal Erickson, All Movie Guide

Two star-crossed lovers, separated by the Berlin wall for thirty years are reunited. The major events in their separate lives become the focus in this German political drama. The story begins in August 1961 as the Wall is being built. In Eastern Berlin a group of young adults plans their escape. Included in the group are Konrad and Sophie who has an aunt on the other side. It is the aunt who will sponsor the escapees. Escape will be the only way Konrad and Sophie will be able to stay together. Konrad is involved in a mishap en route and must remain in East Berlin. In 1968, the lovers at last get a chance to briefly meet in Prague. There they express their frustration and pain. At least there, in Prague they can find occasional happiness. Suddenly Russian tanks appear and destroy their new dream. 1980 comes. Sophie and Konrad have since married other people. Their next meeting is bittersweet as they look back upon their promise which was broken by circumstance, and by the decisions each lover had to make. ~ Sandra Brennan, All Movie Guide

Julie (Jessica Forde) and her childhood sweetheart Jean (Jean-Claude Adelin) are separated in this uneven but prize-winning romantic drama. When Jean is shipped off to live with his aristocratic father, Julie later becomes engaged to Henri (Simon de la Brosse), a young man from her own social standing. When Jean returns, Henri is driven to fits of jealous rage, and Julie follows the uninterested Jean back to Paris in an attempt to win his love again. This feature won the Jean Vigo Prize in 1987. ~ Dan Pavlides, All Movie Guide

The brief but eventful life of actor and martial arts trailblazer Bruce Lee is portrayed in this drama, based on a biography written by his widow Linda Lee Caldwell. Lee is introduced to the study of martial arts as a child living in Hong Kong by his father (Ric Young); the father dreamed that a demonic armored dragon would take his son from him, and wanted young Bruce to be able to protect himself. Bruce continues his training as he grows to adulthood, and after the cocky teenaged Lee (Jason Scott Lee, no relation to Bruce) seriously injures a prominent British citizen while fighting a gang of troublemakers at a dance, he's sent to San Francisco. While working as a dishwasher, Bruce begins to study philosophy, and in time develops a personal martial arts discipline, Jeet Kune-Do, which blends Kung Fu fighting techniques with lessons gained from his philosophical research. Bruce decides to open a martial arts academy on the advice of his fiancée Linda (Lauren Holly); Linda and Bruce encounter resistance as a mixed-race couple, especially from Linda's mother Vivian (Michael Learned), and Bruce earns the enmity of traditional Chinese martial arts experts for his new style. But after a strong showing in several public tournaments, Bruce's fighting skill and charisma attracts the attention of TV producer Bill Krieger (Robert Wagner). Bruce is cast as Kato, the karate-trained sidekick on the series The Green Hornet, and while the show is short-lived in America, it's a huge success in Asia, leading to a series of films based around Bruce's remarkable fighting skills. Sadly, shortly before the release of the film that would make him a major screen star in the United States, Enter The Dragon, a mysterious brain disorder sends Lee into a coma that soon kills him. In a tragedy with eerie timing, Bruce Lee's real-life son Brandon Lee died shortly before this film was released, the result of an accidental shooting while completing the picture The Crow. ~ Mark Deming, All Movie Guide

Edmond Rostand's classic drama of inner and outer beauty is given a lavish treatment in this acclaimed French production. Gérard Depardieu portrays the title character, a brilliant, charismatic swordsman with a generous spirit and a genius for poetry. It would seem that such a man would have no trouble attracting women, but Cyrano considers himself doomed to loneliness by an unattractive face featuring an oversized nose. His feelings of inadequacy are emphasized when Roxane, the beautiful woman he adores, attracts the attention of Christian, a young cadet in Cyrano's service. Christian lacks the poetic gift, however, and he ironically turns to Cyrano for help in winning Roxane's love. What follows is a tale of deception, with Roxane falling in love with the ineloquent Christian thanks to Cyrano's words of love. The underlying narrative has become quite familiar to modern audiences through retellings and variations from the 1950 adaptation starring José Ferrer to Steve Martin's Roxanne. Director Jean-Paul Rappeneau's interpretation stresses the tragic majesty of the original, setting a vigorous performance by Depardieu against a beautifully designed reproduction of the period and an emphasis on the sound and poetry of Rostand's original language; the subtitles for the film's English release were penned by renowned British author Anthony Burgess. This attention to detail creates a particularly faithful cinematic rendering of the original work that met with positive critical responses. ~ Judd Blaise, All Movie Guide

An ambitious project of Chile-born, Paris-based Raul Ruiz, this psychological drama brings to the screen the famous classic of Marcel Proust with fidelity to its interior monologues and streams of consciousness. Proust (Marcelo Mazzarella), on his deathbed in his small apartment on Rue Hamelin, is looking through old photos and remembering his life, as real characters intermingle with fictional ones from his novels. The period is 1914-18, when WWI is raging. Hidden in Paris, thanks to his asthma, Marcel Proust wanders into the night. He finds an aging courtesan in Café de la Paix, which is deserted by the curfew. Charlus, the seducer of young boys, is at the Palais des Felicites where he meets his lovers. Gilberte returns alone to Tansonville to evade the confiscation of her chateau by the Germans after the death of her husband at the front. Famous violinist Morel is hiding in a decrepit hotel. The demoralizing effects of war affect all the characters, hastening their decadence or transforming them into caricatures. In the whirlpool of the grotesque specter of war, Marcel finds refuge in his childhood memories to escape the atrocities around him. Death and decadence, the evanescence of human existence, and the relations between space and time are some of the main themes explored in this film, which reflects the works of Marcel Proust in every detail. Raul Ruiz has on his side a very good screenwriter, Gilles Taurand, and an impressive cast: Catherine Deneuve and John Malkovich, who have collaborated with Ruiz before, Emanuelle Béart, Vincent Pérez, Pascal Greggory, and the Italian man of theatre, Marcello Mazzarella. Shown in competition at the 1999 Cannes Film Festival. ~ Gönül Dönmez-Colin, All Movie Guide