Michael Moriarty Movies

A soldier discovers how elusive the truth can be in this first major film about America's role in the Gulf War. Lt. Col. Nathaniel Serling (Denzel Washington) was the commander of a unit during Operation Desert Storm who mistakenly ordered the destruction of what he believed to be an enemy tank, only to discover that it actually held U.S. soldiers, including a close friend. Since then, Serling has been an emotional wreck, drinking heavily and allowing his marriage to teeter on the brink of collapse. As a means of redeeming himself, Serling is given a new assignment by his superior, Gen. Hershberg (Michael Moriarty). Capt. Karen Walden (Meg Ryan) was a helicopter pilot who died in battle during the Iraqi conflict, and the White House has proposed that Walden be posthumously awarded the Congressional Medal of Honor. Serling is asked to investigate Walden's actions on the field of battle, but he quickly discovers that no two stories about her are quite the same; Ilario (Matt Damon) says Walden acted heroically and sacrificed herself to save the others in her company, while Monfriez (Lou Diamond Phillps) claims she was a coward who was attempting to surrender to enemy troops. Meanwhile, reporter Tony Gartner (Scott Glenn) is hounding Serling, trying to get the inside story on Walden and on Serling's own difficulties. Matt Damon lost 40 pounds to prepare for his role in Courage Under Fire, which resulted in a potentially life-threatening illness for the young actor. ~ Mark Deming, All Movie Guide

A Native American struggles to find himself and maintain his cultural identity growing up with a White family in the Old West in this drama, originally produced as a TV miniseries. Gypsy Smith (Sidney Poitier), an African-American bounty hunter, helps lead a platoon of U.S. Cavalry soldiers on a raid of a Cheyenne Indian camp. Among the Cheyenne, one of the few survivors is a boy named White Wolf. Smith takes pity on the child and takes him home to live with a family of white settlers he works with, John and Nora Maxwell (Michael Moriarty and Farrah Fawcett). As he grows to adulthood, White Wolf is renamed Corby (Billy Wirth), and he falls in love with John and Nora's daughter, Rachel (Joanna Going). However, the Maxwells object to Rachel and Corby's romance, and they send her away to study in St. Louis. Corby feels that he doesn't belong in the White man's world and returns to live with the Cheyanne; meanwhile, Smith has become the Marshall of Freedom, a Black settlement in the Oklahoma territory. Shelby Hornbeck (Hart Bochner), a wealthy Oklahoma landowner, has married Rachel -- and is the leader of the local branch of the Ku Klux Klan. When Hornbeck and his thugs decide to level Freedom, Gypsy Smith and Corby reunite to lead the charge to stop them. A Good Day to Die originally aired under the title Children of the Dust. ~ Mark Deming, All Movie Guide

It can be said with some assurance that during its fourth season on the air, Law & Order finally came into its own and assumed the form and texture for which it became famous. For one thing, the producers finally responded to audience demand that there be more of a "female presence" on the series. Thus, Richard Brooks as Assistant DA Paul Robinette was given his walking papers, as was Dann Florek as Police Captain Don Cragen. Replacing these two regulars were Jill Hennessy as new Assistant DA Claire Kincaid and S. Epatha Merkerson as Lt. Anita Van Buren, freshly transferred from the narcotics bureau to homicide. It was explained that Robinette had retired from the DA's office to go into private practice (in fact, the character would return in a later season as counsel for the defense, opposing his former colleagues). As for Cragen, the character returned to Law & Order in a guest-star capacity, and was returned to full "regular" status in 1999 on the spin-off series Law & Order: Special Victims Unit. (Actor Florek also directed several Law & Order episodes). ~ Hal Erickson, All Movie Guide

Not yet a hit, though certainly sustaining decent ratings, Law & Order entered its second season with the first of its many cast changes -- and a spectacular one it was indeed, with Detective Max Greevey being shot down and killed in front of his own house. In truth, George Dzundza, who played Greevey, had already left the series, so his "death" largely occurred off-camera. Reportedly, Dzundza felt that the series' format gave his character no room to grow or develop, though some reports indicate that he was asked to leave because of his inability to get along with certain other cast members. At any rate, he was replaced by Paul Sorvino as Detective Phil Ceretta, who, likewise, departed the show early on (a few weeks into season three, in fact). As was the case in the first season, the regular Law & Order cast lineup was still all male, although a few recurring female characters were given sporadic moments to shine, notably police psychologist Dr. Elizabeth Olivet, played by Carolyn McCormick. Again, viewers were given only brief and tantalizing glimpses of the off-duty lives of the detectives and lawyers, in keeping with creator Dick Wolf's edict that the show would be story-driven rather than character-driven. Having received one Emmy nomination during the 1990-1991 season (Michael Moriarty as best leading actor), Law & Order chalked up six more nominations during season two, winning the award for Best Sound Editing (David Hankins). Also, with its move from Tuesday to Wednesday evening, the series increased its viewership, though still not enough to crack the Top Ten -- or even the Top 25. ~ Hal Erickson, All Movie Guide

"In the criminal justice system, the people are represented by two separate, yet equally important, groups: the police, who investigate crime, and the district attorneys who prosecute the offenders. These are their stories." With this pithy but all-inclusive prologue, thus began each hour-long episode of Law & Order, American network television's longest-running police drama.

This was not the first such program to equally divide its time between the arrest and the trial; indeed, there had been a series precisely titled Arrest and Trial back in 1963. But Law & Order was easily the most popular and successful of the batch, and as the series eased gracefully past its 11th, 12th, and 13th season, it was very likely that its creator and executive producer Dick Wolf would fulfill his dream of matching and even surpassing the longevity of Gunsmoke, which lasted 20 years, setting a record as American network television's most durable dramatic series. Although Law & Order boasted a large and fluid ensemble cast, there were no real "stars" per se, save for the city of New York (a point made by scores of TV historians, notably Tim Brooks and Earle Marsh). Virtually every episode starts out with the discovery of a dead body or evidence of a violent crime. A pair of NYPD detectives arrive on the scene, begin gathering evidence and eyewitnesses at the behest of their superiors, and -- generally after a handful of frustrating dead ends and false leads -- manage to collar the principal suspect. The story then shifts to the offices of the DA, where a team of brilliant prosecuting attorneys do their best to build a case against the accused, dodging the obstructive tactics of defense lawyers all along the way. Even when the case gets to court, the story is far from over, with several twists and turns -- and usually a shocking and unexpected denouement -- awaiting both the prosecutors and the viewer.

The series made its NBC network debut Thursday, September 13, 1990, moving to its originally scheduled Tuesday-night slot October 23. The original cast included, on the side of "Law," chubby, hard-boiled veteran detective Sgt. Max Greevey (George Dzundza) and his younger, more athletic partner, Mike Logan (Chris Noth). Their supervisor was Captain Donald Cragen, played by Dann Florek. Once the detectives had completed their share of the work, the scene changed to the "Order" team of District Attorney Adam Schiff (played by Steven Hill), who appeared in all but the pilot episode, and a brace of intense, dedicated assistant DAs, the Caucasian Ben Stone (Michael Moriarty) and African-American Paul Robinette (Richard Brooks). The program's first season had several distinctions: In keeping with network's promise of delivering TV's top "action series," the scenes in which Greevey and Logan track down the perp are top-heavy with noise and violence (generally implied, but not always so), vertigo-inducing handheld camerawork and punchy background music. Also, individual scenes run a bit longer than the later short-and-sweet vignettes that would become the series' stylistic trademark. And unlike the relatively dispassionate detectives seen in later seasons, Greevey and Logan tend to become emotionally involved in their work; similarly, lawyers Stone and Robinette seem to take every legal setback personally, much more so than their successors in the series' subsequent years, although DA Schiff exhibits as much calm, stoic integrity in his first appearance as he would in his last, a decade later. Even in its earliest episodes, however, the emphasis is on the story rather than personalities: All we learn of the regulars' private lives is revealed in fragmentary fashion, and only when it bears some relevance.

Fans of the latter-day Law & Order will notice that the first season lacks the gender balance of the series' later years -- or, put more bluntly, the series was pretty much an "all boys' club." Although dozens of prominent actresses appeared in supporting roles, there were no regular female characters, a fact that tended to weaken the series' ratings in its formative seasons. Still, it would not be until the fourth season began in 1993 that any distaff characters would be added to the weekly lineup. One element of the series was established early on and would remain in place forever afterward: Most of the stories on Law & Order were "ripped from today's headlines," often with only the names changed to protect the innocent (?). In season one alone, the series offers fictionalizations of the Bernard Goetz subway shootings, the Menendez killings, the Central Park "Preppie Murder," the "Mayflower Madam," the Tawana Brawley imbroglio, and the Steinberg child-murder case. So close did the last-named episode come to the actual facts that the series' producers were compelled to include a disclaimer at the beginning of several episodes, assuring viewers that, although the story was inspired by real happenings, the script itself was otherwise purely a work of fiction. The fact that Law & Order was frequently pre-empted by network specials indicated that NBC wasn't all that sure of the series' success. By the end of the first season, however, the ratings, if not spectacular, were good enough to warrant a renewal -- while backstage intrigues assured that the series would undergo the first of its many abrupt cast changes. ~ Hal Erickson, All Movie Guide

On September 1, 1983, the Russians caused a major international incident by shooting down Korean Air Flight 007 -- a jet transporting 269 civilians including Georgia congressman Lawrence McDonald -- when it strayed into Soviet airspace. The U.S.R.R. claimed that they misinterpreted the plane as the product of a CIA operative. This factual docudrama chronicles the global political crisis surrounding the event. ~ Sandra Brennan, All Movie Guide

Al Capone's imprisonment opened the way for mobster Frank Nitti to become the underworld king of Chicago as related in this true story. (AKA Nitti) ~ All Movie Guide

Lionel Chetwynd's film documents the horrific struggles that faced American POWs held in the North Vietnamese prison Hoa Lo -- more infamously known as the Hanoi Hilton -- between 1964 and 1975. Williamson (Michael Moriarty) leads a group of American servicemen who are prisoners at the detention camp. He assumes command after Cathcart (Lawrence Pressman) is dragged off to be tortured. ~ Dan Pavlides, All Movie Guide

A successful architect (Jenny Agutter) is in the middle of a large building project, but a series of murders among the construction crew disrupts her plans. She gradually realizes that the unseen force is actually the ghost of her long-dead husband. ~ John Bush, All Movie Guide

A mysterious and possibly otherworldly stranger comes to the rescue of a frontier town in this Western, which was strongly influenced by the George Stevens classic, Shane. The peace of a small mining community is shattered when Coy LaHood (Richard Dysart), the ruthless proprietor of a powerful strip-mining company, arrives in town with his son Josh (Christopher Penn) and a posse of hired guns to drive out the townspeople and take control of the territory. Megan (Sydney Penny), a young girl whose pet was killed in the melee, prays to God for someone to defend the village from the marauders; soon, the Preacher (Clint Eastwood) arrives on a pale horse, and joins forces with Hull Barrett (Michael Moriarty), the unofficial leader of the miners and one of the few who attempts to defend himself, to take a stand against LaHood and his men. As the Preacher and Barrett try to organize the miners to fight the invaders, both Megan and her mother Sarah (Carrie Snodgrass) find they're drawn to the Preacher, who keeps to himself and seems to have more than his share of secrets. Pale Rider was also directed by leading man Clint Eastwood; it was his first Western as both director and star since the acclaimed The Outlaw Josey Wales. ~ Mark Deming, All Movie Guide

When a group of miners discovers a mysterious but delicious white substance bubbling up from the earth, a conglomerate markets the gooey, addictive fluff as a dessert in this tongue-in-cheek horror spoof from former NBC scriptwriter Larry Cohen. When a new product called "The Stuff" begins eating into the market share of traditional frozen desserts, the dairy industry hires former FBI agent Moe Rutherford (Michael Moriarty) to investigate the competition. With the assistance of deposed ice-cream magnate Chocolate Chip Charlie (Garrett Morris), Rutherford discovers that the substance is actually a sentient entity that takes over its victims' minds while eating away at their bodies from the inside. Meanwhile, young Jason (Scott Bloom) realizes that his family's strange behavior has something to do with the dessert product in their refrigerator that refuses to stay in its carton, and he launches a campaign to destroy the threatening confection. Soon Rutherford and Jason must team up with Nicole Kendall (Andrea Marcovicci), The Stuff's unwitting advertising mastermind, and Vietnam vet-turned-militia leader Colonel Spears (Paul Sorvino) to save America from its own sweet tooth. Sorvino and Moriarty would go on to co-star in NBC's hit police procedural, Law & Order. Icy-eyed As the World Turns hunk Brian Bloom appears alongside his brother, Scott Bloom. The Stuff's television connections also extend to cameos from Clara Peller, pitchwoman for the Wendy's "Where's the beef?" campaign, and Abe Vigoda of Barney Miller fame. Actresses Brooke Adams, Tammy Grimes, and Laurene Landon also appear in parodic commercials for the titular dessert. ~ Brian J. Dillard, All Movie Guide